Petralona House by Point Supreme — Collage as an Adaptive Reuse Strategy

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House
At Petralona House, Point Supreme merges architectural collage with adaptive reuse, transforming an existing structure into a layered dialogue between preservation and contemporary intervention.

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

︳Athens-based architects and life-partners Konstantinos Pantazis and Marianna Rentzou, founders of the architectural practice Point Supreme, have a talent for creating visually and spatially intriguing projects that offer a refreshing, postmodern-inflected antidote to the formalistic sophistication and minimalist ethos of contemporary design. Embracing the art of collage and the art of adaptive reuse, their work eschews the lulling sensation of homogeneous spaces and stylistic continuity in favour of a curated medley of diverse references, techniques and typologies that nevertheless coalesce into a coherent narrative. Case in point, the duo’s own home in Petralona, a charming Athenians neighbourhood on the foot of Philopappos Hill where Neoclassical and interwar houses stand side by side with non-descript apartment buildings.

Originally a modest 1955 single-storey house, the building has been radically reconfigured, including the construction of two additional floors, challenging social and spatial conventions. Boldly mixing low with high culture, industrial with vernacular elements, and iconic architectural tropes with commonplace features, the house is full of personality, encapsulating the duo’s distinct architectural magic realism approach.

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

︳2. The duo’s passion for collage is evident throughout the property, from the quirky decorative flourishes, to the distinct character of each room, through to the façade. The latter is divided into three distinct horizontal zones; the ground floor sets the tone with its vibrant colour palette of blue, red and terracotta, the first floor’s folklore sensibility takes a page from traditional Greek housing, while the second floor’s simplicity alludes to modernist masters like Le Corbusier.

 

︳ The duo’s passion for collage is evident throughout the property, from the quirky decorative flourishes, to the distinct character of each room, through to the façade. The latter is divided into three distinct horizontal zones; the ground floor sets the tone with its vibrant colour palette of blue, red and terracotta, the first floor’s folklore sensibility takes a page from traditional Greek housing, while the second floor’s simplicity alludes to modernist masters like Le Corbusier.

The team retained the existing building’s footprint but proceeded with completely gutting the interior in order to create a spacious open-plan living, dining and kitchen area. Housing the private quarters, the two new floors are designed to form a triple-height void at the heart of the communal space that offers connecting views throughout the residence. The atrium-like space features a living tree planted through a hole cut in the floor, niches for plants and flowers, windows on all sides bringing in plenty of daylight, and large patio doors opening onto the garden blurring the distinction between indoors and outdoors, drawing inspiration from the courtyards at the heart of Athenian multi-tenant housing of yesteryear, which functioned as the neighbourhood’s social hubs.

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

︳Connecting the communal zone on the ground floor with the bedrooms on the upper levels, the house’s staircase is a small piece of architecture in itself. Morphing from a peach-painted concrete volume to a black steel structure, the staircase also incorporates built-in seating and a formidable bookcase that extends across all three levels. This unique construction is part of a series of building features that blend architecture, furniture and objects as part of Pantazis and Rentzou’s aim to design a “flexible and inclusive” residence. For the same reason, the construction of the house includes a plethora of found and reclaimed materials sourced from junk yards and abandoned structures.

More than a sustainable practice and a cost cutting solution – the project began in the midst of the Greek financial crisis in 2016 – adaptive reuse was a creative way for the architects to create a sui generis house. It also helped them with imbuing each room with a distinct character; from the peach-hued, modernist-inspired master bedroom, to the folkloric-tinged second bedroom and the adjacent all-green bathroom, to the brutalist atrium structure, each space sports its own’s details, materiality, references and even façade – as previously mentioned. It’s a credit to the two architects’ sense of balance and composition that despite such variety, the house doesn’t feel disjointed or haphazardly stitched up. On the contrary, Pantazis and Rentzou’s home come across as a joyful environment that prioritizes the lived experience above architecture norms and trends.

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

The Art of Collage Meets the Art of Adaptive Reuse in Point Supreme's Petralona House

 

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo
─────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

Wes Anderson's Asteroid City Jumps off the Big Screen into the Real World in Fondazione Prada in Milan

Wes Anderson’s Asteroid City

    ︳Wes Anderson’s Asteroid City Jumps off the Big Screen into the Real World in Fondazione Prada in Milan     ︳Anybody who likes

西水峪在半山腰鑿出一塊栗樹露台

西水峪栗樹露台在棚屋邏輯中重構山地生活

從棚屋學習結構與遮蔭智慧,新建築在栗樹林中生長,而非侵入。     在西水峪附近的半山腰,人們鑿出一處台地,栗樹成林,生活與勞動在濃蔭之下自然展開。受限於施工條件,早期隨意搭建的棚屋反而成為新建築的原型線索。建築並未否定這些臨時結構,而是向棚屋學習——從材料運用到空間尺度,回應工人作為山地生活專家的經驗智慧。平台上的栗樹被保留下來,棚屋穿插其間,使建築生長於樹林之中,而非凌駕其上。 十五世紀初,昌平府黃華鎮正忙著修築長城。在西水峪附近,一處無名山谷中,人們在半山腰鑿出一塊台地,將無數粗糙的黃石運上去。據推測,當時人們原本打算建造一道圍牆,但不知何故,工程被擱置,留下散落的黃石堆成長長的一坨。千百年來,這裡種植大量的栗樹,人們在濃蔭下生活勞動,每到秋天,方圓百里的山谷都覆蓋著蓬鬆的栗子皮。 2019年我們到達時,台地上駐紮著一支施工隊,搭建了三、四個臨時工棚,建築材料和設備散落在各處。在一片雜亂之中,數十棵老栗樹依然茁壯成長,最大的一棵需要三個人才能圍攏過來。     向棚屋學習。業主原本計劃在這裡開發一個營地,利用階梯狀的階梯搭建幾組帳篷。為了服務營地,平台上需要固定的設施。然而,由於施工限制,早期隨意搭建的棚屋已經勾勒出新建築的輪廓。對於渴望自由繪製藍圖的建築師來說,這最初令人沮喪。然而,仔細觀察這些棚屋後,發現工人們都是山地生活的專家。他們知道哪裡地基穩固,哪裡陽光充足,哪裡可以躲避呼嘯的山風。此外,他們也非常珍惜平台上的栗樹,巧妙地將棚屋穿插在樹林中。       受此啟發,我們重新構想了場地。秋季,栗子殼覆蓋地面的景象格外引人注目——這是燕山地區罕見而豐富的景象。因此,我們將新建築命名為「滿栗台」。在中國古代,「台」是一個定義模糊的建築概念。它可以是人們觀賞風景的場所,也可以是人們與風景互動的方式。我們試圖在原始棚屋的殘骸中重新建立人與景觀之間的連結。         在某些方面,這些棚屋的建造相當隨意。例如,屋頂的建造順應了雨雪的盛行方向,選擇了能夠最有效排水的坡度。至於材料,則採用了簡單實用的方法。外觀則使用了其他項目的剩餘材料。然而,這些權宜之計卻帶來了意想不到的輕盈和簡潔,為這座山地建築營造出一種自由的感覺。這裡有很多值得學習的地方。因此,我們更願意將整個過程稱為「重建」。       木造與新遺跡。由於山地地形的限制,整個建築群採用木結構建造,並在相對緊湊的建築體量內結合了木框架和木剪力牆。在木框架結構部分,我們刻意避免了傳統的木結構形式。例如,平面採用了等間距的開間,立面採用非對稱設計,而對於懸挑的屋簷,我們放棄了木結構,轉而採用更輕盈、更真實的鋼結構。      

Facebook
Twitter
LinkedIn
Tumblr
0 0 votes
Article Rating
Subscribe
Notify of
guest
0 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
Search