A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

 

 

PETAL, the team designed a playful, kinetic structure using 108 simple deck chairs arranged in the form of a cylinder

 

PETAL, the team designed a playful, kinetic structure using 108 simple deck chairs arranged in the form of a cylinder
All Photography, Styling, Fotos, and Pictures Shared with Permission from the Colossal Website

 

▏This is a Very Fresh with Creative Means

From timber and a few dozen canvas folding chairs, Lasovsky Johansson Architects conceived of a summery pavilion called “PETAL.” This is a very fresh with creative means, that’s phat! Originally situated as a functional installation hosting an oyster bar during an art fair in 2023, [the work is currently in the courtyard of the Designmuseum Danmark in Copenhagen, where visitors can pop by for a coffee or snack].

Founded by Juráš Lasovský and Hanna Johansson, the studio was established with a collaborative mindset and a mission “to create beautiful projects that are rooted in place.” Many of the firm’s designs relate to civic spaces, such as schools, cultural centers, and public squares.

 

A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

 

3>▏PETAL Brings a 360-degree Experience

For PETAL, the team designed a playful, kinetic structure using 108 simple deck chairs arranged in the form of a cylinder]. [During the day, the seats open, and the piece appears to bloom. In the evening, the chairs are collapsed to form a more solid surface, which doubles as a screen to capture color projections.

“The main driving force being the design was to use an everyday product in a new way and still keep the original functionality,” the studio says in a statement. Employing lightweight, basic deck chairs, the temporary pavilion is easy to assemble, disassemble, and pack flat. Part functional space and part art object, PETAL invites a 360-degree experience.

Lasovsky and Johansson are currently working on a contemporary design for the new Museum of Forest Finn Culture in Svullrya, Norway. Explore more projects on the studio’s website.

 

A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

 

A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

 

A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

 

A Temporary Pavilion Made of 108 Deck Chairs Blooms Daily

 

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All Photography, Styling, Fotos, and Pictures Shared with Permission from the Colossal Website
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材料如何被石油體系重新定義

材料從來沒有中性過,只是我們習慣把它當作中性。 混凝土、鋼、玻璃——它們被討論時,總是停在強度、結構或形式。但那只是最後一層。 在那之前,它們已經被決定過很多次。 材料之所以看起來中性,是因為大部分決策已經在它出現之前完成。當我們開始討論材料時,其實已經太晚。     石油的影響並不止於能源供應,它進一步進入建築的物質層,重新塑造了我們對材料的理解,使材料不再只是被選擇與組合的元素,而是與能源體系緊密連動的結果,其生成、性能與使用方式都在石油系統的框架之中被重新定義。     材料在這樣的條件下不再被視為中性的建築構成元素,而是帶有明確來源與技術背景的產物,從塑膠、塗料、防水層到各類合成材料,其背後皆指向石油提煉與化工工業的生產鏈,使建築的物質基礎逐漸從天然轉向人工合成,這種轉變不僅改變了材料的物理性能與施工方式,也使材料本身成為一種可被標準化、複製與大量生產的結果,並在其生成與應用的過程中,逐漸依賴於隱藏地下的基礎設施與能源系統,進而影響建築形式與空間表現的可能性,使設計不再完全由形態決定,而是受制於材料系統的供應與限制 隨著這些材料被廣泛應用於建築之中,空間的生成邏輯也隨之發生改變,輕量化、高強度與高延展性的特性使結構得以突破原有的限制,建築可以更快速地搭建與擴張,同時也更加依賴隱藏於表面之下的材料層次來維持其功能,然而這些看似提升效率與性能的材料,實際上將建築更深地嵌入石油體系之中,使其在生命週期的每一個階段都與能源消耗與資源轉換緊密相連,從生產、運輸到維護與替換,都構成了一個難以脫離的依附關係 當材料被納入這樣的系統之後,建築便不再只是設計者操作的結果,而是成為一種由能源、技術與工業流程共同塑造的產物,其物質性不再純粹,而是混合了多重不可見的生產過程與資源流動,使我們難以單純以形式或功能來理解建築本身,而必須進一步追溯其背後的材料來源與生產邏輯,才能看見這些看似穩定的構成元素,實際上如何在石油體系之中被持續生成與重構   這些物質層面的轉變,最終仍回到同一個問題——建築如何在能源與基礎設施的系統之中被持續塑造與運作。     來源 材料來自哪裡,其實比它長成什麼樣子更重要。 開採、運輸、加工,每一個環節都在消耗能量,也在重新分配成本。這些過程不會出現在圖面上,但它們決定了什麼可以被建造。 Material is not chosen, it is

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