Hotel Am Holand Enhance the View and the Connection to the Wonderful Landscape

Hotel Am Holand Enhance the View and the Connection to the Wonderful Landscape; How can a 200-year-old Maisäß be remodeled into a hotel with a restaurant, suites and a wellness area?

 

 

How can a 200-year-old Maisäß be remodeled into a hotel with a restaurant, suites and a wellness area ?

 

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How can a 200-year-old Maisäß be remodeled into a hotel with a restaurant, suites and a wellness area?  The “Am Holand” hotel complex can be seen from afar. Two buildings with a gable roof and a connecting building are located on a south-facing slope above the village. The western building – a wooden structure that is over 200 years old – the connecting building and the eastern structure have been renovated and expanded in three construction phases. Architecturally, the focus is on opening and expanding the rooms. This is to enhance the view and the connection to the wonderful landscape and to offer the guest a spacious, coherent spatial structure.

 

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In 2018, the existing house was expanded with a wellness facility on the first floor and an outdoor pool was added. A relaxation room was added to the connecting building. The second construction phase took place in 2021. Since then, guests have been welcomed in the new lobby on the ground floor of the connecting building. In the evening, the “Trustbar” opens in the lobby and with the fireplace and the view of the mountain scenery, another lounge is created for the guest.

 

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The owner of the house is also the head chef. The kitchen is positioned as an open kitchen between the lobby and the dining rooms. This means that the host is always present with his guests and the guest can look over his shoulder while he cooks. Only the height-adjustable counter separates the kitchen from the dining room.

 

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The counter serves as a breakfast buffet in the morning, becomes a cake buffet in the afternoon, and finally becomes a bar or chef’s table in the evening. The old dining rooms were refreshed and two more dining rooms were added. The three spacious suites in the existing building were surprised by their exciting spatial structure. Freestanding showers or bathtubs with a view of the sky enhance the stay experience.

 

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In 2023, of the 14 rooms in the house, the remaining 11 rooms in the eastern building received a general renovation. All surfaces, furniture, and lighting have been renewed. All rooms now have their own outdoor space with the new balcony zone. There are three suites with a roof terrace on the top floor. All three construction phases are made from local wood and by craftsmen from the village, consistently practicing regionality.

 

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Walls and ceilings are made of brushed fir or beech wood and in the eastern part of the building are made of lime plaster; the room floors are made of soaped, rough-sawn beech. The beech furniture in the rooms contrasts with the light wooden surfaces. The lighting concept accentuates the architectural ideas. A moderate hotel with fine touches.

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Hotel Am Holand Enhance the View and the Connection to the Wonderful Landscape; How can a 200-year-old Maisäß be remodeled into a hotel with a restaurant, suites and a wellness area?

 

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Raul De Lara 的奇思妙想木雕作品打破了界限

Raul De Lara 的奇思妙想木雕作品打破了界限

這些作品將原本普通的物品,轉化為奇異而詭異的景象,將木工視為一種敘事方式,一種魔幻寫實主義蓬勃發展的方式,展出他融合植物與家具的超現實主義雕塑作品。匯集了一系列質疑歸屬感和身份認同的作品,並駁斥了國家邊界固定且自然的觀點。   為什麼植物可以被視為多個國家的本土物種,而人類卻不能?這項探究引發了由勞爾·德·拉哈(Raul De Lara)舉辦的大型展覽,展出了他融合植物與家具的超現實主義雕塑作品。 目前正在奧斯汀當代藝術中心展出的《HOST》匯集了一系列質疑歸屬感和身份認同的作品,並駁斥了國家邊界固定且自然的觀點。德拉拉使用德州和墨西哥特有的木材,雕刻出從鐵鍊上長出的盆栽龜背竹、佈滿長刺的課桌,以及偽裝成兒童搖馬的仙人掌。 這些作品將原本普通的物品──例如一把鏟子,或是插在花瓶裡的一簇巨大的雛菊──轉化為奇異而詭異的景象。許多作品甚至變得無法使用,其中包括一架帶釘子的梯子,就連我們中最勇敢的人也不敢攀爬。     德拉拉現居皇后區里奇伍德,在奧斯汀附近長大,父母是墨西哥移民。他最初在自家的木工坊學習木工,他形容那裡是「一個世界,在那裡,每件工具都有自己的語言,每塊木頭都流露出歲月的痕跡,人們可以透過雙手進行交流。」 在這片神聖的空間裡,瀰漫著對萬物有靈、運氣和超自然現象的強烈信仰,也讓這位初露頭角的藝術家意識到,他可以利用特定材料的能量。 如今,他將木工視為一種敘事方式,一種魔幻寫實主義蓬勃發展的方式。 「我樂於接受這樣的觀點:藝術品本身就能擁有生命的火花,並將其延伸到我們身上,」德拉拉說道,並補充道: 創作作品時,我會想起童年時看到當地雕刻家把樹枝雕刻成聖人的場景。我總是好奇,在雕刻的哪個階段,鬼魂會進入那塊木頭。我努力創作出能贏得觀者某種信任和接納的作品,讓他們能夠脫離我們的束縛而活下去。 隨著全球對移民和人權議題的擔憂日益加劇,德拉拉的作品顯得格外重要。這位藝術家擁有DACA(童年抵美者暫緩遣返計劃)的身份,親身體驗了新政府帶來的動盪和快速變革。     他的雕塑捕捉到了一種奇思妙想和玩味的感覺,這似乎與現實背道而馳,但對德拉拉來說,木工,乃至更廣泛的傳統工藝,都是一種超能力。 「它無法被奪走,因為它不受地域、政治或法律的束縛。你可以隨身攜帶它,在任何地方與任何人練習,而且很多時候,它還能化解我們之間的差異,」他說。 觀看HOST至 2026 年 1 月 11

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