TreeHugger Tourist Office Floats Around a Plane Tree in South Tyrol

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Levitating around a protected plane tree, this sculptural concrete tourist office in Bressanone reframes civic architecture as a precise dialogue between structure, light, and landscape.

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility, a tree-hugging tourist office in northern italy echoes its historical surroundings.

Located just outside the medieval walls of Bressanone, a.k.a. Brixen, the oldest town in South Tyrol in Italy, the new tourist information office welcomes visitors with sculptural panache. TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility.

Named TreeHugger, on account of the impressive plane tree its wraps itself around, the building is imbued with a sense of lightness despite its brutalist sensibility, with its concrete mass levitating above the ground as it tiptoes around the massive tree trunk.

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger Impressive Building with Levitating Above the Ground of the Lightness its Brutalist Sensibility by Bishop’s Palace of Bressanone

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility by Bishop’s Palace of Bressanone; Sitting next to the 13th century-built Bishop’s Palace of Bressanone, one of the town’s main tourist attractions that features a renaissance-style interior courtyard and lavish Baroque interiors, the building’s shape was informed by the triangular plot that it occupies and a pair of prominent trees within it.

While a concave wall subtly marks the one at the tip of the site in the north, a circular courtyard puncturing the building accommodates the larger tree on the south of the piazza, its textured bark playfully reflected by the roughhewn concrete building mass.

In addition, the pavilion’s arched supports echo the arcades that line the town’s cobbled streets, while the concave forms are inspired by the sinuous curves of the Chinese and Japanese pavilions that mark the corners of the adjacent Palace gardens.

The result of these bold gestures, in conjunction with the use of concrete, makes for a highly sculpted form that transforms the building into an architectural folly. In fact, the tourist pavilion is the latest in an eclectic list of structures from the 19th century to the 1970s that stood on the site to welcome the town’s visitors.

“Historical documentation reveals a lineage of eccentric and remarkable pavilions at the service of visitors, which have met their unfortunate demise through demolition, making way for the next victim.”

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

TreeHugger impressive building with levitating above the ground of the lightness its brutalist sensibility

 

 

 

 

A Testbed for Architectural Creativity

A testbed for architectural creativity the building’s structural design allows the ground floor to be almost completely glazed, ushering visitors inside while reinforcing the site’s role as a public piazza.

Minimalist in sensibility, the simple, clean-cut aesthetic counterbalances the building’s formidable exterior while the smooth surfaces are designed in juxtaposition to the roughhewn concrete facades, with timber counters and wall panels adding warmer accents amid the exposed concrete.

A testbed for architectural creativity, With administrative offices out of sight on the upper floor and auxiliary spaces within the basement level, the concrete and glass pavilion carries on the site’s history both as a gateway to the town’s cultural sights and a testbed for architectural creativity.

 

 

 

 

 

 

 

 

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Paris streets illustrating the ReGreeneration vision for green urban renewal and the 15-minute city

巴黎綠色都市復興傳說三部曲

ReGreeneration 以巴黎為起點,透過 15 分鐘城市、綠洲校園與性別敏感城市設計,重新描繪歐洲都市更新的未來藍圖。     巴黎一直是世界城市規劃的重要參考,但真正讓這座城市持續進化的,並非大型新建設,而是不斷重新定義既有公共空間的角色。作為 ReGreeneration 九座示範城市之一,巴黎透過 15 分鐘城市、性別敏感城市設計以及 Oasis Schoolyards 綠洲校園三項策略,將氣候調適、公共參與、生物多樣性與日常生活重新整合,示範了一套兼顧環境、社會公平與城市韌性的都市更新模式,也為全球高密度城市提供新的發展方向。     「綠色復興」ReGreeneration 是一個榮獲 Horizon Europe「地平線歐洲」資助的項目,意在透過基於自然的解決方案、參與式治理以及氣候適應和社會公平的綜合方法,在九個城市推進城市復興。該計劃涵蓋的九個城市類型各異,規模不同,規劃傳統也各有不同,共同構成了一個鮮活的實驗室,用於重新思考永續城市轉型在實踐中的應用。每個城市都為合作帶來了獨特的挑戰和願景,本系列文章將探討每個城市正在進行的工作,以及更廣泛的設計界可以從中汲取哪些經驗。 巴黎是本系列的第一座城市,也是歐洲人口密度最高、最適合步行的城市之一,擁有龐大且有效率的地鐵系統。然而,幾十年來,巴黎的城市規劃主要圍繞私家車展開,由此產生了許多後果,包括長期空氣污染、街道對行人和騎行者不友好,以及公共空間優先考慮車輛通行而非居民生活品質。巴黎擁有著名的建築遺產和歷史中心地帶的公共空間,但同時,其綠地面積遠低於歐洲目標,城市熱島效應隨著夏季的到來而加劇,內城區與郊區之間的差距凸顯了都市的不平等。     在過去十年間,巴黎市政府制定了一系列環環相扣的策略,意在透過對現有城市肌理進行耐心而有計劃的改造,來解決這些矛盾。本文將探討其中三個策略,每一項都與「綠化重塑」ReGreeneration 計劃的目標直接契合。第一項是「15分鐘城市」框架,巴黎市政府試圖透過該框架,圍繞鄰里關係、積極出行和分散式治理來改造社區生活。第二項是性別敏感型公共空間設計,巴黎市政府致力於確保其街道、公園和公共基礎設施能夠服務所有居民的多元化需求。第三項是將學校重新定義為兼具氣候和社會功能的雙重基礎設施,巴黎市政府由此在社區的日常地理環境中,找到了一個意想不到的城市綠化、社區活動和氣候適應場所網絡。

Casa Corten 在葡萄牙北部由場地條件直接驅動而成的住宅

          位於葡萄牙北部的 Casa Corten,這座住宅不是對場地的回應,而是在地形與既有條件的作用之中被推動成形,使那些原本不可見的條件逐漸轉化為可被感知的空間。   光線在這個建築裡不是被引入,而是被放行,它沿著混凝土的粗糙表面滑行,在木質立柱之間被切割,再穿過玻璃邊界落在水面上變得柔軟,空間沒有刻意強調方向,卻在光的推移之下自然生成一種時間的秩序,午後偏斜的影子讓結構變得清楚,牆與柱不再只是承重,而是參與了光的分配,連那些鏽蝕的金屬表皮也在不同時刻改變顏色,從暗沉轉為溫暖,像是在回應環境,人走進來之後反而變得安靜,腳步放慢、視線停留,甚至在觸碰水面的那一刻,會意識到室內與室外、建築與自然之間的界線其實沒有那麼明確。   Light is not introduced, it is allowed to pass.   Light moves across columns,

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TreeHugger Impressive Building with Levitating Above the Ground of the Lightness its Brutalist Sensibility – Kanika’s tt-ArtStudio Chic-house

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