YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

 

YSL and Louis Vuitton at 2026 Paris Fashion Week Feature, Featuring a series of shows that highlight the relationship between architecture and fashion as creative disciplines.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

▏Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

Paris Fashion Week Men’s Spring/Summer 2026 has just concluded, featuring a series of shows that highlight the relationship between architecture and fashion as creative disciplines. Through carefully curated architectural environments, these shows engage viewers on multiple sensory levels, weaving together visual impact with spatial and material stories that echo the themes and philosophies behind each collection. This intersection between fashion and architecture opens up new possibilities for storytelling, inviting audiences to explore how fashion design and spaces can resonate together to create immersive experiences.

Saint Laurent presented its menswear collection at Tadao Ando‘s Bourse de Commerce, where the building’s cylindrical concrete form and filtered natural light provided a minimal and contemplative backdropLouis Vuitton, by contrast, staged its show in the plaza of the Centre Pompidou, where Studio Mumbai‘s intervention introduced a large-scale, hand-painted installation inspired by Snakes and Ladders. These site-specific choices reflected distinct approaches to engage with architectural context, illustrating how contemporary fashion presentations can extend beyond the runway to enter into dialogue with their surroundings.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

▏Saint Laurent’s Men’s Summer 26 at Tadao Ando’s Bourse de Commerce

Saint Laurent’s Spring/Summer 2026 menswear show was hosted within Tadao Ando‘s Bourse de Commerce, a landmark building in Paris originally constructed in the late 19th century as a commodities exchange. The building’s most distinctive feature is its large cylindrical rotunda, which Ando reimagined using his signature concrete construction and minimalist aesthetic during its recent transformation into the Pinault Collection museum. The rotunda’s soaring, raw concrete walls and circular form create a powerful spatial presence, enhanced by four strategically placed oculi that allow natural light to filter in gently, animating the interior throughout the day. This architectural environment provided a restrained yet compelling backdrop for the collection, emphasizing materiality and form in both fashion and structure.

A key element of the show was the integration of Céleste Boursier‑Mougenot’s “clinamen” installation, a shallow basin of water with floating porcelain bowls that gently chime as they move. Positioned on the rotunda’s floor, the installation introduced a subtle layer of sensory experience, complementing the architectural atmosphere. Designer Anthony Vaccarello chose to present the collection in the soft afternoon light, a deliberate departure from traditional evening shows, emphasizing a geometry of exposure defined by natural daylight rather than artificial illumination. Therefore, the show emphasized Ando’s emphasis on materiality and light, creating an environment that highlighted the interplay between the collection and its architectural context.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

▏Bijoy Jain Designs the Louis Vuitton Set Inspired by Snakes and Ladders

Louis Vuitton‘s Spring/Summer 2026 menswear presentation took place on the public plaza of the Centre Pompidou, a landmark of postmodern architecture known for its exposed structural systems and vibrant color-coded piping. Designed by Renzo Piano and Richard Rogers, the building is known for its inside-out architectural approach, where functional elements such as pipes and escalators are placed on the exterior, creating a highly visible and dynamic façade. The location provided a distinctly urban and industrial backdrop, contrasting with the brand’s artisanal approach to set design. For the show, acclaimed architect Bijoy Jain, founder of Studio Mumbai, collaborated with Louis Vuitton Men’s Creative Director Pharrell Williams to create this large-scale installation.

The set design was inspired by the Indian game of Snakes and Ladders, a metaphor for life’s journeys, growth, and transformation. The installation transformed the public plaza into a hand-painted, textured surface featuring five serpents rendered in burnt umber clay slip and white lime lines, creating a chequerboard pattern at the heart of the space. This intervention introduced playful geometry and contemplative zones while integrating local materials and a cosmic mapping motif, elements characteristic of Jain’s architectural approach.

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

 

▏Architecture and fashion intersect through form and materiality

Architecture and fashion intersect through form and materiality, coming together in sets and exhibitions where space and clothing create a unified experience. In other similar news where architects design fashion exhibitions, OMA stands out with their exhibition designs for Dior, featuring Ethereal Miss Dior Exhibition” in Tokyo‘s Roppongi Museum, and their latest “Christian Dior: Designer of Dreams exhibition in Seoul. Meanwhile, Tadao Ando has designed the exhibition “Karl Lagerfeld: A Line of Beauty” at the Metropolitan Museum of ArtNew York, in 2023.

 

 

 

 

 

 

YSL and Louis Vuitton at Paris Fashion Week Feature Tadao Ando’s Bourse de Commerce and Bijoy Jain’s Set Design

 

 

▏Aesthetics centers in Kanikachic’s highlighting artist/designer experiences

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Per essere insostituibili bisogna sempre essere diverso.  ▎Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo  KanikaChic

苗栗客家文學園遊客中心將自然、與文化環境融合

苗栗客家文學園遊客中心在自然與礦業記憶之間建立對話

由客家聚落與礦業遺產形塑的場域,遊客中心成為觀看風景與閱讀地方文化的媒介。     此項目以融合自然環境與文化地景為核心,將苗栗在地的客家聚落記憶與礦業遺產視為共同生成的背景。客家文學園遊客中心不被設定為單一目的地,而是一種觀看與參與的媒介,透過建築引導視線、動線與停留,讓訪客得以融入日常活動與地方節奏。建築在此不主導敘事,而是成為連結風景、歷史與當代使用者之間的過渡層,讓地方文化以開放而持續的方式被感知。 遊客中心位於苗栗縣公館鎮客家文學園內,該地塊由當地客家聚落和礦業遺產共同塑造。中心坐落在後壟溪谷,視野開闊,設有一條通往群山的櫻花步道,並可直接眺望河對岸歷史悠久的礦坑。該項目旨在將自然環境與文化環境融合。         建築盡量減少空間體量,強調週邊環境,使其成為觀景的媒介,並將遊客融入當地活動。設計摒棄了對客家文化的傳統解讀,而是從更廣闊的尺度分析場地,並以兩條主軸線為主導,分別面向景觀和文化肌理。一條軸線與山巒和山谷平行,延伸至福德村,為遊客提供開闊的視野,同時巧妙地將他們引向聚落。另一條軸線沿著夏至的太陽路徑,連接歷史礦區與西北方向的未來文學博物館,成為地面層的主要交通流線。         建築由一個大屋頂和多個較小的幾何體量構成,強化了視線和動線的軸向聯繫,同時滿足了功能需求。其形態呼應了廣闊的自然和歷史文脈,並利用結構的方向性,謙遜地展現苗栗的自然之美。       建築軸線透過景觀步道、連接室內空間的半室外走廊以及延伸回室外的過渡通道連接起來,使空氣、光線、風和現有生態環境自由流通。建築中心的屋頂下方是一個大跨距的半室外廣場,為公共活動和自發性活動創造了一個開放的聚集空間。橫跨廣場的三角桁架系統不僅體現了軸線的幾何關係,也克服了大跨距帶來的結構挑戰。         材料性巧妙地詮釋了客家文化。板狀混凝土令人聯想到堆疊石牆的堅固,而懸掛的陶土磚影壁則喚起了傳統客家民宅的觸覺記憶。影壁上的穿孔過濾著沿著軸線移動的陽光,強調了自然的作用,並展現了源自場地自身文化、景觀和日常活動的美感。  

倫敦互惠住宅是一場 Gianni Botsford Architects 與 Norman Foster 的對話

倫敦互惠住宅是一場 Gianni Botsford Architects 與 Norman Foster 的對話

Reciprocal House 並未在原有的 19 世紀馬車房上進行擴建,而是以一座全新的建築取而代之,展開一場跨越世代的對話。由 Gianni Botsford Architects 操刀,倫敦這座互惠住宅被視為與 Norman Foster 建築語彙之間的呼應。輕盈的框架結構作為娛樂空間,融合鋼桁架、混凝土砌塊牆與寬幅鋁框玻璃,呈現英國早期高科技建築運動的實驗精神,在傳承與創新之間取得微妙平衡。

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