Scent Of The Finest Lalique

Soleil Lalique_ Eau de Parfum

On The Scent Of The Finest Lalique

 

On the Scent of the Finest Lalique

 

An exceptional private collection of  Lalique  perfume bottles comes for sale at Lyon & Turnbull this month. The collection, numbering 150 different bottles was assembled over a number of years by a collector who had long fallen under the spell of René Lalique, will be offered in a live online auction on Thursday 17th February. Estimates range from: £300-500 to £20,000-30,000.

 

▍RESULTS UPDATE: The collection sold for a premium-inclusive total of £658,000. The aggregate was more than double the pre-sale estimate with the selling rate a near faultless 96%. “It is a rare occurrence for a collection of Lalique scent bottles of this calibre and scale to appear on the market and I was thrilled to be asked to handle it”, said Joy McCall, Senior Specialist and Head of Sale. “The results are testament to the quality of the collection. Participation in the sale came from a broad international audience and it was lovely to meet so many new clients with a passion for Lalique.” Highlights included the Bouchon Cassis bottle, designed in 1920, with its stopper formed of cascading bunches of currants, selling for between £5250 to record sums of £18,750. The similar Bouchon Mûres (Blackberries stopper) bottle sharing the same base, also in black and clear glass, was deemed rarer still. It sold at £27,500.

 

It was in the early 20th century that Lalique turned his attention from handmade jewellery to making glass by industrial methods. Some of his first creations were for the perfumier François Coty, his neighbour on the place Vendôme in Paris, who believed success in the fragrance business lay in beautiful packaging and an affordable price.

 

On the Scent of the Finest LaliqueRene Lalique – Althea scent bottle, © Lyon & Turnbull[/caption]

 

Ever since Lalique designed the Cyclamen bottle for Coty in 1909 (the first commercial bottle he designed in its entirety estimate £700-900) the perfume industry has invested heavily in bespoke packaging. Lalique designed bottles – each a small masterpiece in terms of aesthetic beauty and quality of execution – for more than 60 perfumiers, fashion houses and department stores plus bottles for his own Maison Lalique brand. Some exist in the collection in multiple versions, each with a different colour treatment or finish. For example, the Bouchon Cassis bottle with its stopper formed of cascading bunches of grapes is offered herein for different colours guided from £2000-3000 (orange) to £7000-9000 (black).

 

On the Scent of the Finest LaliqueOiseau de Feu (Firebird), 1922

 

While Lalique’s most detailed designs typically hold the greatest appeal, this collection includes some of the hardest to find bottles. Head of Sale, Joy McCall, says “the collection was formed in equal measure by a great passion for the subject and the thrill of the chase when searching for the rarest bottles”. Some Lalique pieces were made in small limited editions such as the 200 Cadeau de Paques egg-form scent bottles, produced for Worth in Easter 1928 (estimate £600-900) or the Trèsor de la Mer presentation box (an opalescent oyster shell containing a pearl perfume flask) that was made in 1936 to mark the tenth anniversary of Adam Gimbel’s management of Saks on Fifth Avenue in New York. Designed by Francois Barette for Marc Lalique, it was produced in a limited edition of 100 examples for Christmas that year alongside the opening of Saks Palm Beach, Florida. It is probably the rarest ‘bottle’ in the collection and has a guide of £20,000-30,000.

 

On the Scent of the Finest LaliqueRene Lalique – Petalia Tokolon, © Lyon & Turnbull

 

Other bottles were so technically challenging to make that very few exist. The complex Althea bottle designed in 1911 (estimate £15,000-20,000) was probably never put into full production, so too the Roses bottle formed a single bloom designed 1912 (estimate £8000-12,000). The collection will be on view in Lyon & Turnbull’s gallery at 22 Connaught St, London from 14th to 17th February.  The auction will take place live online from 1pm on Thursday 17 February.

 

On the Scent of the Finest LaliqueSirene (statuette/hood ornament), 1920

 

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
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Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

油紙傘蘊含著圓滿、團聚和命運的深刻文化內涵

油紙傘蘊含著圓滿、團聚和命運的深刻文化內涵

    傘下眾人齊聚在「傘」(傘)這個漢字中,也能發現「人」(人)的反覆出現,對客家人而言,油紙傘蘊含著深刻的文化內涵,它像徵著圓滿、團聚和命運。   對客家人而言,油紙傘蘊含著深刻的文化內涵。它像徵著圓滿、團聚和命運,提醒人們人生的際遇既由偶然性引導,也由連結引領。即使在「傘」(傘)這個漢字中,也能發現「人」(人)的反覆出現,暗示著人與人之間的相聚、依賴和相互依存。     受這種層層象徵意義的啟發,以將傳統工藝轉化為當代結構美學而聞名的藝術家鄭宗峰,以傘為創作核心主題。他將傘擴展為三個巨大的輻射狀傘蓋,如同防護盾一樣水平展開。它們共同構成了一個大型建築裝置,邀請參觀者駐足其下,駐足休憩,共享片刻寧靜。       馮氏的創作始於對傳統客家油紙傘本身的深入研究——它精緻的部件、精準的比例以及精妙的接合工藝。透過解構與重組,他重新構想了三把傘的骨架,將它們交織成一個庇護空間,擁抱並包裹著進入其中的人們。       圍繞著中央的袖珍花園,木質圓形長椅提供了休憩的空間,在人與自然生長之間營造出平衡。頂篷採用穿孔帆布製成:白天,它沐浴在陽光和空氣中;夜晚,它像燈籠一樣發出柔和的光芒;雨中,其傾斜的表面自然地將雨水導走,既保留了遮陽傘的日常功能,又在建築尺度上將其放大。       三把傘狀造型以中心軸為中心向外輻射,形成萬花筒般的幾何圖形,隨著視角的變化而改變。置身其中,彷彿置身於一艘奇幻的太空船,靜靜地漂浮在宇宙中——一個既奇妙、私密又寧靜的空間。馮氏將客家傳統元素重塑為空間形式,邀請觀眾不僅觀看,更融入作品之中,體驗其所蘊含的聚集、守護和充滿想像力的逃離的氛圍。          

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