Mystery Abounds in Angela Burson’s Enigmatic Paintings

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

 

Often begins with old photographs and re-interprets vintage fashions, tile patterns, and household items in acrylic. She tends to skew proportions and perspectives

 

What do the objects we surround ourselves with say about who we are? For Angela Burson, the shirt we pluck from the closet in the morning and the drink we sip with dinner are especially engaging insights into personal and familial identities.

The artist, who is based in Savannah, often begins with old photographs and re-interprets vintage fashions, tile patterns, and household items in acrylic. She tends to skew proportions and perspectives, achieving a surreal style intensified by her signature crops and headless figures. A vivid, old-fashioned palette of yellow, baby blue, and pale, dusty rose characterizes the mysterious scenes, which peer into intimate moments rife with intrigue.

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

In “Taking Notes,” for example, we see two people sitting at a table, the suited figure scribbling on a pad of paper while another grabs for an olive martini. We’re left unsure of whether these notes reflect an investigation into an illicit event or chronicle a more legitimate (and seemingly less likely) cause. There’s also the nefarious cord-cutter in “Disconnected,” a piece in which a black rotary phone is sure to become an object of inquiry.

Of course, not all of Burson’s paintings appear to catch a bad actor. Her characteristic crops also zoom in on a delicate pair of sheer, polka-dotted socks or slender hands grasping a cocktail glass. The artist’s most recent body of work, Analog Conditions, depicts “artificially created situations (that) mimic real-world circumstances.”

Recurring motifs like suitcases and beloved pets allude to themes of liberation and companionship, although Burson continues to leave us puzzled: Why, for example, is there an open pill box next to an unattended pup? And what spurred the adoption of an adorable calico kitten? While ambiguous and inconclusive, Burson’s paintings prompt us, as a statement says, “to question the existential meaning of it all.”

Analog Conditions is on view from September 6 to 27 at Hashimoto Contemporary in New York City. Explore more from Burson on her website.

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

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Mystery Abounds in Angela Burson’s Enigmatic Paintings

brick house light well interior with vertical light and shadow

廣東磚造房屋以材料構造與光影秩序重塑鄉土記憶與居住關係

    廣東磚造房屋以紅磚與混凝土構築清晰量體,透過材料構造與光影滲透,重塑鄉村建築與當代居住之間的秩序與關係,展現 材料敘事   光井將自然光引入室內,使磚構空間在垂直尺度中建立清晰層次。   廣東磚造房屋以在地建材與構造邏輯回應鄉村建築的生成方式,重新界定居住、記憶與環境之間的關係。透過磚作為空間與結構的共同語言,建築在內外之間建立厚度與層次,展現 Material as Narrative 的敘事力量;同時藉由開口、進深與光井控制光線路徑,形塑具有時間性的 Light and Space 空間經驗。   鄉村建築並非被一次性設計完成,而是在長時間的使用、修補與增建之中逐步形成,呈現出一種帶有模糊邊界的秩序。這種秩序不依賴形式,而來自於與環境、氣候與生活方式的長期協調。 在此脈絡下,設計並未透過強烈的形式語彙介入,而是選擇降低建築的可見性,使其重新嵌入既有場域之中。業主希望這棟房子能讓下一代重新理解家鄉的存在,這使建築不只是空間的更新,而是一種記憶與歸屬的重新建立。同時,非日常居住的使用條件,也使設計在情感之外,必須精準回應成本與維護的現實限制。使建築不只是空間更新,更回到作為日常居住(domestic space)與家庭聚合的場所。       磚的尺度與人的身體直接對應,使其在搬運與砌築過程中形成一種自然的節奏,這種節奏進一步被轉化為空間生成的基本單位。 從單一磚塊到牆體,再到整體構造,建築呈現出一種由模組堆疊而成的秩序。鋼筋混凝土框架提供主要結構,內層牆體與其精準對齊,使承重與填充之間的關係被清楚揭示;外層則以連續磚面包覆,使結構退居於背景之中。這種內外之間的落差,讓建築同時具備可閱讀的構造邏輯與被隱藏的空間表情。

BEKEB 讓巴洛克牛仔語彙在 San Miguel de Allende 成形

在牧場文化與殖民歷史之間,BEKEB 以「巴洛克牛仔」語彙重構當代酒吧空間。     BEKEB 是座落於設計導向的豪華度假村 Live Aqua San Miguel de Allende 之中的全新手搖雞尾酒吧。空間將牧場文化、殖民時期的華麗語彙與當代工藝交織融合,刻意顛覆傳統、巴洛克與現代設計之間的既定邊界。團隊將這種混種美學稱為「巴洛克牛仔」——一種既張揚又自覺的風格表述,使酒吧成為地方歷史、工藝細節與夜生活節奏交會的舞台。 San Miguel de Allende是墨西哥中部高地的殖民時代城市,以其巴洛克式西班牙建築、繁榮的藝術景象和熱鬧的節日而聞名。 BEKEB是位於設計主導的豪華度假村Live Aqua San Miguel de Allende內的全新手工雞尾酒吧,透過調酒技術和設計展現了該鎮的獨特個性。酒吧由最近從紐約返回祖國墨西哥的著名調酒師Fabiola Padilla構思,並由當地室內設計工作室MAYE的室內建築師Maye Ruiz實現,酒吧將他們在Bajío的共同根源提煉成一個層次豐富的環境,將牧場文化、殖民時期的輝煌和現代工藝交織在一起,他們稱之為 “巴洛克牛仔” 美學。

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