Captures Intimate Portraits of North America

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

 

▎Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

▎Last summer, Brendon Burton hit the road from his home in Portland, Oregon, and wandered across the great western expanses of Idaho, Montana, North Dakota, and Utah. In the fall, he captured misty scenes around the Pacific Northwest and then headed east to New York and West Virginia, where the trees burst with autumnal orange and red hues. Focusing his lens on abandoned structures and isolated landscapes, the photographer (previously) emphasizes the tenuousness of memory, passing time, and places left behind.

 

Burton’s dreamlike images are characterized by dilapidated farmhouses, empty roads, and sprawling fields, often caught in a moment of temporary transformation, like when a flock of birds interrupts the quietude of a rural road or a stormy sky releases a dramatic rainbow.

 

Typically devoid of people, Burton’s images are often fixed on architectural details and artifacts left by past occupants. Rather than focusing on decay, he considers what liminality, or being in-between, physically looks like as landscapes and structures metamorphose through time. The cycle of the seasons plays out in the trees surrounding an Appalachian church or the emergence of a smiley face on timber land on an Oregon hillside. Planted by a lumber company about fifteen years ago, the expressive emblem is composed of larch, which turns yellow and drops its needles each year, amid a sea of Douglas fir.

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Typically devoid of people, images are often fixed on architectural details and artifacts left by past occupants Captures Intimate Portraits of North America’s Metamorphosing Rural Landscapes

 

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
─────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

以石頭、木材與鋼構交錯,柏林 KEIT 麵包店讓製作與販售在同一空間中慢慢發酵

KEIT麵包店位於 Berlin’s Kreuzberg,製作直接進入販售空間,讓日常行為在其中開始發酵。   位於 Berlin’s Kreuzberg 的 KEIT 麵包店,空間圍繞吧台與製作過程展開,原有磨石被切割重組,串聯動線與停留。石頭、木材與鋼構之間形成清楚對比,材料不只是表面,而是直接參與空間的運作,使製作與販售之間的界線被打開,讓麵包店成為一個可以被觀看的日常場景。         KEIT的第三家麵包店位於 Berlin’s Kreuzberg neighbourhood (柏林克羅伊茨貝格區),秉承傳統的麵包製作工藝,卻散發著鮮明的現代氣息。由 Studio Michael Burman 設計的這家麵包店,以客製而內斂的雕塑語言透過 material composition

Antiparos建築被重新定義且Avlakia住宅讓建築成為地景的一部分

    Antiparos 建築不再只是風景背景,Avlakia住宅以地形嵌入與極簡語彙,重新定義人與環境的關係與居住本質,並指向Architecture and Landscape的核心命題   建築嵌入島嶼地形,與環境形成整體關係   Antiparos建築不再只是風景背景,Avlakia住宅透過地形嵌入與極簡策略,直接重寫建築與地景的關係,並重新定義島嶼居住的空間尺度,指向Architecture and Landscape的核心命題   基克拉迪群島的轉變:從度假開發到建築精緻化 與 Cyclades(基克拉迪群島)許多曾經寧靜的島嶼相同,Antiparos(安提帕羅斯島)近年來建築活動穩步增長,新建的度假住宅逐漸重塑原本崎嶇而自然的地形。嚴格的規劃法規雖然限制了建築形式,卻也反過來促使建築師更加專注於比例、尺度與細節,使當代極簡主義得以與在地建築語彙細緻融合,而非流於表面的風格拼貼。 相較於其他熱門旅遊島嶼,當地居民更看重建築背後的意圖,而非視覺上的戲劇性效果。當一個地方的審美標準建立在這樣的基礎上,建築自然也更趨於克制與耐久。由 Argyro Pouliovali 設計的Avlakia住宅,正是在這樣的文化氛圍中誕生。   開口精準控制視線,將海景納入空間   水面與視線延伸形成空間層次  

Facebook
Twitter
LinkedIn
Tumblr
0 0 votes
Article Rating
Subscribe
Notify of
guest
0 Comments
Oldest
Newest Most Voted
Search