From the Center of the Palais Garnier in Paris

JR’s Dramatic Cave Intervention Emerges from the Center of the Palais Garnier in Paris

 

︳JR’s Dramatic Cave Intervention Emerges from the Center of the Palais Garnier in Paris

 

︳“Our role as artists is always to search for the light,” says French artist JR (previously) about the second act of his Retour à la Caverne project. “We know this much: You don’t chase away the darkness with more darkness. You chase it away with light, however tiny.”

 

The work he’s referring to, though, is far from tiny. Cloaking Paris’s Palais Garnier while the building is under construction, Retour à la Caverne is an enormous trompe l’oeil facade, the first part of which depicts a cave carved into the grand structure that houses the opera. Illuminated at the center, the temporary piece highlights the physical and metaphorical interactions between light and dark. Broken into two acts like an opera libretto, the work references Plato’s allegory that emerging from the depths of the cave, and from darkness, brings knowledge.

 

“Act I” debuted earlier this fall with four nights of projected works, while the second part was held on November 12. “Back in September, we invited you to step out of the cave to go and explore. This time, we’re inviting you back inside the cave,” JR said while introducing the work. Whereas “Act I” portrays the cavern gouged into the center of the building, “Act II” switches perspectives, placing the viewers entirely inside the space.

 

Titled “Chiroptera,” the performance featured choreography by Damien Jalet and music by Thomas Bangalter. More than 150 dancers appeared through an elevated seven-story scaffolding after an eerie introduction by ballerina Amandine Albisson, who appeared to open the cave, causing a plummet into darkness. As with many of JR’s works, the artist asked the crowd to participate by using headlamps and their phones to illuminate the remainder of the performance, revealing the ways light can emerge from collective action.

 

JR’s Dramatic Cave Intervention Emerges from the Center of the Palais Garnier in Paris

 

JR’s Dramatic Cave Intervention Emerges from the Center of the Palais Garnier in Paris

 

JR’s Dramatic Cave Intervention Emerges from the Center of the Palais Garnier in Paris

 

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
─────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

The Coastal City of Casa Pirca—Bordering the Coastal City of Casa Pirca is Located within the on a Rectangular Lot with a Steep Difference in Dividing it in Two, Exemplifying its Greatest Quality

The Coastal City of Casa Pirca

    ▎Bordering the Coastal City of Casa Pirca is Located within the on a Rectangular Lot with a Steep Difference in Dividing it in

Started as a visual representation of a powerful feeling rising from the deep, that it felt like this portrait has been ‘channelled’ through me

The Firebird Portrait

Started as a visual representation of a powerful feeling rising from the deep,  that it felt like this portrait has been ‘channelled’ through me  

回收廢料和廢棄物被製成一系列奇特金屬動物

回收廢料和廢棄物被製成一系列奇特金屬動物

被丟進回收箱的材料,在這裡被重新喚醒。回收廢料、銅線與拾來的零件,被組裝成一系列動態鮮明的金屬動物雕塑,姿態介於靜止與行進之間。材料來源橫跨舊貨市場、二手商店、建築垃圾箱,以及藝術家日常散步時撿拾的碎片。物種的多樣性回應了材料本身的複雜歷史,創作不為再造秩序,而是一種對其他生命形式的安靜致敬。

Facebook
Twitter
LinkedIn
Tumblr
0 0 votes
Article Rating
Subscribe
Notify of
guest
0 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
Search