TreeHugger Tourist Office Floats Around a Plane Tree in South Tyrol

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Levitating around a protected plane tree, this sculptural concrete tourist office in Bressanone reframes civic architecture as a precise dialogue between structure, light, and landscape.

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility, a tree-hugging tourist office in northern italy echoes its historical surroundings.

Located just outside the medieval walls of Bressanone, a.k.a. Brixen, the oldest town in South Tyrol in Italy, the new tourist information office welcomes visitors with sculptural panache. TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility.

Named TreeHugger, on account of the impressive plane tree its wraps itself around, the building is imbued with a sense of lightness despite its brutalist sensibility, with its concrete mass levitating above the ground as it tiptoes around the massive tree trunk.

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger Impressive Building with Levitating Above the Ground of the Lightness its Brutalist Sensibility by Bishop’s Palace of Bressanone

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility by Bishop’s Palace of Bressanone; Sitting next to the 13th century-built Bishop’s Palace of Bressanone, one of the town’s main tourist attractions that features a renaissance-style interior courtyard and lavish Baroque interiors, the building’s shape was informed by the triangular plot that it occupies and a pair of prominent trees within it.

While a concave wall subtly marks the one at the tip of the site in the north, a circular courtyard puncturing the building accommodates the larger tree on the south of the piazza, its textured bark playfully reflected by the roughhewn concrete building mass.

In addition, the pavilion’s arched supports echo the arcades that line the town’s cobbled streets, while the concave forms are inspired by the sinuous curves of the Chinese and Japanese pavilions that mark the corners of the adjacent Palace gardens.

The result of these bold gestures, in conjunction with the use of concrete, makes for a highly sculpted form that transforms the building into an architectural folly. In fact, the tourist pavilion is the latest in an eclectic list of structures from the 19th century to the 1970s that stood on the site to welcome the town’s visitors.

“Historical documentation reveals a lineage of eccentric and remarkable pavilions at the service of visitors, which have met their unfortunate demise through demolition, making way for the next victim.”

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

 

 

 

A Testbed for Architectural Creativity

A testbed for architectural creativity the building’s structural design allows the ground floor to be almost completely glazed, ushering visitors inside while reinforcing the site’s role as a public piazza.

Minimalist in sensibility, the simple, clean-cut aesthetic counterbalances the building’s formidable exterior while the smooth surfaces are designed in juxtaposition to the roughhewn concrete facades, with timber counters and wall panels adding warmer accents amid the exposed concrete.

A testbed for architectural creativity, With administrative offices out of sight on the upper floor and auxiliary spaces within the basement level, the concrete and glass pavilion carries on the site’s history both as a gateway to the town’s cultural sights and a testbed for architectural creativity.

 

 

 

 

 

 

 

 

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溫哥華海岸的巢穴(The Nest)度假勝地

The Nest 在溫哥華海岸重構建築與景觀關係

被常綠樹冠包覆,這座度假住宅既像樹屋也像瞭望台,重新定義棲居高度。     The Nest 如同一處隱於林間的世外棲居,遠離塵囂,被茂密的常綠樹冠環繞,俯瞰豪灣(Howe Sound)的壯麗景色。它既像一座小木屋,又像一間懸浮於林梢的樹屋,介於現實與超現實之間。這座位於溫哥華海岸的度假居所刻意模糊建築與自然的邊界,既是緊密相連的社區節點,也如同一座靜靜佇立於高處的瞭望台,承載關於庇護、觀看與共存的想像。 棲息在濟慈島高處的「巢穴」(The Nest),距離溫哥華僅一小段渡輪航程,卻又宛如世外桃源。這座由建築師達莉亞·謝娜設計的住宅,是一種 建築與景觀關係 的實驗,在茂密常綠樹冠之中模糊了棲居與自然的邊界。 濟慈島森林茂密,地勢崎嶇,是一處休閒度假勝地,島上散佈著夏季小屋,約有50名常住居民,是一個緊密聯繫的社區。該島位於島上最高點之一,其僻靜的地理位置、高聳的地形和令人嘆為觀止的全景景觀對項目的設計產生了深遠的影響,最終使這座房屋彷彿與周圍景觀融為一體,又如同一座瞭望台般矗立於高處。           從建築角度來看,這棟房屋的設計理念是兩個立方體的碰撞,其中一個旋轉45度形成銳利輪廓。西部紅雪鬆覆層將體塊整合為一體,使建築外皮成為一種 材料敘事,隨時間轉為銀灰色,進一步融入周圍森林景觀。 A similar relationship between architecture and

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