Anren Liaowei Mansion Reimagined as a Contemporary Visitor Center

Renovated exterior of Anren Liaowei Mansion in Chengdu, China

 

The Anren Tourist Center, located on the edge of Anren Ancient Town in southwestern Chengdu, is a renovation and expansion project of the Liao Wei Mansion. Originally a private residence, the Liao Wei Mansion later served as a brewery and farmer’s dwelling before falling into disuse. Designated as a Chengdu historical building and protected heritage site in 2018, it has now been transformed into Anren Ancient Town’s visitor center and community center. As the historical DNA of this area, the visitor center serves as the genesis of newly constructed neighborhoods, forming a new cluster of Linpan spatial communities. This project stands as a research sample of China’s new town development.

The project site is located on the peripheral edge of the ancient town, approximately one to two kilometers from the central area (Bazi district). Situated south of the main road and facing the bus terminal across the street, it occupies a position akin to the ancient town’s outer living room. To the north lies a densely packed self-built residential area by villagers, while the west features large-scale middle school and college campuses. The east, south, and the site itself were originally expansive farmland. The existing Liao Wei Mansion on the plot, together with surrounding trees and shrubs, forms a small Linpan cluster.

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

 

▏h2) Transforming The Three-Courtyard Complex into a Five-Courtyard Configuration

h2-3) As a typical mansion architecture in Anren, the Liao Wei Mansion originally featured a three-courtyard layout with high walls and expansive courtyards, dotted with trees and a water tower. Due to its location far from the ancient town’s core area, it suffered from insufficient social attention and maintenance. Before renovation, the mansion was in poor condition: courtyard walls had collapsed, gate structures were damaged, and roof frameworks in some sections were deteriorated or at risk of collapse. The design implemented a complete disassembly and reassembly restoration of the existing structure to prevent the heritage building from collapsing. The expansion section employs steel frames and lightweight construction. Though directly adjacent to the original walls and structures, the project maximizes protection of existing architectural elements throughout implementation and post-completion.

4) The original layout of Liao Wei Mansion featured a three-courtyard structure, progressively expanding and rising from northwest to southeast. Based on this existing courtyard cluster, the design added a low-profile, flattened courtyard extension to the west and a taller, broader courtyard extension to the east, transforming the three-courtyard complex into a five-courtyard configuration. This expansion continues and amplifies the spatial character of the original pitched-roof architecture, achieving a cohesive integration of old and new.

5) The first courtyard of the old mansion showcases restoration achievements of Liao Wei Mansion and other Anren mansions, with the space itself exemplifying significant heritage conservation in the ancient town. This allows visitors to experience distinctive local culture upon entering the visitor center. The new enclosure employs a small timber framework system, utilizing lightweight construction that maintains appropriate relationships with existing structural components. It provides resting spaces for visitors both inside and outside the building.

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

 

▏h3) Third Courtyards

h3-6) The second and third courtyards, being relatively compact in scale, had damaged walls. Instead of restoring the original residential layout, the design preserved the structural framework to shape a semi-outdoor space, forming interconnected flexible multipurpose spaces with flanking courtyards. This provides venues for diverse community activities.

7) The west expansion, backed against the original building wall, extends toward the community plaza with a gentle, low-profile monopitch roof. Facing the secondary entrance plaza of the “Linpan” town, it establishes an human-scaled interface and community public space.

8) The east expansion features a pitched roof that begins adjacent to the historic structure, encircling the courtyard with progressively ascending xieshan-style rooflines. The orthogonal courtyard building volume is obliquely truncated by the site boundary, creating a monumental monopitch roof profile facing the main entrance. Toward the urban street and plaza, it presents a gable-like vertical facade, while maintaining a humble scale and respectful distance from the old building through low eaves. The resulting hybrid polygonal volume alternates between gable ends and formal eaves, simultaneously embodying traditional pitched-roof typology and contemporary abstraction.

9) Beneath the pitched roof, diverse functional spaces of the visitor center—ranging from lofty to intimate—are organized. Visitors ascend the steps along a circulation path that alternates between proximity and distance from the sloping roof, culminating at the summit viewing pavilion. From this vantage point, one looks westward to overlook the cascading rooflines of Liao Wei Mansion and its expansions, as well as the unfolding landscape of the entire “Linpan” town. This visually integrates the old and new sections of the visitor center while connecting the “Linpan” settlement with Liao Wei Mansion through sightlines.

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

 

Renovation of Anren Liaowei Mansion Anren Tourist Center

油紙傘蘊含著圓滿、團聚和命運的深刻文化內涵

油紙傘讓客家文化成為可被棲居的敘事

傘不只是器物,而是一種文化結構,承載圓滿、團聚與命運的象徵。   對客家人而言,油紙傘蘊含著深刻的文化內涵。它像徵著圓滿、團聚和命運,提醒人們人生的際遇既由偶然性引導,也由連結引領。即使在「傘」(傘)這個漢字中,也能發現「人」(人)的反覆出現,暗示著人與人之間的相聚、依賴和相互依存。     在漢字「傘」之中,「人」的結構反覆出現,暗示著聚集、守護與共享的意象。對客家文化而言,油紙傘不只是日常器物,而是一種承載情感與命運的象徵,指向圓滿、團聚與生命循環。傘下的空間成為人與人相遇的場所,也是一種文化記憶的凝聚點。透過這個看似簡單的物件,語言、形式與集體信念彼此交織,讓傳統在當代語境中持續被閱讀與理解。 受這種層層象徵意義啟發,藝術家鄭宗峰將油紙傘轉化為一種 象徵性結構。他將傘擴展為三個巨大的輻射狀傘蓋,如防護盾般水平展開,共同構成一個可被進入的建築裝置,使傳統符號轉變為實際可感的庇護空間。       創作始於對客家油紙傘的深入研究——其比例、接合方式與精細構件皆體現傳統 文化工藝 的邏輯。透過解構與重組,三把傘的骨架被交織成一個包覆性的空間,使工藝從物件轉化為可被身體經驗的場域。       圍繞著中央的袖珍花園,木質圓形長椅提供了休憩的空間,在人與自然生長之間營造出平衡。頂篷採用穿孔帆布製成:白天,它沐浴在陽光和空氣中;夜晚,它像燈籠一樣發出柔和的光芒;雨中,其傾斜的表面自然地將雨水導走,既保留了遮陽傘的日常功能,又在建築尺度上將其放大。       三把傘狀造型以中心軸為中心向外輻射,形成萬花筒般的幾何圖形,隨著視角的變化而改變。置身其中,彷彿置身於一艘奇幻的太空船,靜靜地漂浮在宇宙中——一個既奇妙、私密又寧靜的空間。馮氏將客家傳統元素重塑為空間形式,邀請觀眾不僅觀看,更融入作品之中,體驗其所蘊含的聚集、守護和充滿想像力的逃離的氛圍。      

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