Ye-Xiao-Xiao-Tea-Space

Ye-Xiao-Xiao-Tea-Space—Offering an Opportunity to Escape the Hustle and Bustle of City Life in a Tranquil Environment Ye-Xiao-Xiao-Tea-Space, This Concept Design has Designed an Immersive, Oneiric Venue in Mengzi in China’s Yunnan Province that allows Patrons

 

 

Offering an Opportunity to Escape the Hustle and Bustle of City Life in a Tranquil Environment Ye-Xiao-Xiao-Tea-Space, This Concept Design has Designed an Immersive, Oneiric Venue in Mengzi in China’s Yunnan Province that allows Patrons

 

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▎Historically, Chinese teahouses are communal places where people gather to exchange news, chat and even conduct business. With the country’s exponential urbanization during the last few decades, teahouses have also taken on the role of a refuge, offering an opportunity to escape the hustle and bustle of city life in a tranquil environment. Taking this concept one step further, interior design practice Aurora Design has designed an immersive, oneiric venue in Mengzi in China’s Yunnan province that allows patrons not only to disconnect from busy city life to enjoy an aromatic cup of tea but also to experience a state of meditative serenity. aurora-ye-xiao-xiao-tea-space

 

Eschewing traditional and contemporary teahouse typologies for a theatrical approach that the practice calls “emotional design”, the space organically unfolds as a series of cocoon-like rooms and alcoves blanketed in flowing curtains. Swathed in a monochromatic palette of sepia tones, the labyrinthic teahouse welcomes patrons in its warm, soft embrace nurturing a sense of exploration as much as mindfulness and relaxation.

 

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▎Yunnan Province is considered the birthplace of tea culture, having cultivated pu’er tea ever since the 10th century – a distinction recognised by UNESCO which gave the Old Tea Forests of the Jingmai Mountain World Heritage Site status last year. The designers drew inspiration from Yunnan’s traditional tea forests, where tea is cultivated under the canopies of taller trees across the forested mountains, applying a design language of organic forms, soft textures and earthy hues to create an immersive scenography whose soulful abstraction evokes billowing clouds and flowing waterfalls.

 

A key part of this sensation is the use of pleated drapes that clad the curvaceous volumes which populate the venue. Featuring round or oval footprints, the draped volumes house larger and more intimate tea rooms, plus an art installation in the form of an autumnal landscape, while the space around them is transformed into meandering paths that further enhance the sense of immersion. A soothing, earthy colour palette ranging from white, beige to dark brown, deepens the sense of immersion and further underlines the subtle connection with nature as do furnishings such as the check-out counter and product display that introduce timber textures. Handcrafted sculptural chairs and tables that echo the region’s cultural heritage round up the pared down interiors adding to the teahouse’s subtle sophistication.

 

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brick house light well interior with vertical light and shadow

廣東磚造房屋以材料構造與光影秩序重塑鄉土記憶與居住關係

    廣東磚造房屋以紅磚與混凝土構築清晰量體,透過材料構造與光影滲透,重塑鄉村建築與當代居住之間的秩序與關係,展現 材料敘事   光井將自然光引入室內,使磚構空間在垂直尺度中建立清晰層次。   廣東磚造房屋以在地建材與構造邏輯回應鄉村建築的生成方式,重新界定居住、記憶與環境之間的關係。透過磚作為空間與結構的共同語言,建築在內外之間建立厚度與層次,展現 Material as Narrative 的敘事力量;同時藉由開口、進深與光井控制光線路徑,形塑具有時間性的 Light and Space 空間經驗。   鄉村建築並非被一次性設計完成,而是在長時間的使用、修補與增建之中逐步形成,呈現出一種帶有模糊邊界的秩序。這種秩序不依賴形式,而來自於與環境、氣候與生活方式的長期協調。 在此脈絡下,設計並未透過強烈的形式語彙介入,而是選擇降低建築的可見性,使其重新嵌入既有場域之中。業主希望這棟房子能讓下一代重新理解家鄉的存在,這使建築不只是空間的更新,而是一種記憶與歸屬的重新建立。同時,非日常居住的使用條件,也使設計在情感之外,必須精準回應成本與維護的現實限制。使建築不只是空間更新,更回到作為日常居住(domestic space)與家庭聚合的場所。       磚的尺度與人的身體直接對應,使其在搬運與砌築過程中形成一種自然的節奏,這種節奏進一步被轉化為空間生成的基本單位。 從單一磚塊到牆體,再到整體構造,建築呈現出一種由模組堆疊而成的秩序。鋼筋混凝土框架提供主要結構,內層牆體與其精準對齊,使承重與填充之間的關係被清楚揭示;外層則以連續磚面包覆,使結構退居於背景之中。這種內外之間的落差,讓建築同時具備可閱讀的構造邏輯與被隱藏的空間表情。

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