A Creative Retreat Shaped by the Landscape of the Tetons

Creative retreat mountain home near the Tetons in Wyoming
Set beneath the Tetons, this creative retreat transforms a mountain landscape into a place for writing, reflection, and immersion in nature.

 

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A Creative Retreat at the Base of the Tetons

A series of undulating tectonic forms set among aspen groves near Wilson, Wyoming, define this creative retreat for a California-based couple. Located on a 35-acre property at the base of the Tetons, the site encompasses diverse ecosystems where mature forests transition into meadows and young pine stands. Designed as a nature-oriented refuge, the creative retreat provides a quiet environment for writing, creativity, and a deeper connection with the surrounding landscape.

 

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Architecture Conceived as a Geological Remnant

The project consists of three separate structures—a main house, guest house, and writer’s studio—organized as simple box-like volumes carefully positioned across the site. The primary residence is conceived as a geological remnant, forming a striking monolithic and sculptural presence at the boundary between forest and open field. Meanwhile, the guest house and studio sit more discreetly within the trees, allowing the architecture to respond directly to its environment. Expansive views of the Grand Tetons, surrounding forests, wildlife, and meadows reinforce the retreat’s strong relationship with nature and place.

 

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▎Rectilinear in plan, the main house appears to grab surrounding trees as anchors, sinking in the center, and pulling upward toward the sky at the corners. Working in concert with the landscape, this dynamic quality is further through the building’s charred shou sugi ban exterior,  tugged and carved to create overhangs and openings. The entrance to the home is located where the structure reaches out over a lowland creek, the relationship revealed by a moment of transparency in the floor. The wood exterior wraps into the interior as light Atlantic cedar, which then dissolves into subtle plaster and floor-to-ceiling glass.

 

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▎Each window frames a view of the prairie and Teton range beyond. An east-facing fireplace provides a counterpoint to the views, and an intimate courtyard allows southern light to penetrate the center of the home. In addition to the common kitchen, living, and dining spaces, the home includes three bedrooms, four bathrooms, a laundry, and an expansive mudroom for the client’s Irish wolfhounds. Wood, steel, bronze, custom-cast white concrete, bleached cedar, and oversized slabs of travertine and onyx define the material palette. Italian limestone is highlighted as floors in the primary bath and is also highlighted for the custom bathtub, which was water jet cut from a single block of limestone to create a striking monolithic and sculptural design element.

 

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▎This makes the second time the interior designer has worked with the clients, the first instance at their home in Mill Valley. The client’s bohemian lifestyle and love of music, literature and the great outdoors were the inspiration behind the interior design. They love comfort, layers and texture, vintage pieces and a home that is inviting to family and friends and laid back enough for their dogs. Every surface has been elevated, with artisan details like the custom-designed, tattoo-inspired bas-relief concrete on the fireplace surround, hand-painted custom wallpaper murals, and the geometric motifs carried throughout the design. The earth-toned palette—with pops of mustard, blush and deep Burgundy—is punctuated by collectible pieces, vintage finds, and contemporary art.

 

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▎The three-bedroom guest house is located steps away from the main house and features a similar carved-away entry and rectilinear form. The writer’s studio is positioned just beyond and provides a formal contrast to the other structures. A two-story sentinel surrounded by fledgling aspens, the structure includes a first-floor living space and a second-floor studio where the occupant can be immersed in contemplation among the tree canopies. Wood, steel, bronze, custom-cast white concrete, bleached cedar, and oversized slabs of travertine and onyx define the material palette. Italian limestone is highlighted as floors in the primary bath and is also highlighted in the custom bathtub, which was water jet cut from a single block of limestone to create a striking monolithic and sculptural design element.

 

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A striking monolithic and sculptural design element in Creative Retreat its Mountain home serves as a creative retreat—The base of the Tetons and Creative retreat of Mountain home serves as a creative retreat, a striking monolithic and sculptural design element that also features the coolest geological relics in the landscape, conceived as a geological relics are coolest.

Kapsimalis 在 Santorini 以光線重構 Cycladic 鄉土形式

遠離火山壯景,建築回到葡萄園與光線的水平關係,重建與土地的親密連結。     Kapsimalis Architects 在聖托里尼島的住宅項目中,重新詮釋了基克拉迪群島的鄉土風景。這裡的景觀不以火山口的戲劇性為主角,而是由一路延伸至海岸的葡萄園所構成的水平節奏所定義。建築選擇貼近這份靜謐,與鄉村生活建立更親密的聯繫,使空間得以回應聖托里尼的在地傳統,以及島嶼與土地、光線之間長久而細膩的關係。 這座由Kapsimalis Architects設計的新住宅坐落於聖托里尼島伊亞村的邊緣地帶,這裡的景觀並非由火山口的壯麗景象所定義,而是由延伸至大海的葡萄園組成的勻稱的水平景觀所定義。它擁有別樣的海島體驗,雖然缺乏明信片般的美景,但卻以與鄉村更靜謐的聯繫來彌補,這使得建築能夠與聖托里尼島的鄉土傳統及其與土地和光線的親密關係產生更深的共鳴。       從村莊沿著一條古道走近,房屋展現出一簇粉刷過的立方體造型——既延續了 鄉土建築 的空間邏輯,也回應當代生活需求。棱柱狀構造放大了光影的變幻,使立面隨太陽移動而產生細膩變化。這種多孔佈局平衡開放與私密,而鑿入地面的地下層則重新詮釋傳統的 yposkafa 民居,營造出具有庇護性的深層空間。       材料的選擇進一步強化建築與地形的連結。現場挖掘出的火山石被用於下部立面與擋土牆,而白色灰泥勾勒出上部立方體輪廓。綠柄桑木涼亭為露台遮蔭,大理石表面由室內延伸至室外,並結合 生物氣候策略,包括綠植屋頂、開口配置與地中海植栽,使住宅在視覺與性能上皆與環境共生。        

2-1txt) [The roof structure of the house is formed by 8 exposed concrete beams cast in place. With a length of 30.5 meters and spaced 2.10 meters apart. The beams are interspersed with exposed beams of the slab-panel type. A second mesh of perpendicular beams follows the internal divisions of the rooms and “ties together” the whole structure]. At some specific points (access gallery, bathrooms, circulations and internal sections of the room and balcony); The placement of the slab-panel joists is interrupted by linear skylights for natural lighting and/or ventilation. Most of the luminaires are built into these skylights.

Luxury Goods Market

Luxury Goods Market Why Thrives Despite Uncertainty     The personal luxury goods market posted a record year in 2022, reaching a market value of

西水峪在半山腰鑿出一塊栗樹露台

滿栗台在栗樹與棚屋之間重新組織山地生活

從棚屋學習結構與遮蔭智慧,新建築在栗樹林中生長,而非侵入。     在西水峪附近的半山腰,人們鑿出一處台地,栗樹成林,生活與勞動在濃蔭之下自然展開。受限於施工條件,早期隨意搭建的棚屋反而成為新建築的原型線索。建築並未否定這些臨時結構,而是向棚屋學習——從材料運用到空間尺度,回應工人作為山地生活專家的經驗智慧。平台上的栗樹被保留下來,棚屋穿插其間,使建築生長於樹林之中,而非凌駕其上。 十五世紀初,昌平府黃華鎮正忙著修築長城。在西水峪附近,一處無名山谷中,人們在半山腰鑿出一塊台地,將無數粗糙的黃石運上去。據推測,當時人們原本打算建造一道圍牆,但不知何故,工程被擱置,留下散落的黃石堆成長長的一坨。千百年來,這裡種植大量的栗樹,人們在濃蔭下生活勞動,每到秋天,方圓百里的山谷都覆蓋著蓬鬆的栗子皮。 2019年我們到達時,台地上駐紮著一支施工隊,搭建了三、四個臨時工棚,建築材料和設備散落在各處。在一片雜亂之中,數十棵老栗樹依然茁壯成長,最大的一棵需要三個人才能圍攏過來。     向棚屋學習。早期隨意搭建的工棚,反而揭示了一種來自山地生活經驗的 在地智慧。工人們憑直覺選擇穩固地基、避風角度與最佳日照,並巧妙地將棚屋穿插於栗樹之間,使建築不再是介入,而是順應地形的生成。       受此啟發,建築團隊重新構想場地,將新建築命名為「滿栗台」。在中國古代,「台」既是觀景之所,也是與自然互動的介面。項目透過 地形導向設計,在棚屋殘存的邏輯中重建人與栗樹景觀之間的關係,使建築成為山地生活的一部分,而非其外來形式。 A similar relationship between architecture and landscape appears in this

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