Luxury Goods Market

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Luxury Goods Market Why Thrives Despite Uncertainty

 

01_Luxury Goods Market Why Thrives Despite Uncertainty

 

The personal luxury goods market posted a record year in 2022, reaching a market value of €345 billion, [despite geopolitical tensions and macroeconomic uncertainty. This momentum persisted into the first quarter of 2023, achieving 9-11% growth over 2022. However, nuances across countries remain. These are among the findings of management consultant Bain & Company’s Luxury Goods Worldwide Market Study – Spring 2023, presented with Altagamma, the Italian luxury goods manufacturers’ industry association.

 

The study attributes growth in Q1 2023 to a number of factors, including: the gradual decrease of hyperinflation, recovering confidence of local consumers in Europe, the re-opening in China and lifting of its zero-Covid policy restrictions before Chinese New Year shopping, and the positive momentum in Japan and South-East Asia, bolstered by intraregional tourism. However, the picture is nuanced across countries. A slowdown is expected in the US due to consumer caution in light of a potential recession.

Drivers

The luxury industry is experiencing a new phase after its post-pandemic growth, with renewed drivers of resilience establishing winners and losers, said Claudia D’Arpizio, a Bain & Company partner and leader of Bain’s Global Luxury Goods and Fashion practice, the lead author of the study. “Brands who want to succeed need to focus holistically on consumers; balance their exposure across geographies; offer a high value proposition with elevated entry clienteling and experientiality at scale; and push on icons, timeless, and statement pieces.”

 

Despite holding onto about $900 billion in unspent savings, US consumers are refraining from spending, due to economic uncertainties and the end of Covid relief funding. Top US customers are holding up, yet partially shifting their spending abroad as price differentials widen, and aspirational customers are spending less. In this context, US luxury consumers are focusing their purchases on statement pieces across categories as well as new formal and occasion wear. In the meantime, a rebalancing of the luxury map is taking place: the “giants,” such as New York and California, are coming back while holiday destinations, such as Hawaii and Las Vegas, are recovering yet still behind their 2019 peaks.
Europe has started the year off strong, with sustained performance in the first quarter, especially due to top spenders.

READ ALSO: Fullord and the Necessity of Luxury

 

The region, however, is awaiting “a moment of truth,” which will pressure test its resilience in the summer as locals face an end to their “luxury shopping haven”—the long tail of US and Middle Eastern tourists in the first half of the year is now expected to slow down. In the last months, Europe has experienced its first Chinese tourists back, with a solid return expected later in the year.

 

Mainland China, which saw Q1 growth, is expected to rise again this year, with some, but not all, brands back to 2021 levels. In the meantime, the Asian market is experiencing a reshuffling, with [old and new luxury magnets.] Hong Kong and Macau posted a sharp acceleration as primary destinations for Chinese tourism since the country reopened, with additional tailwinds from government policies (~€5 billion market value in 2022).

02_Luxury Goods Market Why Thrives Despite Uncertainty

 

Growth

Southeast Asia continued its brilliant growth path, sustained by an influx of Russian tourists’ spending, the first arrivals of Chinese consumers, and a strong appetite for jewellery and watches (~€12 billion market value in 2022). South Korea, on the other hand, is slowing down with a rebalancing of locals spending on purchases abroad and travel retail accelerating, due to inflows from Southeast Asia and despite limited Chinese arrivals so far (~€21 billion market value in 2022). Japan is the rising star in this landscape: local customers are keeping up their spending, and growth is coming from inbound tourists that are hungry for best-seller accessories], including the first signs of Chinese arrivals (~€24 billion market value in 2022).

 

The study shows a cross-category “quest for elevation,” driven by iconic and uber-lux pieces, with customers looking for “less but better” purchases. Top performing categories include watches – iconic models with a few giant brands driving growth – and jewellery, with uber-lux pieces driving growth. Iconic bags continue to drive spending as they are increasingly perceived as valuable assets. Shoes are booming in Asia, while slowing down in the Western world, transcending beyond sneakers. In beauty, the study shows growth in fragrances, fuelled by niche offerings and the recovery of duty-free, while makeup and skincare maintain positive trajectories.

 

In terms of channels, experientiality and travel retail are gaining back shine, tapping into other luxury territories. Travel retail is finally recovering after a long-awaited rebound, thanks to a dynamism from Southeast Asia and Japan. The monobrand category continued its solid growth from 2022, fuelled by an ongoing appetite for in-store experiences and shifts in consumer flows. Direct retail also remains on a solid growth path, increasingly boosted by the dawn of tech-enabled consumers and omnichannel 3.0-enabled sales.

03_Luxury Goods Market Why Thrives Despite Uncertainty

 

Expectations

The luxury market is set to grow to between €360 and €380 billion in 2023, up from €345 billion in 2022. Bain-Altagamma analysis sets out two scenarios:

-)  A positive scenario shows a solid growth path in 2023, driven by China’s recovery and sustained growth from Europe and the Americas, although stabilizing, with sales growth in the personal luxury goods market projected to be between 9 and 12%, versus 2022.

-)  A realistic scenario shows overall growth more severely impacted by a slowdown in mature markets, potentially adversely influencing luxury customer spending, as well as a slower recovery in China. In this scenario, sales growth in the personal luxury goods market is expected to be between 5 and 8%, versus 2022.

Looking further out to 2030, the personal luxury goods market is likely to experience growth driven by solid market fundamentals, boosting its value to between €530 and €570 billion—around 2.5 times the size of the 2020 luxury market.

 

In response to regulatory ESG pressures, luxury brands over the next three years will see a pressing focus on value chain decarbonisation, known as scope 3 emissions, requiring them to decouple expected business growth from the absolute growth of emissions.

 

Generative AI] will impact all steps of the luxury value chain, from distribution to creativity—yet only partially—as it revolutionises business enablers across all functions. As we saw with digital channels, leaders of tomorrow will be the ones able to stay ahead of the curve and create a competitive advantage through new technologies.

 

Luxury is entering the ‘literally me’ era, marked by a desire to show ourselves moving beyond purely aspirational items, valuing uniqueness over status, said Federica Levato, partner at Bain & Company and leader of the firm’s EMEA Luxury Goods and Fashion practice, co-author of today’s report. Meanwhile timeless, iconic pieces remain coveted due to their scarcity and continuous appreciation. This means many newcomers are overperforming, but they are competing in a world of giants, who are also experiencing much success. To remain relevant in the long run, brands will need to continue to channel an insurgent mindset, championing hero products and their founders’ visions, while also tooling up to sustain long-term growth by getting the business fundamentals right.

04_Luxury Goods Market Why Thrives Despite Uncertainty

 

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Lakota 與西方藝術史在 Dyani White Hawk 充滿活力的作品中交融

Lakota與西方藝術史在Dyani White Hawk充滿活力的作品中交融

    縱觀歷史,那些掌握最大權力或資源的人的故事通常被載入教科書,代代相傳,並銘刻在我們的集體意識中。如果不刻意去努力,我們很難聽到不只一個故事,在藝術史上,現實也大致如此。但那些長期以來被忽視的、極其廣泛的藝術形式——尤其是原住民藝術形式——又該如何看待呢?   縱觀歷史,那些掌握最大權力或資源的人的故事通常被載入教科書,代代相傳,並銘刻在我們的集體意識中。如果不刻意去努力,我們很難聽到不只一個故事。 在藝術史上,現實也大體如此。從米開朗基羅這樣的文藝復興巨匠,到傑克遜波洛克這樣不羈的美國現代主義藝術家,白人男性藝術家始終享有特權。例如,19世紀美國風景畫的根基與「昭昭天命」的信仰密不可分,當時美國政府正大力向西擴張。西方繪畫和雕塑在歷史上一直佔據著畫廊和拍賣行等市場主導地位。但那些長期以來被忽視的、極其廣泛的藝術形式——尤其是原住民藝術形式——又該如何看待呢?     對西恰日烏拉科塔族藝術家戴亞妮·懷特霍克(Dyani White Hawk)而言,美國藝術史的建構是她跨領域實踐的核心。 「她揭露了長期以來支配文化合法性、權威性、價值和可見性的排他性等級制度,」亞歷山大·格雷聯合公司(Alexander Gray Associates)和博克利畫廊(Bockley Gallery)的一份聯合聲明中寫道。 “從這個角度來看,懷特霍克將原住民藝術和西方抽象藝術重新定義為不可分割的實踐——它們通過共同的歷史聯繫在一起,而主流敘事卻竭力將其割裂和模糊。” 巴勃羅·畢卡索有句名言:「好的藝術家抄襲,偉大的藝術家竊取。」如果不是他對非洲面具的痴迷,像《亞維農少女》以及其他創作於20世紀初的開創性畫作就不會存在。懷特霍克將20世紀的色域藝術與極簡主義運動進行了類似的對比,以強調美洲原住民藝術形式在這些風格演變中的影響。她引導觀眾思考這些觀念如何塑造我們的美感感知和判斷,同時也思考文化記憶和社群的角色。 懷特霍克的作品涵蓋繪畫、雕塑、攝影、表演和裝置藝術。除了油畫和壓克力顏料外,她還運用了拉科塔藝術形式中常用的材料,例如珠子、豪豬刺和鹿皮。 「我致力於創作誠實、包容的作品,汲取我豐富的人生經歷,」懷特霍克在一份聲明中說道,融合了原住民和非原住民、城市、學術和文化教育體系的影響。她繼續說: “這讓我能夠從中心出發,加深對自我與文化的複雜性、個人歷史與國家歷史之間的關聯,以及原住民藝術史與主流藝術史之間的理解。”     從精心串珠的服飾到抽象的鹿皮畫,白鷹畫廊 (White Hawk)

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