The Tokyo Toilet Project Transforming Public Restrooms Through Design

Modern public restroom designed for the Tokyo Toilet Project in Shibuya Tokyo
To improve both the quality and public perception of urban facilities, Shibuya City partnered with The Nippon Foundation to launch an ambitious design initiative. By inviting leading architects and designers to rethink aging public restrooms, the Tokyo Toilet Project demonstrates how thoughtful architecture can transform everyday infrastructure into welcoming, accessible, and visually engaging public spaces.

 

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▏Reimagining Public Restrooms in Shibuya

Public restrooms are often associated with poor maintenance, limited accessibility, and uninviting environments. In one of Tokyo’s busiest districts, Shibuya City sought to challenge these perceptions through design excellence. Launched in 2020, the Tokyo Toilet Project brought together sixteen acclaimed architects, designers, fashion brands, and creative studios to transform seventeen public restroom facilities into safe, clean, and highly functional civic spaces. The initiative prioritizes accessibility for people of all ages, genders, and abilities while maintaining exceptional standards of upkeep and user experience.

From a forest-inspired structure in Nabeshima Shoto Park to gallery-like spaces in Hatagaya and futuristic installations along Nanago Dori Park, each project responds uniquely to its surroundings. Contributions from renowned architects such as Kengo Kuma, Tadao Ando, and Sou Fujimoto showcase how design can elevate even the most ordinary urban infrastructure. Together, these projects have helped redefine the role of public architecture in Tokyo, proving that public restrooms can be both practical facilities and meaningful cultural landmarks.

 

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The Tokyo Public Restrooms Project:The Shibuya City government teamed up with The Nippon Foundation and conceived of a way to hit two birds with one stone, and by these Sixteen Architects Transform Aging Public Toilets in Tokyo into Extraordinarily Inviting Facilities.

油紙傘蘊含著圓滿、團聚和命運的深刻文化內涵

油紙傘讓客家文化成為可被棲居的敘事

傘不只是器物,而是一種文化結構,承載圓滿、團聚與命運的象徵。   對客家人而言,油紙傘蘊含著深刻的文化內涵。它像徵著圓滿、團聚和命運,提醒人們人生的際遇既由偶然性引導,也由連結引領。即使在「傘」(傘)這個漢字中,也能發現「人」(人)的反覆出現,暗示著人與人之間的相聚、依賴和相互依存。     在漢字「傘」之中,「人」的結構反覆出現,暗示著聚集、守護與共享的意象。對客家文化而言,油紙傘不只是日常器物,而是一種承載情感與命運的象徵,指向圓滿、團聚與生命循環。傘下的空間成為人與人相遇的場所,也是一種文化記憶的凝聚點。透過這個看似簡單的物件,語言、形式與集體信念彼此交織,讓傳統在當代語境中持續被閱讀與理解。 受這種層層象徵意義啟發,藝術家鄭宗峰將油紙傘轉化為一種 象徵性結構。他將傘擴展為三個巨大的輻射狀傘蓋,如防護盾般水平展開,共同構成一個可被進入的建築裝置,使傳統符號轉變為實際可感的庇護空間。       創作始於對客家油紙傘的深入研究——其比例、接合方式與精細構件皆體現傳統 文化工藝 的邏輯。透過解構與重組,三把傘的骨架被交織成一個包覆性的空間,使工藝從物件轉化為可被身體經驗的場域。       圍繞著中央的袖珍花園,木質圓形長椅提供了休憩的空間,在人與自然生長之間營造出平衡。頂篷採用穿孔帆布製成:白天,它沐浴在陽光和空氣中;夜晚,它像燈籠一樣發出柔和的光芒;雨中,其傾斜的表面自然地將雨水導走,既保留了遮陽傘的日常功能,又在建築尺度上將其放大。       三把傘狀造型以中心軸為中心向外輻射,形成萬花筒般的幾何圖形,隨著視角的變化而改變。置身其中,彷彿置身於一艘奇幻的太空船,靜靜地漂浮在宇宙中——一個既奇妙、私密又寧靜的空間。馮氏將客家傳統元素重塑為空間形式,邀請觀眾不僅觀看,更融入作品之中,體驗其所蘊含的聚集、守護和充滿想像力的逃離的氛圍。      

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