American Style Frames the Costume Institute’s Next Exhibition

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As the Costume Institute announces its new exhibition theme, architecture and interior design re-emerge as material interpreters of American style, shaping how cultural identity is staged and experienced.

 

As the Costume Institute Announces Its Next Exhibition Theme 9 Iconic Houses of American

As the costume institute announces its next exhibition theme 9 iconic houses of American.  In the field of architecture, the country began to develop a strong sense of identity.  “There was a constant willingness to experiment and innovate,  which helped to secure America’s prominent position on architectural map.  And send its fresh ideas back into the wider world.”  In the introduction to 2021 book,  The Iconic American House:  Architectural Masterworks Since 1900 (Thames & Hudson).  As the costume institute announces its next exhibition theme which traces United States’ residential development throughout the century current day.

 

As the Costume Institute Announces Its Next Exhibition Theme

9 Iconic Houses American’s Style

1)  9 Iconic Houses American’s Style:  Fallingwater (1939).  Frank Lloyd Wright’s Fallingwater (1939).  In Mill Run,  Pennsylvania, might be the most famous American house of all time,  save the White House.

 

As the Costume Institute Announces Its Next Exhibition Theme

2)  9 Iconic Houses American’s Style:  Sculptured House (1965).  During the midcentury,  some architects turned to curvaceous forms for both public structures.  Like Eero Saarinen’s TWA Terminal (1962) at JFK in New York.  And Residential ones,  like Charles Deaton’s Sculptured House (1965) in Golden,  Colorado,  shown here.

 

As the Costume Institute Announces Its Next Exhibition Theme

3)  9 Iconic Houses American’s Style:  Eames House (1949).  For their home in Pacific Palisades,  California,  built in 1949 Charles and Ray Eames played with juxtaposition.  Like double-height spaces and intimate ones,  prefabricated elements and handcrafted ones.

 

As the Costume Institute Announces Its Next Exhibition Theme

4)  9 Iconic Houses American’s Style:  Greenberg House (1991).  Ricardo Legorreta’s Greenberg House (1991) in Los Angeles plays with color and shadow,  both inside and out.

 

As the Costume Institute Announces Its Next Exhibition Theme

5)  9 Iconic Houses American’s Style:  The Pierre (2010).  Tom Kundig of Olson Kundig created a sense of monumentality with concrete in The Pierre (2010).  Located in Washington’s San Juan Islands,  but kept the home light and bright to maximize views of the Salish Sea.

 

As the Costume Institute Announces Its Next Exhibition Theme

6)  9 Iconic Houses American’s Style:  Farmstead & Conoid Studio (1959).  Japanese aesthetics meet American ones at the Nakashima Farmstead & Conoid Studio (1959).  In New Hope,  Pennsylvania,  a laboratory of sorts for George Nakashima.

 

As the Costume Institute Announces Its Next Exhibition Theme

7)  9 Iconic Houses American’s Style:  Gerald Ford Estate (21st century).  Originally designed by Welton Becket & Associates in 1978. The Gerald Ford Estate in Rancho Mirage,  California,  received an update by Marmol Radziner in the 21st century.  The mural, table,  chairs,  and rug in the dining room,  however,  are original.

 

As the Costume Institute Announces Its Next Exhibition Theme

8)  9 Iconic Houses American’s Style:  High Desert House (1993).  Kendrick Bangs Kellogg designed the High Desert House (1993). In Joshua Tree,  California,  to be both organic and futuristic,  blending in with the otherworldly landscapes of the desert.

 

As the Costume Institute Announces Its Next Exhibition Theme - Toro Canyon (1999)

9)  9 Iconic Houses American’s Style:  Toro Canyon (1999).  The risk of wildfires informed the design of the House at Toro Canyon (1999).  By Barton Myers,  located in Montecito,  California.  As such,  water features prominently across the property.

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

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Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
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Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

 

城市遊廊:2025米蘭設計週最佳作品

2025 米蘭設計週:在城市遊廊中被時間留下的設計

在米蘭設計週的城市展覽網絡之中,真正留下記憶的往往不是最喧鬧的作品,而是那些讓材料與光線慢慢浮現意義的設計。     一年一度的米蘭設計週之旅充滿了創意、才華和創新。穿梭於這座城市遊廊迷宮般的展覽、快閃店和展示館之間,探索遍布畫廊、宮殿和意想不到的角落,絕非易事,然而,經驗(以及一些距離感)告訴我們,許多令人驚豔的瞬間已從我們的記憶中褪去;相反,一些更低調的設計卻隨著時間的推移而愈發引人注目。 一如既往,我們一年一度的米蘭設計週之旅充滿了創意、才華和創新。穿梭於這座城市遊廊迷宮般的展覽、快閃店和展示館之間,探索遍布畫廊、宮殿和意想不到的角落,絕非易事;而從海量展品中甄選出真正的精品,則更是難上加難。在這樣密集而分散的展示網絡中,設計不再只是物件本身,而逐漸演變為一種透過材料、結構與空間敘事所構築的文化語言,也正呼應了當代設計領域對材料敘事的重新關注。 然而,經驗(以及一些距離感)告訴我們,時間是一位可靠的策展人。三週後,塵埃落定,真正留在我們腦海中的,是那些留下深刻印象的產品、設計師和裝置——那些真正值得關注的。許多令人驚豔的瞬間已從我們的記憶中褪去;相反,一些更低調的設計卻隨著時間的推移而愈發引人注目。這提醒我們,真正的創新往往是緩慢顯現的,它需要我們去關注,而不是強迫。 接下來,讓我們一起來看看那些讓我們印象深刻的項目——城市遊廊 2025 年米蘭設計週的最佳作品。       隨著兩年一度的巴黎國際照明展(Euroluce)今年的回歸 ,許多亮點中不乏照明產品和項目,這並不令人意外。在傑奎琳·沃多茲和布魯諾·達內塞基金會,邁克爾·阿納斯塔西亞德斯發布了全新的模組化燈具系列,每一件作品都探索了光作為結構和記憶的雙重屬性。例如, 「天鵝」(Cygnet)系列的設計靈感源自於阿納斯塔西亞德斯童年時製作和放飛風箏的記憶。該系列燈具由無縫連接的三角形平面組成,並由隱藏的光源照亮,彷彿輕盈地漂浮在空中。燈具懸掛於不同高度,由輕盈的竹製框架支撐,既保證了燈具的穩固性,又不會破壞基金會上方的歷史壁畫。整個裝置呼應了飛行的輕盈幾何形狀。       在米蘭城市遊廊的其他歷史建築中,燈光設計同樣令人印象深刻。在昔日的科齊浴場(Piscina Cozzi),米蘭品牌6:AM舉辦了名為「雙重寂靜」(Two-Fold Silence)的個展,展出了其極簡主義的[quadrato]系列燈具。該系列燈具的設計靈感源自20世紀20年代工業燈具的幾何造型,融合了包浩斯理性主義的語言與俄羅斯先鋒派藝術家卡濟米爾·馬列維奇的極簡詩意。穆拉諾吹製玻璃的質感使光線與結構彼此交織,也讓作品在視覺與觸感之間形成鮮明對話,成為一次典型以材料敘事為核心的照明設計實驗。 同時,在米蘭一家前銀行里,總部位於巴黎的BOON_EDITIONS和溫哥華的照明工作室AND聯手打造了一場精彩絕倫的展示,模糊了收藏設計、功能性藝術和實驗性照明之間的界限,每一件作品都大膽地、實體地展現了光作為一種鮮活的、可變的媒介的理念。          

巴黎 La Fondation 將一座 20 世紀 60 年代停車場重新轉化為融合酒店、康體與文化活動的複合式場所

巴黎 La Fondation 將一座原本只為汽車存在的 60 年代停車場,重新轉化為融合酒店、康體、餐飲與文化活動的複合式公共場所,讓粗獷混凝土結構再次回到城市日常之中。     巴黎 Les Batignolles 街區中的 La Fondation,將 20 世紀 60 年代辦公樓與停車場重新整合,轉化為結合酒店、餐飲、康體與文化活動的複合式場所。PCA-STREAM 保留原有混凝土骨架,讓這座原本服務車流的建築,重新回到城市日常之中。 適應性再利用專案往往傾向保留原有建築外殼,再透過新的材料與立面語彙柔化舊建築的工業感。但位於巴黎的 La Fondation,選擇了另一種方式。PCA-STREAM 並未刻意隱藏停車場原有的粗獷結構,而是保留混凝土框架,重新整理立面、動線與公共空間,讓原本封閉的停車場與商辦建築,轉化為更開放的 mixed-use development。最有趣的是,那些曾經服務車流的空間,如今反而成為人們停留與交流的場所。

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