Mystery Abounds in Angela Burson’s Enigmatic Paintings

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

 

Often begins with old photographs and re-interprets vintage fashions, tile patterns, and household items in acrylic. She tends to skew proportions and perspectives

 

What do the objects we surround ourselves with say about who we are? For Angela Burson, the shirt we pluck from the closet in the morning and the drink we sip with dinner are especially engaging insights into personal and familial identities.

The artist, who is based in Savannah, often begins with old photographs and re-interprets vintage fashions, tile patterns, and household items in acrylic. She tends to skew proportions and perspectives, achieving a surreal style intensified by her signature crops and headless figures. A vivid, old-fashioned palette of yellow, baby blue, and pale, dusty rose characterizes the mysterious scenes, which peer into intimate moments rife with intrigue.

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

In “Taking Notes,” for example, we see two people sitting at a table, the suited figure scribbling on a pad of paper while another grabs for an olive martini. We’re left unsure of whether these notes reflect an investigation into an illicit event or chronicle a more legitimate (and seemingly less likely) cause. There’s also the nefarious cord-cutter in “Disconnected,” a piece in which a black rotary phone is sure to become an object of inquiry.

Of course, not all of Burson’s paintings appear to catch a bad actor. Her characteristic crops also zoom in on a delicate pair of sheer, polka-dotted socks or slender hands grasping a cocktail glass. The artist’s most recent body of work, Analog Conditions, depicts “artificially created situations (that) mimic real-world circumstances.”

Recurring motifs like suitcases and beloved pets allude to themes of liberation and companionship, although Burson continues to leave us puzzled: Why, for example, is there an open pill box next to an unattended pup? And what spurred the adoption of an adorable calico kitten? While ambiguous and inconclusive, Burson’s paintings prompt us, as a statement says, “to question the existential meaning of it all.”

Analog Conditions is on view from September 6 to 27 at Hashimoto Contemporary in New York City. Explore more from Burson on her website.

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

Mystery Abounds in Angela Burson’s Enigmatic Paintings

 

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Mystery Abounds in Angela Burson’s Enigmatic Paintings

Jonojé interior with textured plaster walls, exposed brick, clay furniture and woven bamboo ceiling by Studio LOHO.

Jonojé 住宅讓 Bruges 舊刷廠成為材料與生活共存的居所

Bruges 舊刷廠經重新改造,Jonojé 讓材料、工藝與居住生活在同一空間裡自然交會。     在比利時 Bruges 郊區,一座舊刷廠被重新整理成 Jonojé,工作室、展廳、畫廊、居住空間與民宿被放進同一組超過 1000 平方米的保護建築群裡。六間套房延續 Studio LOHO 對材料與工藝的探索,從手工陶瓷、粘土與石膏,到家具、表面與浴室設備,都不是單純的裝飾,而是讓住宿本身成為品牌世界的一部分。     Jonojé從舊刷廠開始把工作與居住放在一起 對許多設計工作室而言,打造專屬空間是將設計理念和價值觀以建築形式呈現的絕佳機會。在比利時 Bruges,設計機構 Studio LOHO 將這一理念更進一步。該工作室由 Karel Loontiens 和

Material as Narrative — Editor’s Note

Materials remember what architecture tries to forget. 在這些作品裡,材料不是被覆蓋,而是被閱讀。石材的裂紋、灰泥的層次、木構的勞動痕跡構成了一種持續書寫的語言。Material as Narrative 關注那些讓建築保持可讀性的空間——時間沒有被抹除,而是被允許停留。這些建築不是追求完美的物件,而是承載生活、修補與記憶的結構,提醒我們空間真正的價值來自其被使用、被觸摸、被歲月雕刻的過程。 Materials are never neutral. In these projects, concrete carries memory, bamboo becomes structure, wood

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