Marble Shell House Opens Toward the Golf Landscape of Nordelta

01-06-2-0.jpg
Wrapped in marble and oriented toward a sweeping golf course, this residence balances sculptural enclosure with panoramic openness.

 

Located in Nordelta’s El Golf district, Marble Shell House is conceived as a sculptural volume that opens fully toward the surrounding landscape while maintaining a protective material envelope.

Naturally the most obvious information to take into account is the one offered by the terrain: orientation, visuals, access and context.

But in this case the formal exploration and the search of new forms determine the center of the project.

The idea of the house and the response to these conditions join and finally converge in a balanced way as a translation of our architectural thought. Sculpture an marble enveloped protective-shell in industrial aesthetic of the marble which house.

Clear volumes are stacked and shifted to generate inhabitable voids, allowing marble to operate not merely as cladding but as structural atmosphere. Through sliding, carving and subtracting pure forms, the house establishes a dialogue between enclosure and openness within its contextual setting, reinforcing how architecture can emerge through material narrative.

 

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House Three Clear Compositional Pieces

Sculpture an marble enveloped protective-shell in industrial aesthetic of the marble which house three clear compositional pieces. At first glance three clear compositional pieces stand out, these correspond to each of the programmatic volumes of the house, stand out: Social area – Private area – Service area.

The programmatic differentiation is given, this time, volumetrically and not through materials, since the travertine marble was used as the only covering and as an integrating element of the project.

Large plates of travertine invade the envelope of the house, causing it to become practically a monolithic element.

Its termination is uneven and grooved, the tonal variations along its veins and its imperfections not only give warmth to the pure lines of the house, but also gives its name.

The building appear without openings, or cuts, and some of their faces dematerialize with large glazed panels, keeping the continuity of slabs and walls to generate the envelope.

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

The Centerpiece of the House

The main volume floats on the upper floor and rests on two others on the ground floor that move one towards the front and one towards the side.

This volume contains the main suite facing the golf course, and two more suites facing the front.

The lower ones slide in such a way that the upper volume floats towards the front generating the semi-covered access, and towards the quiet part of the building creating a large gallery stripped of supports.

The blindest volume that grows towards the front contains the service and detaches itself from the ground with a large bracket that grows diagonally and shows the garage.

A “tongue” that floats on a water mirror delimited by the access area receives us in front of the house.

Upon entering, a double height slit is generated in the meeting between the volumes that are the centerpiece of the house and contains the vertical core that links the floors.

Furthermore, every interior floor is transformed into outdoor, allowing an immediate relationship with the pool that colonizes the outdoor and links the house with the garden.

The flexibility of the volumes allows the presence of inclined planes and diagonal cuts that enhance the volume and through overhangs filter direct sunlight where it is needed. Sculpture an marble enveloped protective-shell in industrial aesthetic of the marble which house.

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

 

 

 

 

 

 

 

 

 

 

 

KaniKaChic is a Global Art and Swag Life Blog

KaniKaChic created W4Porn for billions of adult netizens around the world from art and swag life, I’ve got more swag than you do

tt-Artstudio is KaniKaChic‘s top swag-fashion-iconic image. At the same time, KaniKaChic created a revolutionary model of W4Porn for billions of adult netizens around the world. KaniKaChic’s top swag-fashion-iconic image is tt-Artstudio, and W4Porn’s revolutionary model is completely different from ordinary pornographic websites. Register at W4Porn is The Best Visual Entertainment for any Adult. KaniKaChic decentralizes W4Porn porn site on the Internet. W4Porn website is facing the internet public domain ecosystem, which is a very cool fashionable pioneering work. W4Porn is The Best Visual Entertainment for any Adult.

 

Why would you Spend 1 Euro/USD to Watch Pornographies at W4P/W4Porn.com from tt-Artstudio

tt-Artstudio is a Blog of Global Art and Trendy Life.

tt-Artstudio is a blog of global art and trendy life with the nomad offices in the two big cities, Antwerp, Belgium, and Milan, Italy, gathering the top art, craft, design, and trendy life in the world. tt-Artstudio collects the Internet ecology of billions of netizens worldwide. It is the blog with the largest number of daily visitors.

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen! … xo KanikaChic
───────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme! …xo KanikaChic

建築材料生命週期評估流程示意圖,涵蓋生產、運輸、使用與回收階段

建築材料生命週期評估如何影響環境與設計決策

    建築材料從開採到報廢的每個階段,都在累積能源與環境影響,也逐漸轉化為一種可被理解的Material as Narrative。     本文將從原料、製造、運輸、使用到回收五個階段,整理建築材料在生命週期中的環境影響。   作為自然資源消耗、能源使用與溫室氣體排放的重要來源,建築產業對環境有著顯著影響。目前全球約32%的能源消耗與34%的碳排放,皆與建築相關。在這樣的背景下,建築材料不再只是構成空間的元素,而逐漸成為評估環境影響的關鍵。透過循環經濟、可再生資源與技術創新等策略,材料被重新放回整個系統中檢視,其角色也從物質轉向過程,例如在Material as Narrative的脈絡中被重新理解。     生命週期評估(LCA)提供了一種系統化的方法,用以衡量與管理建築材料的環境影響。從原料開採、製造與運輸,到施工、使用與最終處理,每一階段都被納入分析範圍。這種方法不僅讓環境負擔變得可量化,也讓設計決策能在更早的階段被調整,特別是在Adaptive Reuse的情境中,更能看出材料選擇的長期影響。 在生命週期的不同階段中,投入與產出構成主要評估指標。投入包含能源、水資源與化石燃料的使用;產出則涵蓋碳排放、廢棄物與污染物的釋放。這些數據會進一步轉化為環境指標,如全球暖化潛能、水資源消耗、生態毒性與資源耗竭等,使不同材料在不同環境脈絡中得以比較,也與Architecture and Landscape的整體關係相互連動。     在國際層面,ISO 14040與14044標準提供生命週期評估的基本架構,將整體流程分為目標與範圍界定、清單分析、影響評估以及結果解讀四個階段。這些步驟彼此相互關聯,從定義研究目標開始,到量化數據與分析影響,逐步建立對材料環境表現的整體認知,也讓設計更能回應如Light and Space這類與環境條件相關的議題。

Facebook
Twitter
LinkedIn
Tumblr
0 0 votes
Article Rating
Subscribe
Notify of
guest
1 Comment
Oldest
Newest Most Voted
trackback
tinder wont load pictures
5 years ago

tinder wont load pictures

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House – Kanika’s tt-ArtStudio Chic-house

Search