Located just outside the medieval walls of Bressanone, a.k.a. Brixen, the oldest town in South Tyrol in Italy, the new tourist information office welcomes visitors with sculptural panache. TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility.
Named TreeHugger, on account of the impressive plane tree its wraps itself around, the building is imbued with a sense of lightness despite its brutalist sensibility, with its concrete mass levitating above the ground as it tiptoes around the massive tree trunk.
TreeHugger Impressive Building with Levitating Above the Ground of the Lightness its Brutalist Sensibility by Bishop’s Palace of Bressanone
TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility by Bishop’s Palace of Bressanone; Sitting next to the 13th century-built Bishop’s Palace of Bressanone, one of the town’s main tourist attractions that features a renaissance-style interior courtyard and lavish Baroque interiors, the building’s shape was informed by the triangular plot that it occupies and a pair of prominent trees within it.
While a concave wall subtly marks the one at the tip of the site in the north, a circular courtyard puncturing the building accommodates the larger tree on the south of the piazza, its textured bark playfully reflected by the roughhewn concrete building mass.
In addition, the pavilion’s arched supports echo the arcades that line the town’s cobbled streets, while the concave forms are inspired by the sinuous curves of the Chinese and Japanese pavilions that mark the corners of the adjacent Palace gardens.
The result of these bold gestures, in conjunction with the use of concrete, makes for a highly sculpted form that transforms the building into an architectural folly. In fact, the tourist pavilion is the latest in an eclectic list of structures from the 19th century to the 1970s that stood on the site to welcome the town’s visitors.
“Historical documentation reveals a lineage of eccentric and remarkable pavilions at the service of visitors, which have met their unfortunate demise through demolition, making way for the next victim.”
A Testbed for Architectural Creativity
A testbed for architectural creativity the building’s structural design allows the ground floor to be almost completely glazed, ushering visitors inside while reinforcing the site’s role as a public piazza.
Minimalist in sensibility, the simple, clean-cut aesthetic counterbalances the building’s formidable exterior while the smooth surfaces are designed in juxtaposition to the roughhewn concrete facades, with timber counters and wall panels adding warmer accents amid the exposed concrete.
A testbed for architectural creativity, With administrative offices out of sight on the upper floor and auxiliary spaces within the basement level, the concrete and glass pavilion carries on the site’s history both as a gateway to the town’s cultural sights and a testbed for architectural creativity.
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