A Tent-Like House Opens Its Walls to Village Life

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Shaped like a simple tent and left largely open to its surroundings, this house removes conventional boundaries between interior and exterior, allowing daily life to unfold as part of the village rather than apart from it.

 

A minimalist tent-shaped house in a rural village uses open sides and a simple A-frame structure to blur indoor and outdoor living, encouraging shared use and everyday encounters with the surrounding community.

A minimalist home in utilizes a tent structure with open air sides, a new tent-shaped home built in a small agricultural village a city is designed with a community in mind, rather than a single family.

Conceived of the 166.24 square-meter “Hara House” is situated on a larger estate and utilizes a simple A-frame structure made up of 120 millimeter-wide beams.

The two-story home has a kitchen, bathroom, bedroom, and living space downstairs, with storage and two small rooms upstairs. A minimalist home in utilizes a tent structure with open air sides.

The particular shape is “a stiff yet giving structure which assimilates (to) all the human behaviors,” prompting them to leave out partitions and private rooms that would split up the otherwise expansive space.

a minimalist home in utilizes a tent structure with open air sides

 

A Minimalist Home in Utilizes a Tent Structure With Open Air Sides into Hara House

A minimalist home in utilizes a tent structure with open air sides into hara house; because of its bareness, “Hara House” requires its inhabitants to make use of the other buildings and areas on the land, bringing them outdoors and into a more collective setting with nature and their community.

With sloping roofs, a minimalist home in utilizes a tent structure with open air sides. The minimalist home also features side areas with wooden supports that open directly to the outside.

“We designed a space where passing neighbors, friends and children can easily stop by to chit chat under the entrance porch, or workshop meetings and (the) events hosted in the space can spill out to the land,” Thus bringing down the threshold of the house and opening it to the village.

a minimalist home in utilizes a tent structure with open air sides

 

 

a minimalist home in utilizes a tent structure with open air sides

 

a minimalist home in utilizes a tent structure with open air sides

 

 

 

 

 

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Light and Space — Editor’s Note

Light is not decoration — it is structure. 在這些建築裡,光不是附加條件,而是塑造空間的骨架。Light and Space 關注那些讓感知成為建築核心的作品:開口如何框景、陰影如何定義深度、自然光如何改變時間的節奏。空間不再只是容器,而是一種與光共同生成的體驗。這些建築提醒我們,人居環境真正的力量不在於形式,而在於它如何被觀看、被穿越、被感受。 Light is never neutral. In these projects, light is framed, filtered, stretched and

在城市帶凹槽的音量景觀

城市中的凹槽量體與光影秩序

赤陶凹槽立面在城市中建立光影秩序,透過節奏與遮蔽重塑零售建築的觀看方式。     帶凹槽的音量以赤陶色的整體造型傲然屹立:在城市景觀中,它既具雕塑感,又內斂沉穩,散發著一種靜謐的權威。經過嚴謹的原型製作,最終呈現出完整的外部形態,這些非正交模組以韻律般的順序重複排列出帶凹槽的音量,賦予建築雕塑般的質感,使其擺脫了珠寶店常見的商業光澤。光影變幻賦予建築不同的風貌。 在印度城市的繁華街道上,零售展廳往往以水晶吊燈與華麗立面爭奪目光。位於維傑亞瓦達的珠寶品牌總部「Fluted Volume」卻選擇另一種姿態。這座由 Studio Urban Form + Objects 設計的建築,以赤陶色整體量體立於城市之中,透過凹槽節奏與光線控制,形成一種關於 光與空間 的克制表述,在喧囂環境中建立靜默的存在感。       設計回應任務書中的核心悖論:如何同時吸引視線,又避免落入珠寶產業慣有的炫目語彙。工作室提出一種介於透明與不透明之間的立面策略。經過反覆原型推敲,最終形成完整自律的外部形態——非正交模組以韻律重複排列,定制澆鑄的啞光陶土色混凝土槽構成立面肌理,使建築在材料與節奏中建立秩序。隨著日照移動,光影在凹槽間流轉,使整體成為一種動態的 光與空間 實驗,而非單純的商業展示盒體。     窗戶朝北與朝東配置,精準引入自然光,同時避免眩光與熱輻射。玻璃外覆膨脹波紋鋁網,在遮蔽與滲透之間取得平衡。建築內部則依人流強度分層佈局:展示與流通區域位於低層,向上逐漸過渡為更私密的貴賓空間與工作區。動線設計如同經過編排的節奏,平衡視線、控制與儀式感,使整體空間既理性精準,又保有內斂張力。    

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5 years ago

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A Minimalist Home in Utilizes a Tent Structure With Open Air Sides – Kanika’s tt-ArtStudio Chic-house

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