Alonso’s Concrete House Uses Ceramics and Wood to Humanise Raw Concrete

Ceramics and Wood to Add Texture to a House
In this Mexican residence, ceramics and wood soften the rawness of concrete, revealing how material layering can shape warmth, tactility, and the lived atmosphere of domestic space.

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

Commissioned to design a family house in a cul-de-sac in the densely built residential neighbourhood of San Miguel de Allende, a colonial-era city in Mexico’s central highlands known for its baroque Spanish architecture, Mexican architect Mauricio Alonso of local practice m aquitecturA had to contend with an awkwardly shaped plot with a steep inclination. His solution: a slim, two-storey, cantilevered building that turns its back to the street, opening up instead out onto an expansive garden that takes over half of the property. Designed as a tight composition of cubic volumes and rectangular planes, the concrete structure is imbued with a sense of lightness thanks to large glass openings with ceramic and steel elements that further enhance its sculptural sensibility.

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Pulling into the driveway, you are greeted by a blind façade; psupported on two steel columns and clad in square ceramic tiles, a low-cost material that echoes the town’s historic courtyards, the five-metre-high façade is designed to ensure privacy but also makes for a bold architectural statement. A staircase that leads from the street-level parking to the entrance on the first floor is constructed out of locally sourced flagstones, their organic shapes complementing the rectilinear design of the concrete structure.

 

Entering the house through a floor-to-ceiling mahogany door, you step into an open-plan living space centred on a double-height living room with an adjacent dining area, kitchen and study/TV room, the latter delineated by translucent sliding doors that can disappear into the walls. Enveloped in patio doors and windows, the light-filled space enjoys generous views of the garden, which Alonso cleverly extended by designing a concrete platform over the parking level below which is one of the main reasons that he elevated the house in the first place.

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

Architect Mauricio Alonso Uses Ceramics and Wood to Add Texture to a Concrete House in Mexic

 

A glass-enclosed staircase that juts out of the main building volume provides a buffer zone between the social areas on the lower level and the family’s private quarters upstairs. Ample natural light and views are also abundant upstairs thanks to floor-to-ceiling windows in both the master and the child’s bedroom. The former opens onto a large terrace where a latticed wall made of angled concrete panels offer both shading and privacy, much the same as the vertical timber slats on the second bedroom.

 

Underpinning a minimalist aesthetic of clean lines and simple forms, the use of materials such as exposed concrete and white mahogany imbue the pared-down interiors with a tactile sensibility with terrazzo and ceramic tiling adding more textures to the mix. The result is a muted yet soulful canvas that comes alive through the interplay of light and shadow as well as the verdant vistas that await at every corner.

 

 

 

 

 

 

 

 

 

 

Ceramics and Wood to Add Texture to a House

 

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Traditional Bavarian farmhouse interior with wooden furniture, brick walls, and natural daylight from twin windows

巴伐利亞山麓農舍的轉化使用與重新詮釋

巴伐利亞山麓農舍在既有結構中轉用,空間重新改造   巴伐利亞山麓農舍在既有結構中轉用,穀倉與牛棚沿原有跨距被重新安排,挑高與居住空間被直接分開,色彩與材料進入其中,在不同房間與界面之間逐步展開,讓傳統建築在使用與改造過程中慢慢轉變。       坐落在 Bavaria’s Allgäu 地區起伏的山麓,一座擁有200年歷史的農舍經過改造,煥然一新,成為一家設計感十足的賓館。原有建築位於坡地邊緣,其基礎與承重牆體順應地勢展開,改造並未抹平這些條件,而是保留結構的原始受力邏輯 (existing structure) 它既保留了鄉村的質樸風情,也散發著鮮明的現代氣息。新介入的空間並非覆蓋舊構,而是透過插入與減量,使新舊結構之間形成可辨識的層次關係如今,Ebenrieder 賓館擁有五套公寓和四間客房,在保留其傳統建築風格的同時,也融入了 Munich 室內設計師 Stephanie Thatenhorst (斯蒂芬妮﹡塔滕霍斯特) 的巧思,賦予其全新的空間感和美學清晰度。原有房間格局依據農舍的結構跨距被重新調整 (structural span),部分牆體被打開或保留,以維持荷載傳遞的連續性,同時引入新的動線節點 Thatenhorst 的設計方案生動而富有表現力,巧妙地將建築的鄉村特色與現代設計理念融合在一起。設計並未刻意隱藏結構,而是讓梁柱、厚牆與開口關係成為空間閱讀的一部分她從1960年代米蘭的室內設計中汲取靈感,精心打造出色彩、圖案和形式的巧妙互動,在過去與現在之間建立起一種充滿活力的對話色彩與幾何配置並非單純裝飾,而是依附於既有結構節點展開,使視覺秩序與結構分布產生對應。  

Light and Space — Editor’s Note

Light is not decoration — it is structure. 在這些建築裡,光不是附加條件,而是塑造空間的骨架。Light and Space 關注那些讓感知成為建築核心的作品:開口如何框景、陰影如何定義深度、自然光如何改變時間的節奏。空間不再只是容器,而是一種與光共同生成的體驗。這些建築提醒我們,人居環境真正的力量不在於形式,而在於它如何被觀看、被穿越、被感受。 Light is never neutral. In these projects, light is framed, filtered, stretched and

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