2023 Fall Print Set

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set

 

 

︳Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Daneil Freaker

 

︳This set features 30 works all published as relatively small editions, hand-signed and numbered by the artists. Encompassing an eclectic array of mediums and themes, the collection showcases work from artists previously featured on Colossal, including Graham Franciose’s dreamlike watercolor works, Diana Sudyka’s fanciful storybook scenes, and Grant Haffner’s vibrant, flat landscapes bisected by his signature utility poles.

 

Austin-based gallery Sebastian Foster just announced its 2023 Fall Print Set, marking the 11th anniversary of the collection since it launched in 2012. The new release features 30 works by well-established illustrators, printmakers, and painters from across the U.S., Canada, the U.K., Japan, and Europe. Half of the artists have worked with the gallery for years, while the other half are guests who joined just for this collection.

 

║ Focuses on original works and prints, publishing over 1,000 editions since opening in the late 2000s. Whether you’re looking for the next piece to add to your collection or for meaningful holiday gifts, head to the Sebastian Foster.

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Diana Sudyka

 

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Elena Burykina

 

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Fabian Lavater

 

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Matthew Gagnon

 

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Mia Bergeron

 

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Michael McGrath

 

 

Daniel Ellison

 

 

Susan Abbott

 

 

Sebastian Foster Announces 30 Artists for Their Eclectic Fall Print Set
Anne Siems

 

 

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西水峪在半山腰鑿出一塊栗樹露台

滿栗台在栗樹與棚屋之間重新組織山地生活

從棚屋學習結構與遮蔭智慧,新建築在栗樹林中生長,而非侵入。     在西水峪附近的半山腰,人們鑿出一處台地,栗樹成林,生活與勞動在濃蔭之下自然展開。受限於施工條件,早期隨意搭建的棚屋反而成為新建築的原型線索。建築並未否定這些臨時結構,而是向棚屋學習——從材料運用到空間尺度,回應工人作為山地生活專家的經驗智慧。平台上的栗樹被保留下來,棚屋穿插其間,使建築生長於樹林之中,而非凌駕其上。 十五世紀初,昌平府黃華鎮正忙著修築長城。在西水峪附近,一處無名山谷中,人們在半山腰鑿出一塊台地,將無數粗糙的黃石運上去。據推測,當時人們原本打算建造一道圍牆,但不知何故,工程被擱置,留下散落的黃石堆成長長的一坨。千百年來,這裡種植大量的栗樹,人們在濃蔭下生活勞動,每到秋天,方圓百里的山谷都覆蓋著蓬鬆的栗子皮。 2019年我們到達時,台地上駐紮著一支施工隊,搭建了三、四個臨時工棚,建築材料和設備散落在各處。在一片雜亂之中,數十棵老栗樹依然茁壯成長,最大的一棵需要三個人才能圍攏過來。     向棚屋學習。早期隨意搭建的工棚,反而揭示了一種來自山地生活經驗的 在地智慧。工人們憑直覺選擇穩固地基、避風角度與最佳日照,並巧妙地將棚屋穿插於栗樹之間,使建築不再是介入,而是順應地形的生成。       受此啟發,建築團隊重新構想場地,將新建築命名為「滿栗台」。在中國古代,「台」既是觀景之所,也是與自然互動的介面。項目透過 地形導向設計,在棚屋殘存的邏輯中重建人與栗樹景觀之間的關係,使建築成為山地生活的一部分,而非其外來形式。 A similar relationship between architecture and landscape appears in this

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