The project Sira House is Like a Book in Which The Story of These Characters is Written

Cover SiraHouse - The project Sira House is Like a Book in Which The Story of These Characters is Written

The project Sira House is like a book in which the story of these characters is written. Germán, «Barrio de la Villa» (Vélez-Málaga), characterized by its steep streets and whitewashed facades with cement baseboards or gray paint.

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Sira (January 1986), «Calle de Los Naranjos», spaciousness, light, and the smell of the orange tree. Vélez-Málaga. The project Sira House is like a book in which the story of these characters is written. The facades would be the sheets in which the stories are told. Finally, the house is the result of the marriage between the protagonists, in this case, his son, «Paquito».

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The project Sira House is Like a Book in Which The Story of These Characters is Written of Duality In

The project Sira House is like a book in which the story of these characters is written of duality in. The house presents an antagonistic duality in its facades. While the southwest facade is open to a large patio. Open to light and natural ventilation -which takes us to the world of sensations experienced by Sira-. The northeast corner presents a much more traditional aesthetic of white canvases resting on a gray concrete plinth. The holes of this orientation are simplified in size and position, seeking to frame the views. Until finding a large window on the roof with views over the «Barrio de la Villa», where Germán grew up. This glass canvas captures in its reflection the Church of Santa María. A historic building in the city that witnessed the marriage between both.

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The Orange tree where Sira Lived

The orange tree where Sira lived. To understand this story we will have to climb the stairs. Where the first thing we will see on ground floor is the patio of the orange tree where Sira lived. In the intermediate levels of the house, we will discover the neighborhood of La Villa between the window openings. Until, in the end, we will reach the highest point: the viewpoint of the Church of Santa María. As in all books, stories are can not be told without a narrator. Which at the same time. Uses a fountain pen as a tool to write them. Well, in this project the fountain pen is the stair. The project Sira House is like a book in which the story of these characters is written.

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KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

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San Juan Bautista Vélez - The project Sira House is Like a Book in Which The Story of These Characters is Written

 

Cover SiraHouse - The project Sira House is Like a Book in Which The Story of These Characters is Written

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Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
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Ceramic House - Studio RAP Designs a 3-D Print; Ceramic Facade that Echoes Amsterdam's Architectural Heritage

Studio RAP Designs a 3-D Printed

  ▏Ceramic Facade that Echoes Amsterdam’s Architectural Heritage     ▏If there were any doubts that historic architecture can harmoniously coexist with advanced construction technologies,

油紙傘蘊含著圓滿、團聚和命運的深刻文化內涵

油紙傘蘊含著圓滿、團聚和命運的深刻文化內涵

    傘下眾人齊聚在「傘」(傘)這個漢字中,也能發現「人」(人)的反覆出現,對客家人而言,油紙傘蘊含著深刻的文化內涵,它像徵著圓滿、團聚和命運。   對客家人而言,油紙傘蘊含著深刻的文化內涵。它像徵著圓滿、團聚和命運,提醒人們人生的際遇既由偶然性引導,也由連結引領。即使在「傘」(傘)這個漢字中,也能發現「人」(人)的反覆出現,暗示著人與人之間的相聚、依賴和相互依存。     受這種層層象徵意義的啟發,以將傳統工藝轉化為當代結構美學而聞名的藝術家鄭宗峰,以傘為創作核心主題。他將傘擴展為三個巨大的輻射狀傘蓋,如同防護盾一樣水平展開。它們共同構成了一個大型建築裝置,邀請參觀者駐足其下,駐足休憩,共享片刻寧靜。       馮氏的創作始於對傳統客家油紙傘本身的深入研究——它精緻的部件、精準的比例以及精妙的接合工藝。透過解構與重組,他重新構想了三把傘的骨架,將它們交織成一個庇護空間,擁抱並包裹著進入其中的人們。       圍繞著中央的袖珍花園,木質圓形長椅提供了休憩的空間,在人與自然生長之間營造出平衡。頂篷採用穿孔帆布製成:白天,它沐浴在陽光和空氣中;夜晚,它像燈籠一樣發出柔和的光芒;雨中,其傾斜的表面自然地將雨水導走,既保留了遮陽傘的日常功能,又在建築尺度上將其放大。       三把傘狀造型以中心軸為中心向外輻射,形成萬花筒般的幾何圖形,隨著視角的變化而改變。置身其中,彷彿置身於一艘奇幻的太空船,靜靜地漂浮在宇宙中——一個既奇妙、私密又寧靜的空間。馮氏將客家傳統元素重塑為空間形式,邀請觀眾不僅觀看,更融入作品之中,體驗其所蘊含的聚集、守護和充滿想像力的逃離的氛圍。          

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