Marble Shell House Opens Toward the Golf Landscape of Nordelta

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Wrapped in marble and oriented toward a sweeping golf course, this residence balances sculptural enclosure with panoramic openness.

 

Located in Nordelta’s El Golf district, Marble Shell House is conceived as a sculptural volume that opens fully toward the surrounding landscape while maintaining a protective material envelope.

Naturally the most obvious information to take into account is the one offered by the terrain: orientation, visuals, access and context.

But in this case the formal exploration and the search of new forms determine the center of the project.

The idea of the house and the response to these conditions join and finally converge in a balanced way as a translation of our architectural thought. Sculpture an marble enveloped protective-shell in industrial aesthetic of the marble which house.

Clear volumes are stacked and shifted to generate inhabitable voids, allowing marble to operate not merely as cladding but as structural atmosphere. Through sliding, carving and subtracting pure forms, the house establishes a dialogue between enclosure and openness within its contextual setting, reinforcing how architecture can emerge through material narrative.

 

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House Three Clear Compositional Pieces

Sculpture an marble enveloped protective-shell in industrial aesthetic of the marble which house three clear compositional pieces. At first glance three clear compositional pieces stand out, these correspond to each of the programmatic volumes of the house, stand out: Social area – Private area – Service area.

The programmatic differentiation is given, this time, volumetrically and not through materials, since the travertine marble was used as the only covering and as an integrating element of the project.

Large plates of travertine invade the envelope of the house, causing it to become practically a monolithic element.

Its termination is uneven and grooved, the tonal variations along its veins and its imperfections not only give warmth to the pure lines of the house, but also gives its name.

The building appear without openings, or cuts, and some of their faces dematerialize with large glazed panels, keeping the continuity of slabs and walls to generate the envelope.

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

The Centerpiece of the House

The main volume floats on the upper floor and rests on two others on the ground floor that move one towards the front and one towards the side.

This volume contains the main suite facing the golf course, and two more suites facing the front.

The lower ones slide in such a way that the upper volume floats towards the front generating the semi-covered access, and towards the quiet part of the building creating a large gallery stripped of supports.

The blindest volume that grows towards the front contains the service and detaches itself from the ground with a large bracket that grows diagonally and shows the garage.

A “tongue” that floats on a water mirror delimited by the access area receives us in front of the house.

Upon entering, a double height slit is generated in the meeting between the volumes that are the centerpiece of the house and contains the vertical core that links the floors.

Furthermore, every interior floor is transformed into outdoor, allowing an immediate relationship with the pool that colonizes the outdoor and links the house with the garden.

The flexibility of the volumes allows the presence of inclined planes and diagonal cuts that enhance the volume and through overhangs filter direct sunlight where it is needed. Sculpture an marble enveloped protective-shell in industrial aesthetic of the marble which house.

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

Sculpture an Marble Enveloped Protective-shell in Industrial Aesthetic of the Marble Which House

 

 

 

 

 

 

 

 

 

 

 

 

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城市中的凹槽量體與光影秩序

赤陶凹槽立面在城市中建立光影秩序,透過節奏與遮蔽重塑零售建築的觀看方式。     帶凹槽的音量以赤陶色的整體造型傲然屹立:在城市景觀中,它既具雕塑感,又內斂沉穩,散發著一種靜謐的權威。經過嚴謹的原型製作,最終呈現出完整的外部形態,這些非正交模組以韻律般的順序重複排列出帶凹槽的音量,賦予建築雕塑般的質感,使其擺脫了珠寶店常見的商業光澤。光影變幻賦予建築不同的風貌。 在印度城市的繁華街道上,零售展廳往往以水晶吊燈與華麗立面爭奪目光。位於維傑亞瓦達的珠寶品牌總部「Fluted Volume」卻選擇另一種姿態。這座由 Studio Urban Form + Objects 設計的建築,以赤陶色整體量體立於城市之中,透過凹槽節奏與光線控制,形成一種關於 光與空間 的克制表述,在喧囂環境中建立靜默的存在感。       設計回應任務書中的核心悖論:如何同時吸引視線,又避免落入珠寶產業慣有的炫目語彙。工作室提出一種介於透明與不透明之間的立面策略。經過反覆原型推敲,最終形成完整自律的外部形態——非正交模組以韻律重複排列,定制澆鑄的啞光陶土色混凝土槽構成立面肌理,使建築在材料與節奏中建立秩序。隨著日照移動,光影在凹槽間流轉,使整體成為一種動態的 光與空間 實驗,而非單純的商業展示盒體。     窗戶朝北與朝東配置,精準引入自然光,同時避免眩光與熱輻射。玻璃外覆膨脹波紋鋁網,在遮蔽與滲透之間取得平衡。建築內部則依人流強度分層佈局:展示與流通區域位於低層,向上逐漸過渡為更私密的貴賓空間與工作區。動線設計如同經過編排的節奏,平衡視線、控制與儀式感,使整體空間既理性精準,又保有內斂張力。    

Material as Narrative — Editor’s Note

Materials remember what architecture tries to forget. 在這些作品裡,材料不是被覆蓋,而是被閱讀。石材的裂紋、灰泥的層次、木構的勞動痕跡構成了一種持續書寫的語言。Material as Narrative 關注那些讓建築保持可讀性的空間——時間沒有被抹除,而是被允許停留。這些建築不是追求完美的物件,而是承載生活、修補與記憶的結構,提醒我們空間真正的價值來自其被使用、被觸摸、被歲月雕刻的過程。 Materials are never neutral. In these projects, concrete carries memory, bamboo becomes structure, wood

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