YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

Visitors arriving at Tadao Ando’s Bourse de Commerce for Paris Fashion Week events

 

 

YSL and Louis Vuitton at 2026 Paris Fashion Week Feature, Featuring a series of shows that highlight the relationship between architecture and fashion as creative disciplines.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

▏Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

Paris Fashion Week Men’s Spring/Summer 2026 has just concluded, featuring a series of shows that highlight the relationship between architecture and fashion as creative disciplines. Through carefully curated architectural environments, these shows engage viewers on multiple sensory levels, weaving together visual impact with spatial and material stories that echo the themes and philosophies behind each collection. This intersection between fashion and architecture opens up new possibilities for storytelling, inviting audiences to explore how fashion design and spaces can resonate together to create immersive experiences.

Saint Laurent presented its menswear collection at Tadao Ando‘s Bourse de Commerce, where the building’s cylindrical concrete form and filtered natural light provided a minimal and contemplative backdropLouis Vuitton, by contrast, staged its show in the plaza of the Centre Pompidou, where Studio Mumbai‘s intervention introduced a large-scale, hand-painted installation inspired by Snakes and Ladders. These site-specific choices reflected distinct approaches to engage with architectural context, illustrating how contemporary fashion presentations can extend beyond the runway to enter into dialogue with their surroundings.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

▏Saint Laurent’s Men’s Summer 26 at Tadao Ando’s Bourse de Commerce

Saint Laurent’s Spring/Summer 2026 menswear show was hosted within Tadao Ando‘s Bourse de Commerce, a landmark building in Paris originally constructed in the late 19th century as a commodities exchange. The building’s most distinctive feature is its large cylindrical rotunda, which Ando reimagined using his signature concrete construction and minimalist aesthetic during its recent transformation into the Pinault Collection museum. The rotunda’s soaring, raw concrete walls and circular form create a powerful spatial presence, enhanced by four strategically placed oculi that allow natural light to filter in gently, animating the interior throughout the day. This architectural environment provided a restrained yet compelling backdrop for the collection, emphasizing materiality and form in both fashion and structure.

A key element of the show was the integration of Céleste Boursier‑Mougenot’s “clinamen” installation, a shallow basin of water with floating porcelain bowls that gently chime as they move. Positioned on the rotunda’s floor, the installation introduced a subtle layer of sensory experience, complementing the architectural atmosphere. Designer Anthony Vaccarello chose to present the collection in the soft afternoon light, a deliberate departure from traditional evening shows, emphasizing a geometry of exposure defined by natural daylight rather than artificial illumination. Therefore, the show emphasized Ando’s emphasis on materiality and light, creating an environment that highlighted the interplay between the collection and its architectural context.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

▏Bijoy Jain Designs the Louis Vuitton Set Inspired by Snakes and Ladders

Louis Vuitton‘s Spring/Summer 2026 menswear presentation took place on the public plaza of the Centre Pompidou, a landmark of postmodern architecture known for its exposed structural systems and vibrant color-coded piping. Designed by Renzo Piano and Richard Rogers, the building is known for its inside-out architectural approach, where functional elements such as pipes and escalators are placed on the exterior, creating a highly visible and dynamic façade. The location provided a distinctly urban and industrial backdrop, contrasting with the brand’s artisanal approach to set design. For the show, acclaimed architect Bijoy Jain, founder of Studio Mumbai, collaborated with Louis Vuitton Men’s Creative Director Pharrell Williams to create this large-scale installation.

The set design was inspired by the Indian game of Snakes and Ladders, a metaphor for life’s journeys, growth, and transformation. The installation transformed the public plaza into a hand-painted, textured surface featuring five serpents rendered in burnt umber clay slip and white lime lines, creating a chequerboard pattern at the heart of the space. This intervention introduced playful geometry and contemplative zones while integrating local materials and a cosmic mapping motif, elements characteristic of Jain’s architectural approach.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

 

▏Architecture and fashion intersect through form and materiality

Architecture and fashion intersect through form and materiality, coming together in sets and exhibitions where space and clothing create a unified experience. In other similar news where architects design fashion exhibitions, OMA stands out with their exhibition designs for Dior, featuring Ethereal Miss Dior Exhibition” in Tokyo‘s Roppongi Museum, and their latest “Christian Dior: Designer of Dreams exhibition in Seoul. Meanwhile, Tadao Ando has designed the exhibition “Karl Lagerfeld: A Line of Beauty” at the Metropolitan Museum of ArtNew York, in 2023.

 

 

 

 

 

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

城市遊廊:2025米蘭設計週最佳作品

2025 米蘭設計週:在城市遊廊中被時間留下的設計

在米蘭設計週的城市展覽網絡之中,真正留下記憶的往往不是最喧鬧的作品,而是那些讓材料與光線慢慢浮現意義的設計。     一年一度的米蘭設計週之旅充滿了創意、才華和創新。穿梭於這座城市遊廊迷宮般的展覽、快閃店和展示館之間,探索遍布畫廊、宮殿和意想不到的角落,絕非易事,然而,經驗(以及一些距離感)告訴我們,許多令人驚豔的瞬間已從我們的記憶中褪去;相反,一些更低調的設計卻隨著時間的推移而愈發引人注目。 一如既往,我們一年一度的米蘭設計週之旅充滿了創意、才華和創新。穿梭於這座城市遊廊迷宮般的展覽、快閃店和展示館之間,探索遍布畫廊、宮殿和意想不到的角落,絕非易事;而從海量展品中甄選出真正的精品,則更是難上加難。在這樣密集而分散的展示網絡中,設計不再只是物件本身,而逐漸演變為一種透過材料、結構與空間敘事所構築的文化語言,也正呼應了當代設計領域對材料敘事的重新關注。 然而,經驗(以及一些距離感)告訴我們,時間是一位可靠的策展人。三週後,塵埃落定,真正留在我們腦海中的,是那些留下深刻印象的產品、設計師和裝置——那些真正值得關注的。許多令人驚豔的瞬間已從我們的記憶中褪去;相反,一些更低調的設計卻隨著時間的推移而愈發引人注目。這提醒我們,真正的創新往往是緩慢顯現的,它需要我們去關注,而不是強迫。 接下來,讓我們一起來看看那些讓我們印象深刻的項目——城市遊廊 2025 年米蘭設計週的最佳作品。       隨著兩年一度的巴黎國際照明展(Euroluce)今年的回歸 ,許多亮點中不乏照明產品和項目,這並不令人意外。在傑奎琳·沃多茲和布魯諾·達內塞基金會,邁克爾·阿納斯塔西亞德斯發布了全新的模組化燈具系列,每一件作品都探索了光作為結構和記憶的雙重屬性。例如, 「天鵝」(Cygnet)系列的設計靈感源自於阿納斯塔西亞德斯童年時製作和放飛風箏的記憶。該系列燈具由無縫連接的三角形平面組成,並由隱藏的光源照亮,彷彿輕盈地漂浮在空中。燈具懸掛於不同高度,由輕盈的竹製框架支撐,既保證了燈具的穩固性,又不會破壞基金會上方的歷史壁畫。整個裝置呼應了飛行的輕盈幾何形狀。       在米蘭城市遊廊的其他歷史建築中,燈光設計同樣令人印象深刻。在昔日的科齊浴場(Piscina Cozzi),米蘭品牌6:AM舉辦了名為「雙重寂靜」(Two-Fold Silence)的個展,展出了其極簡主義的[quadrato]系列燈具。該系列燈具的設計靈感源自20世紀20年代工業燈具的幾何造型,融合了包浩斯理性主義的語言與俄羅斯先鋒派藝術家卡濟米爾·馬列維奇的極簡詩意。穆拉諾吹製玻璃的質感使光線與結構彼此交織,也讓作品在視覺與觸感之間形成鮮明對話,成為一次典型以材料敘事為核心的照明設計實驗。 同時,在米蘭一家前銀行里,總部位於巴黎的BOON_EDITIONS和溫哥華的照明工作室AND聯手打造了一場精彩絕倫的展示,模糊了收藏設計、功能性藝術和實驗性照明之間的界限,每一件作品都大膽地、實體地展現了光作為一種鮮活的、可變的媒介的理念。          

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