NOMA Reframes Nordic Minimalism Through Material and Craft

Cover - noma 2.0 copenhagen denmark bjarke ingels group - z1
In Copenhagen, NOMA redefines the restaurant as spatial narrative, where Nordic craft, raw material textures, and rustic modernism shape an architecture rooted in place and seasonality.

 

 

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NOMA Restaurant Reinvented has Become Synonymous with Culinary Ingenuity

NOMA restaurant reinvented to say that it has reinvented Nordic cuisine would be an understatement. It has also revolutionized the world of fine dining with restaurants from New York to Sydney Following Chef Rene Redzepi’s experimental cooking philosophy.

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But NOMA’s greatest act of reinvention was the unveiling of NOMA 2.0. This past spring, a year after Redzepi’s decision to close the restaurant down for a complete makeover. Relocated to the outskirts of Copenhagen’s autonomous district of Christiania. The new NOMA offers its guests not just a new modern venue and a fresh, seasonal menu, but also a novel dining experience.

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Created in collaborations with Copenhagen, New York and London-based architectural collective BIG – Bjarke Ingels Group. NOMA’s new home is part renovation part extension of an abandoned warehouse that was built at the beginning of the 20th century by the Royal Danish Navy for storing mines.

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The worn-down, graffiti-lined building was chosen for both its spatial characteristics and its untamed, verdant surroundings as well as for its heritage—the military facility, along with the adjacent historic fortifications of the city, is a protected national landmark.

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NOMA Reinvented

Due to its landmark status, strict regulations dictated both the location and the extent of the new extensions. NOMA reinvented inspired by a traditional Nordic typology, the sæter, a loose cluster of farm building each with its own function and distinct appearance.

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NOMA and BIG came up with the concept of an intimate culinary garden village. Consisting of seven small buildings at the south end of the existing edifice, the “village” houses the restaurant’s public areas, seamlessly interconnected by glass-covered paths.

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At the centre of the densely clustered structures is  NOMA’s heart, the service kitchen, granting the chefs complete overview of the restaurant but also allowing guests to watch the chefs at work.

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Each of the other “village” buildings has been custom-designed for a specific functionreception, lounge, barbeque, wine selection, dining and private events—whereas the back-of-house functions have been relegated to the existing building with each space connected by a longitudinal corridor. This type of deconstructed layout, not unlike some of the intricate dishes on the menu, is further underlined by three greenhouses housing an indoor garden, a test kitchen and a bakery, located on the east of the old building on existing concrete foundations.

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Exudes a Sense of Contemporary Sophistication

NOMA’s dishes are intrinsically linked with Scandinavia, its exclusive source of ingredients and inspiration, so it is only fitting that the restaurant’s interiors, designed in collaboration with Studio David Thulstrup it exudes a sense of contemporary sophistication.

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Would be infused with the same gusto expressed through a no-nonsense sensibility of rustic modernism. Take the 40-cover dining hall: a bright and airy space, courtesy of expansive floor-to-ceiling windows and a slender skylight, timber-lined and accented by dried seaweed and herbs hanging from wooden beams, it feels like a barn and yet it exudes a sense of contemporary sophistication.

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The cosy lounge on the other hand, features extensive brickwork, whereas the barbecue has been designed as a giant walk-in hut. NOMA restaurant reinvented its name has become synonymous with culinary ingenuity.

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With expansive views of the gardens and the surrounding landscape from most of the restaurant’s spaces, the changing seasons are an part of the dining experience not just gastronomically—courtesy of the new NOMA’s seasonal menu that changes three times a year from seafood, to vegetable to game & forest season—but visually as well.

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KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

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Cover - noma 2.0 copenhagen denmark bjarke ingels group - z1

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
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Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

材料如何被石油體系重新定義

材料從來沒有中性過,只是我們習慣把它當作中性。 混凝土、鋼、玻璃——它們被討論時,總是停在強度、結構或形式。但那只是最後一層。 在那之前,它們已經被決定過很多次。 材料之所以看起來中性,是因為大部分決策已經在它出現之前完成。當我們開始討論材料時,其實已經太晚。     石油的影響並不止於能源供應,它進一步進入建築的物質層,重新塑造了我們對材料的理解,使材料不再只是被選擇與組合的元素,而是與能源體系緊密連動的結果,其生成、性能與使用方式都在石油系統的框架之中被重新定義。     材料在這樣的條件下不再被視為中性的建築構成元素,而是帶有明確來源與技術背景的產物,從塑膠、塗料、防水層到各類合成材料,其背後皆指向石油提煉與化工工業的生產鏈,使建築的物質基礎逐漸從天然轉向人工合成,這種轉變不僅改變了材料的物理性能與施工方式,也使材料本身成為一種可被標準化、複製與大量生產的結果,並在其生成與應用的過程中,逐漸依賴於隱藏地下的基礎設施與能源系統,進而影響建築形式與空間表現的可能性,使設計不再完全由形態決定,而是受制於材料系統的供應與限制 隨著這些材料被廣泛應用於建築之中,空間的生成邏輯也隨之發生改變,輕量化、高強度與高延展性的特性使結構得以突破原有的限制,建築可以更快速地搭建與擴張,同時也更加依賴隱藏於表面之下的材料層次來維持其功能,然而這些看似提升效率與性能的材料,實際上將建築更深地嵌入石油體系之中,使其在生命週期的每一個階段都與能源消耗與資源轉換緊密相連,從生產、運輸到維護與替換,都構成了一個難以脫離的依附關係 當材料被納入這樣的系統之後,建築便不再只是設計者操作的結果,而是成為一種由能源、技術與工業流程共同塑造的產物,其物質性不再純粹,而是混合了多重不可見的生產過程與資源流動,使我們難以單純以形式或功能來理解建築本身,而必須進一步追溯其背後的材料來源與生產邏輯,才能看見這些看似穩定的構成元素,實際上如何在石油體系之中被持續生成與重構   這些物質層面的轉變,最終仍回到同一個問題——建築如何在能源與基礎設施的系統之中被持續塑造與運作。     來源 材料來自哪裡,其實比它長成什麼樣子更重要。 開採、運輸、加工,每一個環節都在消耗能量,也在重新分配成本。這些過程不會出現在圖面上,但它們決定了什麼可以被建造。 Material is not chosen, it is

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