Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

Historically relegated to a role “beneath” fine art in order to turn the tables on how we comprehend influence, identity, and artistic expression.

 

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

▏Emblazoned vibrant patterns and words like “TRUTH” and “LOVE”

Emblazoned with vibrant patterns and words like “TRUTH” and “LOVE,” Simone Elizabeth Saunders explores Black identity in relation to kinship, power, and survival. Her hand-tufted textiles (previously) merge cultural narratives and history with mythology, nostalgia, and personal experiences.

Saunders predominantly focuses on women, who she portrays in bold portraits and within fantastical, empowering scenarios. In recent works like “Girl with Butterflies” and “She Manifests Her Destiny,” figures embrace and commune with totem-like snakes, insects, and plants.

 

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

▏Rich Textile Traditions

Rooted in the myriad histories of the global Black diaspora and rich textile traditions throughout countless cultures, Saunders employs a craft technique historically relegated to a role “beneath” fine art in order to turn the tables on how we comprehend influence, identity, and artistic expression.

Saunders is represented by Claire Oliver Gallery.

 

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

 

 

 

Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles

 

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回收廢料和廢棄物被製成一系列奇特金屬動物

回收廢料和廢棄物被製成一系列奇特金屬動物

被丟進回收箱的材料,在這裡被重新喚醒。回收廢料、銅線與拾來的零件,被組裝成一系列動態鮮明的金屬動物雕塑,姿態介於靜止與行進之間。材料來源橫跨舊貨市場、二手商店、建築垃圾箱,以及藝術家日常散步時撿拾的碎片。物種的多樣性回應了材料本身的複雜歷史,創作不為再造秩序,而是一種對其他生命形式的安靜致敬。

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