Adaptive Reuse — Editor’s Note


Adaptive Reuse begins where demolition stops and memory refuses to disappear.

 

No blank ground.
Only what is already there.

The project does not assign meaning.
It works with what persists.

Intervention is selective.
Removal is deliberate.
Addition is limited.

Program shifts.
The structure does not reset.

Traces remain.
They are not stabilised.

Not preservation.
Not transformation.

A position held within constraint.

Raul De Lara 的奇思妙想木雕作品打破了界限

Raul De Lara 的奇思妙想木雕作品打破了界限

這組作品將原本日常而普通的物件轉化為奇異、略帶不安的視覺場景,藝術家把木工視為一種敘事工具,一種讓魔幻寫實主義得以生長的創作方式。植物與家具在作品中被融合為超現實雕塑,模糊功能與象徵之間的界線。這些創作共同指向對歸屬感與身份認同的質疑,同時挑戰國家邊界作為固定且自然存在的觀念,使物件成為政治、記憶與想像的載體。

Hera’s Imaginative New Murals Question the Animal Impulse to Migrate

The Animal Impulse to Migrate

    ︳Hera’s Imaginative New Murals Question the Animal Impulse to Migrate     ︳A mouse-costumed girl sitting on a duffel bag, a bird balancing

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