History of the New at the Fine Art Society

P05 The Fine Art Society, London

History of the New at the Fine Art Society

 

Jan van Kessel the Elder (1626-1679), Exotic Birds in Flight and Perched on Branches in a Mountainous Landscape, 1677, oil on canvasJan van Kessel the Elder (1626-1679), Exotic Birds in Flight and Perched on Branches in a Mountainous Landscape, 1677, oil on canvas

The Fine Art Society’s summer exhibition will highlight the gallery’s specialisms and heritage, with the exhibition opening across both London and Edinburgh gallery spaces as they bring together an exquisite group of 40 works by pioneering British and Scottish artists who forged new ways of making art.

History of the New at The Fine Art Society includes an impressive collection of rarely-seen paintings, furniture and [decorative arts] from the 19th and 20th centuries. Notably, Sir John Lavery’s Portrait of a Lady in Grey and Black has not been seen in public since 1914 after it was bought 1901 by the present owner’s grandfather Nicol Paton Brown, a patron of the artist. Additionally, a devotional enamelware by Phoebe Traquair, the first woman member of the Royal Scottish Academy and leading figure within the Scottish Arts and Crafts movement who blurred the distinctions between fine and decorative arts, will form part of the exhibition highlights.

Sir John Lavery, Portrait of a Lady in Grey and Black, c.1902, Oil on CanvasSir John Lavery, Portrait of a Lady in Grey and Black, c.1902, Oil on Canvas

 

Alongside the outstanding work by British self-taught painter Keith Vaughan whose rare and early wartime gouache depicts a touching scene of a father and son in the Yorkshire dales, two large and impressionistic landscapes by William McTaggart – one of Scotland’s most daring nineteenth-century painters – show his evolution from a Victorian painter to an Impressionist and Expressionist. His idiosyncratically anticipates much of the development of modern art

Watercolours

Featuring a masterfully painted and fantastical oil painting by John Byrne from the late 1960s to important prints by Paul Nash and Kenneth Martin, radically modern watercolours by Arthur Melville and Charles Rennie Mackintosh, to a selection of paintings by the Glasgow Boys who defined the history of Scottish art and placed themselves at the forefront of British art, this exhibition showcases over 40 prominent Scottish and British artists as historical fine and decorative arts come together.

See also: Turner Prize 2023 Nominees Announced

Scottish art forms a critical part of History of the New at The Fine Art Society, with works by outstanding Scottish Colourist F.C.B Cadell and a striking gouache painting by George Henry which will be displayed alongside furniture by Daniel Cottier whose style came to define the Aesthetic Movement and is credited with the spread of Aestheticism in the United States.

Charles Rennie Mackintosh, Palada, Pyrénées-Orientales, c. 1924-1927, Pencil and WatercolourCharles Rennie Mackintosh, Palada, Pyrénées-Orientales, c. 1924-1927, Pencil and Watercolour

 

A rare and important watercolour painting by Charles Rennie Mackintosh will appear on the market for the first time after it was bought from the artist’s memorial exhibition in 1933. A tour de force amongst Mackintosh’s late watercolours of the South of France, it has been at the Scottish National Gallery of Modern Art for many years and is a testament to the international regard with which this artist is held.

Highlights also include a rare decorative works including an exceptional Glasgow-style metalwork door plate by Talwin Morris, a Persian style tile by [William de Morgan, and a jewel-like oil “La Lavandeuse” by founding member of the Camden Town Group Harold Gilman, as well as Joseph Crawhall‘s “In the Paddock” which has not been on the art market since the 1950s.
One of the UK’s oldest fine art dealers, The Fine Art Society, has an established reputation for its expertise in British art and design from the 19th and 20th centuries and Scottish art from the 17th century to today. The Fine Art Society’s integrated gallery spaces in both London and Edinburgh draws together the unique aesthetic and expertise of both physical galleries while also offering new digital initiatives. The exhibition will run from 2nd June – 29th July and will also be available to explore online.

Festival

History of the New at The Fine Art Society is part of the inaugural NT Art Month – a new festival in Edinburgh that celebrates the incredible arts quarter in Edinburgh’s New Town. This is an opportunity to enjoy these festivities further afield in London as History of the New will also be opening at The Fine Art Society’s Soho gallery. Just a stone’s throw away from the capital’s world-famous art district, the gallery space occupies a multi-storey Grade-II listed Georgian townhouse, which opened in October 2020.

Harold Gilman, The Washerwoman (La Lavandeuse), c. 1911, Oil on Canvas.Harold Gilman, The Washerwoman (La Lavandeuse), c. 1911, Oil on Canvas.

 

Emily Walsh, Managing Director of The Fine Art Society, comments, Our summer show brings together artists who found themselves working at the threshold of the modern. It was this self-awareness and urge to make it new that motivated them as individuals and, for some, brought them into movements. They rejected the received wisdom of their day in favour of forging new ways of making art. They saw the world around them differently and made their mark telling us how. Amongst the myriad paintings and objects that will be on display in our two galleries in Edinburgh and London this summer are works from the 19th and 20th centuries; British and Scottish artists who worked as pioneers and whose work came to define a moment.

About The Fine Art Society

Established in 1876, The Fine Art Society’s two gallery spaces in London and Edinburgh handle British and Scottish art, design, and decorative arts from the C18th to the post-war period. The Fine Art Society’s London premises in Soho is set over three floors of an elegant Georgian townhouse off Carnaby Street. An expansive gallery space over two floors is our Scottish base in the heart of Edinburgh’s New Town. It specialises in Scottish art from the seventeenth century to the present day and provides advice to collectors and public institutions on private sales, auction, framing and conservation.

History of the New at The Fine Art Society 

Friday 2nd June – Saturday 29th July 2023
London: 25 Carnaby Street, London W1F 7DE
Edinburgh: 6 Dundas Street, Edinburgh EH3 6HZ

P05 The Fine Art Society, LondonThe Fine Art Society, London

 

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
─────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

豆潭樓住宅設計強調與自然地形的和諧,框取自然之美

豆潭樓在地形中生成住宅秩序

豆潭樓順應場地起伏生成量體,使地形成為空間秩序的基礎,而非被建築壓制的背景。     住宅設計豆潭樓強調與自然地形的和諧,豆潭樓旨在框取自然之美,凸顯建築與環境之間的無縫銜接。建築空間透過微妙的高低變化加以劃分,豆潭樓體量緊密貼合場地自然輪廓,以地形線為指導原則,不僅勾勒出豆潭樓立面,更塑造了內部空間的流動感。尊重地形,將其作為建築敘事不可或缺的一部分。 位於越南林同省保祿市緩坡地帶的豆潭樓,俯瞰鬱鬱蔥蔥的山谷景觀。建築沒有試圖壓制場地,而是將地形納入生成邏輯,使住宅成為一種與 建築與地景 共構的存在。視野與坡度共同決定空間佈局,使環境不再只是背景,而是秩序的來源。     量體緊貼自然輪廓發展,以地形線作為立面與室內動線的基準。屋頂由動態角度構成,隨觀看位置改變呈現不同層次,使建築在視覺上保持流動感。這種生成方式強化了 建築與地景 之間的對話,使形式不是孤立物件,而是地貌的延伸。       起居室、餐廳與廚房被整合為連續開放空間,東向光線成為空間節奏的一部分。室內與前院、後花園之間保持滲透關係,透過高低差與視線控制,使生活場景自然分節,同時維持整體連續性。建築並未框住風景,而是讓地形參與日常經驗,形成一種克制而穩定的居住狀態。       建築空間透過微妙的高低變化加以劃分,尊重地形,將其作為建築敘事不可或缺的一部分。低矮的屋簷延伸了居住空間,同時起到柔和的遮蔽作用,過濾光線和雨水;黑色松木立柱與白色的主體結構形成精緻的對比。屋簷下的水景有助於調節微氣候,並巧妙地界定了空間邊界。   A similar relationship between

Facebook
Twitter
LinkedIn
Tumblr
0 0 votes
Article Rating
Subscribe
Notify of
guest
0 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
Search