A Tent-Like House Opens Its Walls to Village Life

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Shaped like a simple tent and left largely open to its surroundings, this house removes conventional boundaries between interior and exterior, allowing daily life to unfold as part of the village rather than apart from it.

 

A minimalist tent-shaped house in a rural village uses open sides and a simple A-frame structure to blur indoor and outdoor living, encouraging shared use and everyday encounters with the surrounding community.

A minimalist home in utilizes a tent structure with open air sides, a new tent-shaped home built in a small agricultural village a city is designed with a community in mind, rather than a single family.

Conceived of the 166.24 square-meter “Hara House” is situated on a larger estate and utilizes a simple A-frame structure made up of 120 millimeter-wide beams.

The two-story home has a kitchen, bathroom, bedroom, and living space downstairs, with storage and two small rooms upstairs. A minimalist home in utilizes a tent structure with open air sides.

The particular shape is “a stiff yet giving structure which assimilates (to) all the human behaviors,” prompting them to leave out partitions and private rooms that would split up the otherwise expansive space.

a minimalist home in utilizes a tent structure with open air sides

 

A Minimalist Home in Utilizes a Tent Structure With Open Air Sides into Hara House

A minimalist home in utilizes a tent structure with open air sides into hara house; because of its bareness, “Hara House” requires its inhabitants to make use of the other buildings and areas on the land, bringing them outdoors and into a more collective setting with nature and their community.

With sloping roofs, a minimalist home in utilizes a tent structure with open air sides. The minimalist home also features side areas with wooden supports that open directly to the outside.

“We designed a space where passing neighbors, friends and children can easily stop by to chit chat under the entrance porch, or workshop meetings and (the) events hosted in the space can spill out to the land,” Thus bringing down the threshold of the house and opening it to the village.

a minimalist home in utilizes a tent structure with open air sides

 

 

a minimalist home in utilizes a tent structure with open air sides

 

a minimalist home in utilizes a tent structure with open air sides

 

 

 

 

 

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碎片重組 2025 科莫湖設計節精彩亮點

2025 科莫湖設計節在材料與記憶之間重組碎片

在優雅與生產傳統並存的城市背景下,設計與景觀展開一場節奏緩慢卻深刻的對話。     科莫湖設計節呈現的是一種與主流設計盛會截然不同的節奏——緩慢、克制,且深深植根於地方感之中。設計在此不追逐聲量,而是與歷史、景觀與工藝展開對話。在森林覆蓋的山丘與美好年代別墅的環繞下,科莫湖的城市身分始終與優雅與生產緊密相連,從羅馬式石雕、理性主義建築,到曾經遍布歐洲的絲綢產業。正是在這樣的脈絡中,零散而精準的亮點重新拼組出 2025 科莫湖設計節的樣貌。 說到設計活動,很少有地方能在活動的密度方面與米蘭設計週相媲美。然而,剛從第七屆科莫湖設計節回來的我們意識到,與設計最能引起共鳴的邂逅並不總是來自規模,而是來自環境。科莫,以其多層次的魅力和手工傳統,提供了截然不同的東西:較慢的節奏和地方感,設計與歷史、景觀和工藝對話。在森林覆蓋的山丘和美好年代別墅的背景下,這座城市的身份始終與優雅和生產聯繫在一起——從羅馬式石雕和理性主義建築到曾經覆蓋歐洲的絲綢工廠。在這樣的背景下,藝術節在別墅、公園和廢棄的教堂中展開,其主題「碎片」不僅透過展出的物品迴盪,也透過城市本身迴盪,層層歷史構成了一幅城市掛毯,過去的碎片交織在當代日常中。     今年的主題恰逢其時。在一個飽受衝突與氣候劇變影響的世界裡,碎片化已成為日常現實。本屆科莫湖設計節邀請觀者將其視為一種重生契機,而非崩解。無論是對廢棄石材與木材的再利用,或是對歷史與個人敘事的層層疊加,展覽呈現出一種以 材料再利用 為核心的設計態度。我們的旅程從藝術節中心 Chilometro della Conoscenza 開始,這座線性公園串聯三棟歷史別墅,也成為設計碎片被重新拼接的空間載體。       許多作品以材料本身為敘事主角,保留其傷痕與不規則性。Sho Ota 與 Sam Henley 合作的

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5 years ago

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A Minimalist Home in Utilizes a Tent Structure With Open Air Sides – Kanika’s tt-ArtStudio Chic-house

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