Alonso’s Concrete House Uses Ceramics and Wood to Humanise Raw Concrete

Ceramics and Wood to Add Texture to a House
In this Mexican residence, ceramics and wood soften the rawness of concrete, revealing how material layering can shape warmth, tactility, and the lived atmosphere of domestic space.

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

Commissioned to design a family house in a cul-de-sac in the densely built residential neighbourhood of San Miguel de Allende, a colonial-era city in Mexico’s central highlands known for its baroque Spanish architecture, Mexican architect Mauricio Alonso of local practice m aquitecturA had to contend with an awkwardly shaped plot with a steep inclination. His solution: a slim, two-storey, cantilevered building that turns its back to the street, opening up instead out onto an expansive garden that takes over half of the property. Designed as a tight composition of cubic volumes and rectangular planes, the concrete structure is imbued with a sense of lightness thanks to large glass openings with ceramic and steel elements that further enhance its sculptural sensibility.

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Pulling into the driveway, you are greeted by a blind façade; psupported on two steel columns and clad in square ceramic tiles, a low-cost material that echoes the town’s historic courtyards, the five-metre-high façade is designed to ensure privacy but also makes for a bold architectural statement. A staircase that leads from the street-level parking to the entrance on the first floor is constructed out of locally sourced flagstones, their organic shapes complementing the rectilinear design of the concrete structure.

 

Entering the house through a floor-to-ceiling mahogany door, you step into an open-plan living space centred on a double-height living room with an adjacent dining area, kitchen and study/TV room, the latter delineated by translucent sliding doors that can disappear into the walls. Enveloped in patio doors and windows, the light-filled space enjoys generous views of the garden, which Alonso cleverly extended by designing a concrete platform over the parking level below which is one of the main reasons that he elevated the house in the first place.

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

A glass-enclosed staircase that juts out of the main building volume provides a buffer zone between the social areas on the lower level and the family’s private quarters upstairs. Ample natural light and views are also abundant upstairs thanks to floor-to-ceiling windows in both the master and the child’s bedroom. The former opens onto a large terrace where a latticed wall made of angled concrete panels offer both shading and privacy, much the same as the vertical timber slats on the second bedroom.

 

Underpinning a minimalist aesthetic of clean lines and simple forms, the use of materials such as exposed concrete and white mahogany imbue the pared-down interiors with a tactile sensibility with terrazzo and ceramic tiling adding more textures to the mix. The result is a muted yet soulful canvas that comes alive through the interplay of light and shadow as well as the verdant vistas that await at every corner.

 

 

 

 

 

 

 

 

 

 

Ceramics and Wood to Add Texture to a House

 

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
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Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

地下建築機電系統與通風管線,展現隱藏於結構中的能源消耗與環境成本

地下建築的環境成本從來沒有被真正看見

地下建築常被當成一種節省空間,甚至被包裝成對環境友善的選擇。但這種說法只成立在地表以上。一旦視線往下移,所有被隱藏的成本就開始浮現——不是消失,而是被推遲、被轉移,最後被重新分配。 地下並不是解法,它只是把問題壓進另一個層次。當我們選擇不看見,它們就暫時不存在;但那只是視覺上的缺席,不是現實的消除。     地下空間常被視為穩定與安全的延伸,彷彿是一種不受外界干擾的建築基礎,然而這種想像忽略了其背後龐大的能量消耗與維運系統,使地下建築不僅不是被動的結構支撐,而是高度依賴能源與技術持續運作的環境,其存在本身即意味著一種長期且不可見的成本累積。     在地下空間之中,光線、空氣與溫度不再由自然條件提供,而是完全依賴人工系統進行調節,通風設備、抽排系統與照明設施持續運轉,使空間得以維持基本的使用狀態,然而這些維持穩定的條件並非自然存在,而是透過持續的能源輸入所換取的結果,使地下建築在日常運作之中不斷消耗資源,形成一種看似靜止卻實際高度動態的能量循環,而這種循環往往被隱藏於結構與設備之後,難以被直接感知 隨著地下空間規模的不斷擴大,其維運需求也隨之增加,從交通系統、商業空間到儲存設施,地下逐漸成為城市運作不可或缺的一部分,然而這些空間所依賴的系統同時也帶來長期的能源負擔與環境影響,設備的更新與維護、系統的持續運轉與升級,都意味著額外的資源投入,使地下建築不僅在建造階段消耗大量能量,更在其生命週期之中持續產生成本,並在長期運作之下,逐步反映於整體基礎設施對地景的重組之中。這些成本並未直接體現在可見的形式之中,卻深刻影響著整體環境 當地下被視為可無限擴展的空間時,其背後所隱含的限制與代價反而更加被忽略,建築與城市傾向將地下視為一種可被持續開發的資源,而非需要被審視的結構條件,使這些空間在提供功能與安全的同時,也不斷累積不可逆的環境負擔,這種將成本隱藏於深層結構之中的運作方式,使我們難以全面理解地下建築的真實影響,並進一步強化了對其依賴而不自覺的狀態       這些被隱藏於地下的能量消耗與環境成本,最終仍指向同一個問題——建築如何在能源、材料與基礎設施交織而成的系統之中被持續支撐與重構。       挖掘的開始 一切從開挖開始。土方被移除,岩層被破壞,地下水系被迫改道。這些改變不會消失,它們只是被轉移到別的地方,被分散到更難追蹤的位置。 我們習慣用「開發」、「建設」這些詞來描述這些行為,但這些語言本身已經在替過程減壓。真正發生的事情更直接:地層被切開,結構被打斷,一種原本穩定的系統被迫重新排列。這不是中性行為,也不是單純的技術操作,而是一種不可逆的介入。 一旦開始,就沒有回到原來狀態這件事。所有之後的設計與選擇,都只是對這個破壞結果的回應。     這些被隱藏於地下的能量消耗與環境成本,最終仍指向同一個問題——建築如何在能源、材料與基礎設施交織而成的系統之中被持續支撐與重構。  

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