Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

Contemporary Roman trattoria interior designed with warm materials and understated atmosphere

 

 

The designers crafted a space that honours the character of the humble trattoria while delivering an environment that feels unmistakably contemporary

 

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

 

▏That Reimagines the Typology that it so Proudly Represents

Located in Rome’s San Giovanni district, a few hundred metres away from its original location, Santo Palato, the beloved trattoria helmed by chef Sarah Cicolini, has reopened in a new space that reimagines the typology that it so proudly represents. Designed by Rome-based design studio Næssi, the relocation offered a rare opportunity to start from scratch, unbound by the constraints of a pre-existing interior, and to rethink what a trattoria represents in today’s world. By choosing which elements to carry forward and which to reinterpret, the designers crafted a space that honours the character of the humble trattoria while delivering an environment that feels unmistakably contemporary. The result is a dining experience that strikes a measured balance between familiarity and reinvention, embracing the spirit of the trattoria without lapsing into nostalgia.

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

 

▏As Democratic Spaces For Daily Nourishment

Traditionally modest and family-run, trattorias have long served as cornerstones of Italian culinary culture, valued not for refinement but for their warmth, generosity, and deep roots in local tradition. Unlike the more formal ristorante, they evolved as democratic spaces for daily nourishment, where recipes reflected seasonal rhythms and regional identities. In recent times, a wave of new-wave trattorias across Italy is renewing this format, blending fine-dining rigor with unpretentious hospitality, while updating familiar archetypes with contemporary sensibilities.

It was within this evolving landscape that Næssi approached the redesign of Santo Palato, not as a nostalgic exercise, but as a critical exploration of what a trattoria could mean today. Their process began with a close reading of the typology’s essential features and a willingness to challenge those that felt outdated or purely ornamental: wooden boiserie, warm timber tones, and framed imagery on the walls were in; tablecloths and refrigerated display cabinets were out. With the end goal being not to replicate the past but to distil its atmosphere, they deliberately avoided elements more commonly associated with bistro culture such as barstools and plush banquettes, opting instead for straight-backed chairs and austere benches, reinforcing the egalitarian nature of the trattoria.

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi StudioSanto Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

 

▏Conceived as a Pastiche of Historical References

Encapsulating Næssi’s design approach, the use of walnut wood for the boiserie, tables, and chairs, an explicit nod to the classic trattoria aesthetic, is reimagined through streamlined forms and meticulous detailing, eschewing rusticity in favour of clarity and cohesion. That’s not to say that the space feels sombre or stark. On the contrary, vibrant red stripes lining the stems of pedestal tables—an echo of the restaurant’s brand identity—inject a fresh newness through the use of colour, rhythm and contrasting elements, also evident in the series of framed images on the walls, their orderly composition a deliberate counterpoint to the traditional trattoria’s more haphazard arrangements.

An ochre-toned communal table adds a sense of informality and shared conviviality, while the bar, wine and service counters speak to the studio’s layered design vocabulary. Conceived as a pastiche of historical references, these custom-made elements feature solid travertine countertops that recall the “wine fountains” of 1950s taverns (stone basins used for pouring wine from large carafes, often into customers’ own containers), shelves in wood and metal, and sideboards in grey briarwood reminiscent of vintage dish cabinets. Even the lighting contributes to this dialogue, with custom-spun aluminium pendant lights reworking the archetype of traditional trattoria lampshades into something contemporary yet familiar.

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

 

 

 

 

▏Imbue the Space with a Theatrical, Immersive Quality, Supporting Conviviality

Beyond the dining room and down a few steps lies the “Santa Cantina”, a multipurpose space conceived and designed for tastings, workshops, and private events. A long communal table anchors the room, accompanied by a stainless-steel-topped kitchen counter and floor-to-ceiling wine-stacked shelves. Monochromatic terracotta walls, complemented by vibrant red accents, from shelving and cabinetry to stair railings and ceiling ducts, imbue the space with a theatrical, immersive quality, supporting conviviality, collaboration, and a fluid dialogue between food and wine.

In a moment when trattorias across Italy are having a renaissance, where fine-dining standards are being melded with daily conviviality, Santo Palato proves that heritage doesn’t have to be stifling. Through thoughtful design, today’s trattoria becomes elastic: able to stretch into the present without losing its essence.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Santo Palato: A Contemporary Take on the Roman Trattoria by Næssi Studio

彭博學生中心專為學生生活而建的設施

彭博學生中心重塑約翰霍普金斯校園公共節點

這座學生設施不只是建築,而是校園公共生活的再組織。     作為約翰霍普金斯大學 150 週年校慶的重要起點,彭博學生中心是校方首座專為學生生活打造的核心設施,回應了世代以來對公共聚集空間的渴望。這裡被構想為交流、社交、學生社團與表演藝術交織的場域,讓校園生活得以在學術之外展開。以校友邁克爾・R・彭博命名,這座建築不僅承載捐贈者的象徵意義,更標誌著一種以學生為中心的當代校園文化轉向。 作為約翰霍普金斯大學150週年校慶的一部分,新建的彭博學生中心不僅是一座設施,更是重新定義 校園空間結構 的節點,使社交、文化與學術生活得以在共享場域中交織。     這座佔地15萬平方英尺的新建築由BIG-Bjarke Ingels Group和室內建築Rockwell Group與執行建築師Shepley Bulfinch合作設計,景觀設計由Michael Van Valkenburgh Associates (MVVA)負責。該建築旨在滿足霍普金斯大學本科生和研究生不斷變化的需求,其特色包括:一個以當地攤位為特色的先進美食廣場、一間酒吧和咖啡館、一個可容納250人的靈活表演場地、一個設有開放式座位的中央中庭、舞蹈工作室、俱樂部會議室、錄音室、靈活的聚會場所、一個數位媒體中心,甚至還有一個電子競技休息室。彭博學生中心以霍普金斯大學校友邁克爾·R·彭博的名字命名。麥可·R·彭博是工程學1964屆畢業生,也是彭博有限合夥企業和彭博慈善基金會的創始人,曾任紐約市第108任市長。彭博學生中心旨在表彰他對支持約翰霍普金斯大學學生的傑出貢獻。     學生中心以開放流動的空間組織為核心,透過自然採光與室內綠化策略,使建築在使用與體驗層面呈現出對 光與空間 關係的高度敏感。

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