Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

 

Tucked discreetly beneath a grassy mound in the Moldovan landscape, a Moldovan Sanctuary where nature and design entwine the Woloshyn Bathhouse by LH47 ARCH.

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

▏A Moldovan Sanctuary

1;) Tucked discreetly beneath a grassy mound in the Moldovan landscape, the Woloshyn Bathhouse by LH47 ARCH is less a building and more a living extension of its surroundings. Conceived as a tranquil retreat in Durlești, a half-hour drive from the capital, Chișinău, this 186-square-metre bathhouse is a study in immersive design, where every architectural gesture and interior detail is grounded in a profound connection to nature. Fusing vernacular soulfulness and nostalgic elegance with a touch of fairy tale flair, the subterranean venue feels both timeless and transportive, inviting guests into a world where nature, tradition, and imagination harmoniously converge.

From the outside, the bathhouse appears to emerge organically from the earth, its green roof blending seamlessly into the undulating terrain. This subterranean approach is not merely aesthetic; it preserves the natural topography and leverages the earth’s insulating properties for optimal thermal efficiency. Additional measures such as use of geothermal heating, advanced insulations and locally sourced materials further underlines the project’s commitment to sustainability.

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

▏The Atmosphere is at Once Nostalgic and Otherworldl

2;) Stepping inside, the atmosphere is at once nostalgic and otherworldly. The heart of the bathhouse is a spacious, multi-functional social area—an inviting expanse punctuated by sitting areas and communal dining tables. Expansive, full-height glazing stretching across the main façade, floods the space with natural light, dissolving the boundary between interior and exterior. A living green wall running the length of the opposite side further reinforces the sense of being enveloped by nature, as do abundant potted plants, tree trunk columns, and a boulder-like sculptural bar counter.

Hardwood floors, textured plastered walls and hand-carved wooden furnishings evoke vernacular craftsmanship, while mid-century-inspired armchairs and sofas add a layer of understated elegance. A circular glass opening in the floor offers a whimsical glimpse into an underground cellar stocked with pickled goods in a playful nod to both local tradition and the building’s immersive, almost enchanted ambience.

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

▏The Minimalist, Zen-like Massage Parlour to the Imaginative Sauna Enveloped

3;) The communal spaces flow effortlessly onto a decked terrace, where lounge chairs invite relaxation beside the crystalline waters of the lake-like swimming pool and hot tubs nestled amongst reeds and boulders. Treatment rooms, each with its own distinct character, offer further opportunities for escape: from the minimalist, cream-hued hydrotherapy room and zen-like massage parlour to the imaginative sauna enveloped in timber shingles reminiscent of dragon scales through to the adjacent pebbled patio where guests can cool down under a waterfall.

Even the changing room becomes a portal to another world, with lockers adorned by a mural inspired by Studio Ghibli’s Spirited Away—a poetic nod to the bathhouse’s objective: to offer guests an immersive purification of body and spirit, much like the fantastical bathhouse in the celebrated animated film.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Woloshyn Bathhouse: A Moldovan Sanctuary Where Nature and Design Entwine

 

▏Aesthetics centers in Kanikachic’s highlighting artist/designer experiences

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Per essere insostituibili bisogna sempre essere diverso.  ▎Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo  KanikaChic

‘Out of Print,’a Shepard Fairey 回顧展,深入探討抗議的力量

‘Out of Print,’a Shepard Fairey 回顧展,深入探討抗議的力量

    絕版——Shepard Fairey 深入探討抗議的力量,以其大膽的插畫和極具辨識度的海報而聞名,在街頭藝術和滑板文化領域聲名鵲起,1989年創作了一張貼紙,頭像成為他之後數十幅印刷品上的常見圖案。在2008年總統競選期間風靡主流,他的肖像出現在“希望”一詞上方。這幅充滿樂觀精神的作品展現了草根行動主義。   從女權主義活動家安吉拉·戴維斯到政治動盪中像徵和平的標誌性符號,謝潑德·費爾雷以其大膽的插畫和極具辨識度的海報而聞名。他在街頭藝術和滑板文化領域聲名鵲起,1989年創作了一張貼紙,上面寫著“巨人安德烈有幫派”,這張貼紙廣為流傳,並最終使這位摔跤手的頭像成為他之後數十幅印刷品上的常見圖案。 費爾雷的圖案設計在2008年巴拉克·奧巴馬總統競選期間風靡主流,他的肖像出現在“希望”一詞上方。這幅充滿樂觀精神的作品展現了草根行動主義,深入探討抗議的力量,尤其是透過印刷和分享圖像的方式,如何能夠成為標誌性符號並產生巨大的影響。     由Beyond the Streets畫廊呈現的費爾雷作品回顧展「絕版」(Out of Print)頌揚了畫廊所稱的「墨水和紙張所蘊含的反叛而民主的力量」。展覽展出了費爾雷過去幾十年來創作的400多幅版畫作品以及他的新作。許多海報都強調了他對行動主義、賦權和抗議的關注。他被稱為“服從巨人”(Obey Giant)的顛覆性實踐甚至還有一句口號:“自1989年以來,製造高品質的異議。” 費爾雷經常將20世紀早期宣傳海報,尤其是蘇聯宣傳海報的色彩搭配和現代主義圖形元素融入作品中。他將與法西斯主義相關的設計元素融入和平、女性主義、愛與民主的訊息中,從而強化了印刷媒介的力量。 “有些人說數位媒體終結了印刷,但印刷品在牆上或戶外所帶來的那種震撼人心、觸感十足的體驗是無法取代的,”費爾雷說道,“印刷依然重要!” 展覽將於11月15日至1月11日在洛杉磯舉行。欲了解更多信息,請訪問畫廊網站,關注費爾雷的最新動態,並在他的商店購買版畫。            

2-1txt) [The roof structure of the house is formed by 8 exposed concrete beams cast in place. With a length of 30.5 meters and spaced 2.10 meters apart. The beams are interspersed with exposed beams of the slab-panel type. A second mesh of perpendicular beams follows the internal divisions of the rooms and “ties together” the whole structure]. At some specific points (access gallery, bathrooms, circulations and internal sections of the room and balcony); The placement of the slab-panel joists is interrupted by linear skylights for natural lighting and/or ventilation. Most of the luminaires are built into these skylights.

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