American Style Frames the Costume Institute’s Next Exhibition

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As the Costume Institute announces its new exhibition theme, architecture and interior design re-emerge as material interpreters of American style, shaping how cultural identity is staged and experienced.

 

As the Costume Institute Announces Its Next Exhibition Theme 9 Iconic Houses of American

As the costume institute announces its next exhibition theme 9 iconic houses of American.  In the field of architecture, the country began to develop a strong sense of identity.  “There was a constant willingness to experiment and innovate,  which helped to secure America’s prominent position on architectural map.  And send its fresh ideas back into the wider world.”  In the introduction to 2021 book,  The Iconic American House:  Architectural Masterworks Since 1900 (Thames & Hudson).  As the costume institute announces its next exhibition theme which traces United States’ residential development throughout the century current day.

 

As the Costume Institute Announces Its Next Exhibition Theme

9 Iconic Houses American’s Style

1)  9 Iconic Houses American’s Style:  Fallingwater (1939).  Frank Lloyd Wright’s Fallingwater (1939).  In Mill Run,  Pennsylvania, might be the most famous American house of all time,  save the White House.

 

As the Costume Institute Announces Its Next Exhibition Theme

2)  9 Iconic Houses American’s Style:  Sculptured House (1965).  During the midcentury,  some architects turned to curvaceous forms for both public structures.  Like Eero Saarinen’s TWA Terminal (1962) at JFK in New York.  And Residential ones,  like Charles Deaton’s Sculptured House (1965) in Golden,  Colorado,  shown here.

 

As the Costume Institute Announces Its Next Exhibition Theme

3)  9 Iconic Houses American’s Style:  Eames House (1949).  For their home in Pacific Palisades,  California,  built in 1949 Charles and Ray Eames played with juxtaposition.  Like double-height spaces and intimate ones,  prefabricated elements and handcrafted ones.

 

As the Costume Institute Announces Its Next Exhibition Theme

4)  9 Iconic Houses American’s Style:  Greenberg House (1991).  Ricardo Legorreta’s Greenberg House (1991) in Los Angeles plays with color and shadow,  both inside and out.

 

As the Costume Institute Announces Its Next Exhibition Theme

5)  9 Iconic Houses American’s Style:  The Pierre (2010).  Tom Kundig of Olson Kundig created a sense of monumentality with concrete in The Pierre (2010).  Located in Washington’s San Juan Islands,  but kept the home light and bright to maximize views of the Salish Sea.

 

As the Costume Institute Announces Its Next Exhibition Theme

6)  9 Iconic Houses American’s Style:  Farmstead & Conoid Studio (1959).  Japanese aesthetics meet American ones at the Nakashima Farmstead & Conoid Studio (1959).  In New Hope,  Pennsylvania,  a laboratory of sorts for George Nakashima.

 

As the Costume Institute Announces Its Next Exhibition Theme

7)  9 Iconic Houses American’s Style:  Gerald Ford Estate (21st century).  Originally designed by Welton Becket & Associates in 1978. The Gerald Ford Estate in Rancho Mirage,  California,  received an update by Marmol Radziner in the 21st century.  The mural, table,  chairs,  and rug in the dining room,  however,  are original.

 

As the Costume Institute Announces Its Next Exhibition Theme

8)  9 Iconic Houses American’s Style:  High Desert House (1993).  Kendrick Bangs Kellogg designed the High Desert House (1993). In Joshua Tree,  California,  to be both organic and futuristic,  blending in with the otherworldly landscapes of the desert.

 

As the Costume Institute Announces Its Next Exhibition Theme - Toro Canyon (1999)

9)  9 Iconic Houses American’s Style:  Toro Canyon (1999).  The risk of wildfires informed the design of the House at Toro Canyon (1999).  By Barton Myers,  located in Montecito,  California.  As such,  water features prominently across the property.

 

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KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

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這個空間看起來不是新建的反而像材料慢慢留下來的 Monologue Café

    其實也說不上 Monologue Café 哪裡特別 但就是會多停一下材料有點像障眼法好像還有什麼沒看完   Monologue Café 位於韓國洪川,被森林包圍。建築沒有明確正面,而是透過體積與材料的堆疊,讓空間像經過時間慢慢形成。牆體、光線與行走路徑交錯,使人在移動中逐漸理解這個空間,而不是一次看懂。     建築並不是從一個方向被理解的。   第一眼通常抓不到重點,好像也不太需要。   也不太確定該從哪裡開始看。   它比較像是—— 要走一圈才慢慢有感覺。   有順序但又不太像    

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