NOMA Restaurant Reinvented

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NOMA restaurant reinvented its name has become synonymous with culinary ingenuity

NOMA restaurant reinvented rustic modernism meets Scandinavian authenticity. Copenhagen’s NOMA restaurant needs no introduction; awarded two Michelin stars and named Best Restaurant. In the World by Restaurant magazine four times since 2010, NOMA restaurant reinvented its name has become synonymous with culinary ingenuity.

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NOMA Restaurant Reinvented has Become Synonymous with Culinary Ingenuity

NOMA restaurant reinvented to say that it has reinvented Nordic cuisine would be an understatement. It has also revolutionized the world of fine dining with restaurants from New York to Sydney Following Chef Rene Redzepi’s experimental cooking philosophy.

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But NOMA’s greatest act of reinvention was the unveiling of NOMA 2.0. This past spring, a year after Redzepi’s decision to close the restaurant down for a complete makeover. Relocated to the outskirts of Copenhagen’s autonomous district of Christiania. The new NOMA offers its guests not just a new modern venue and a fresh, seasonal menu, but also a novel dining experience.

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Created in collaborations with Copenhagen, New York and London-based architectural collective BIG – Bjarke Ingels Group. NOMA’s new home is part renovation part extension of an abandoned warehouse that was built at the beginning of the 20th century by the Royal Danish Navy for storing mines.

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The worn-down, graffiti-lined building was chosen for both its spatial characteristics and its untamed, verdant surroundings as well as for its heritage—the military facility, along with the adjacent historic fortifications of the city, is a protected national landmark.

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NOMA Reinvented

Due to its landmark status, strict regulations dictated both the location and the extent of the new extensions. NOMA reinvented inspired by a traditional Nordic typology, the sæter, a loose cluster of farm building each with its own function and distinct appearance.

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NOMA and BIG came up with the concept of an intimate culinary garden village. Consisting of seven small buildings at the south end of the existing edifice, the “village” houses the restaurant’s public areas, seamlessly interconnected by glass-covered paths.

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At the centre of the densely clustered structures is  NOMA’s heart, the service kitchen, granting the chefs complete overview of the restaurant but also allowing guests to watch the chefs at work.

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Each of the other “village” buildings has been custom-designed for a specific functionreception, lounge, barbeque, wine selection, dining and private events—whereas the back-of-house functions have been relegated to the existing building with each space connected by a longitudinal corridor. This type of deconstructed layout, not unlike some of the intricate dishes on the menu, is further underlined by three greenhouses housing an indoor garden, a test kitchen and a bakery, located on the east of the old building on existing concrete foundations.

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Exudes a Sense of Contemporary Sophistication

NOMA’s dishes are intrinsically linked with Scandinavia, its exclusive source of ingredients and inspiration, so it is only fitting that the restaurant’s interiors, designed in collaboration with Studio David Thulstrup it exudes a sense of contemporary sophistication.

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Would be infused with the same gusto expressed through a no-nonsense sensibility of rustic modernism. Take the 40-cover dining hall: a bright and airy space, courtesy of expansive floor-to-ceiling windows and a slender skylight, timber-lined and accented by dried seaweed and herbs hanging from wooden beams, it feels like a barn and yet it exudes a sense of contemporary sophistication.

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The cosy lounge on the other hand, features extensive brickwork, whereas the barbecue has been designed as a giant walk-in hut. NOMA restaurant reinvented its name has become synonymous with culinary ingenuity.

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With expansive views of the gardens and the surrounding landscape from most of the restaurant’s spaces, the changing seasons are an part of the dining experience not just gastronomically—courtesy of the new NOMA’s seasonal menu that changes three times a year from seafood, to vegetable to game & forest season—but visually as well.

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KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

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Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
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Raul De Lara 的奇思妙想木雕作品打破了界限

Raul De Lara 的奇思妙想木雕作品打破了界限

這些作品將原本普通的物品,轉化為奇異而詭異的景象,將木工視為一種敘事方式,一種魔幻寫實主義蓬勃發展的方式,展出他融合植物與家具的超現實主義雕塑作品。匯集了一系列質疑歸屬感和身份認同的作品,並駁斥了國家邊界固定且自然的觀點。   為什麼植物可以被視為多個國家的本土物種,而人類卻不能?這項探究引發了由勞爾·德·拉哈(Raul De Lara)舉辦的大型展覽,展出了他融合植物與家具的超現實主義雕塑作品。 目前正在奧斯汀當代藝術中心展出的《HOST》匯集了一系列質疑歸屬感和身份認同的作品,並駁斥了國家邊界固定且自然的觀點。德拉拉使用德州和墨西哥特有的木材,雕刻出從鐵鍊上長出的盆栽龜背竹、佈滿長刺的課桌,以及偽裝成兒童搖馬的仙人掌。 這些作品將原本普通的物品──例如一把鏟子,或是插在花瓶裡的一簇巨大的雛菊──轉化為奇異而詭異的景象。許多作品甚至變得無法使用,其中包括一架帶釘子的梯子,就連我們中最勇敢的人也不敢攀爬。     德拉拉現居皇后區里奇伍德,在奧斯汀附近長大,父母是墨西哥移民。他最初在自家的木工坊學習木工,他形容那裡是「一個世界,在那裡,每件工具都有自己的語言,每塊木頭都流露出歲月的痕跡,人們可以透過雙手進行交流。」 在這片神聖的空間裡,瀰漫著對萬物有靈、運氣和超自然現象的強烈信仰,也讓這位初露頭角的藝術家意識到,他可以利用特定材料的能量。 如今,他將木工視為一種敘事方式,一種魔幻寫實主義蓬勃發展的方式。 「我樂於接受這樣的觀點:藝術品本身就能擁有生命的火花,並將其延伸到我們身上,」德拉拉說道,並補充道: 創作作品時,我會想起童年時看到當地雕刻家把樹枝雕刻成聖人的場景。我總是好奇,在雕刻的哪個階段,鬼魂會進入那塊木頭。我努力創作出能贏得觀者某種信任和接納的作品,讓他們能夠脫離我們的束縛而活下去。 隨著全球對移民和人權議題的擔憂日益加劇,德拉拉的作品顯得格外重要。這位藝術家擁有DACA(童年抵美者暫緩遣返計劃)的身份,親身體驗了新政府帶來的動盪和快速變革。     他的雕塑捕捉到了一種奇思妙想和玩味的感覺,這似乎與現實背道而馳,但對德拉拉來說,木工,乃至更廣泛的傳統工藝,都是一種超能力。 「它無法被奪走,因為它不受地域、政治或法律的束縛。你可以隨身攜帶它,在任何地方與任何人練習,而且很多時候,它還能化解我們之間的差異,」他說。 觀看HOST至 2026 年 1 月 11

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