The Brasserie in Crete of Maiami, US

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Maiami:A Brasserie/Artist’s Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

▎A Brasserie Opens on the Crete

Ask anyone who has visited Crete and they’ll tell you that gastronomy plays an oversized role in both the island’s culture and lifestyle. So it makes sense that when artist Alexandra Manousakis was looking for a new creative space in Chania a few years ago she ended up opening a brasserie that also functions as an artist studio. Alexandra herself is no stranger to bold moves—born and raised in Washington, D.C., she left a successful marketing career in Manhattan in 2007 to take over the family winery in the village of Vatolakkos, her ancestral home in Crete. A winemaker as well as a painter and ceramist, her diverse interests converge in Maiami, a brasserie hybrid space where guests can eat, drink and be merry as well browse her latest ceramic works and, if they’re lucky, see the artist at work.

 

Taking over a 1950s building in Koum Kapi, a charming, less touristy neighbourhood near Chania’s Venetian Harbor, [[the all-day venue is awash in vibrant pops of colour in reflection of the artist’s colourful, abstract art, serving an unpretentious, soulful menu with Persian, Greek, Italian and Jamaican influences that embody Alexandra’s experience of growing up in an international world.]] With an emphasis on local ingredients, plus wines from the family’s winery, the art-filled brasserie is as much a paean to the Cretan way of life as a portrait of the artist’s inner life.

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

▎Art Deco-inspired Style a Family Restaurant Called “Maiami/Miami”

Alexandra recalls being enticed by the one-storey building on Koum Kapi’s coastal promenade from the moment she laid eyes on it when she moved to Chania sixteen years ago. “Its facade always drew me in, I can’t really explain why”, she says. Built in the 1950s in an Art Deco-inspired style, it operated as a family restaurant called Maiami (the Greek spelling of “Miami”), a name that Alexandra decided to retain along with the pink-painted doors and windows and other key features in respect for both the property’s previous owners and storied history. Having moved here from the US to reclaim her Greek roots, the name is also a serendipitous symbol of her unique circumstances.

 

White-washed stone walls and original terrazzo floors attest to the artist-cum-restaurateur’s desire to preserve the building’s heritage while an emerald-green fireplace plastered in thick, textured strokes, a colourful mural, and lots of vibrant blue chairs imbue the space with Alexandra’s artistic verve, as do the artist’s joyful tableware and ceramic collections on display. Industrial-style glass doors offering views into Alexandra’s studio further immerse guests into the artist’s universe, an effervescent mix of abstract figuration, punchy colours and bold lines that brings to mind Picasso, Miro, Basquiat and Keith Haring.

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

▎A Classic Jamaican Dish Originating From an Endearing Childhood Memory

Open all day long, serving breakfast and brunch until 6 p.m. and then switching to dinner until midnight, Maiami’s menu is small and unfussy, inspired by what Alexandra would cook in her own kitchen. Informed by her cosmopolitan outlook, what appears at first glance as a random combination of dishes from around the world, reveals itself as an intimately connected set of recipes and flavours close to Alexandra’s heart, (from Mama Sharma’s Shrimp,_)  a classic Jamaican dish originating from an endearing childhood memory, to the Indian black lentil dahl, the ultimate comfort food in Alexandra’s mind, to  (Gizela’s Watermelon Salad,) a Greek summer staple that takes its name from a dear friend.

 

With almost all the vegetables and produce sourced from Alexandra and her husband’s two gardens, the restaurant’s international vibes belie a farm-to-table philosophy that celebrates the richness of the Cretan land. Paired with Manousakis Winery’s Nostos Wines—a series created partly by Alexandra herself with her own drawings decorating two of the labels—and a range of refreshing signature cocktails made with seasonal ingredients, dining at Maiami effortlessly marries the local with the global in confirmation of the old adage, home is where the heart is.

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company

 

Maiami:A Brasserie/Artist's Studio in Crete Celebrates Art, Food, Wine and Good Company
Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
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Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

Lakota 與西方藝術史在 Dyani White Hawk 充滿活力的作品中交融

Lakota與西方藝術史在Dyani White Hawk充滿活力的作品中交融

    縱觀歷史,那些掌握最大權力或資源的人的故事通常被載入教科書,代代相傳,並銘刻在我們的集體意識中。如果不刻意去努力,我們很難聽到不只一個故事,在藝術史上,現實也大致如此。但那些長期以來被忽視的、極其廣泛的藝術形式——尤其是原住民藝術形式——又該如何看待呢?   縱觀歷史,那些掌握最大權力或資源的人的故事通常被載入教科書,代代相傳,並銘刻在我們的集體意識中。如果不刻意去努力,我們很難聽到不只一個故事。 在藝術史上,現實也大體如此。從米開朗基羅這樣的文藝復興巨匠,到傑克遜波洛克這樣不羈的美國現代主義藝術家,白人男性藝術家始終享有特權。例如,19世紀美國風景畫的根基與「昭昭天命」的信仰密不可分,當時美國政府正大力向西擴張。西方繪畫和雕塑在歷史上一直佔據著畫廊和拍賣行等市場主導地位。但那些長期以來被忽視的、極其廣泛的藝術形式——尤其是原住民藝術形式——又該如何看待呢?     對西恰日烏拉科塔族藝術家戴亞妮·懷特霍克(Dyani White Hawk)而言,美國藝術史的建構是她跨領域實踐的核心。 「她揭露了長期以來支配文化合法性、權威性、價值和可見性的排他性等級制度,」亞歷山大·格雷聯合公司(Alexander Gray Associates)和博克利畫廊(Bockley Gallery)的一份聯合聲明中寫道。 “從這個角度來看,懷特霍克將原住民藝術和西方抽象藝術重新定義為不可分割的實踐——它們通過共同的歷史聯繫在一起,而主流敘事卻竭力將其割裂和模糊。” 巴勃羅·畢卡索有句名言:「好的藝術家抄襲,偉大的藝術家竊取。」如果不是他對非洲面具的痴迷,像《亞維農少女》以及其他創作於20世紀初的開創性畫作就不會存在。懷特霍克將20世紀的色域藝術與極簡主義運動進行了類似的對比,以強調美洲原住民藝術形式在這些風格演變中的影響。她引導觀眾思考這些觀念如何塑造我們的美感感知和判斷,同時也思考文化記憶和社群的角色。 懷特霍克的作品涵蓋繪畫、雕塑、攝影、表演和裝置藝術。除了油畫和壓克力顏料外,她還運用了拉科塔藝術形式中常用的材料,例如珠子、豪豬刺和鹿皮。 「我致力於創作誠實、包容的作品,汲取我豐富的人生經歷,」懷特霍克在一份聲明中說道,融合了原住民和非原住民、城市、學術和文化教育體系的影響。她繼續說: “這讓我能夠從中心出發,加深對自我與文化的複雜性、個人歷史與國家歷史之間的關聯,以及原住民藝術史與主流藝術史之間的理解。”     從精心串珠的服飾到抽象的鹿皮畫,白鷹畫廊 (White Hawk)

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