American Style Frames the Costume Institute’s Next Exhibition

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As the Costume Institute announces its new exhibition theme, architecture and interior design re-emerge as material interpreters of American style, shaping how cultural identity is staged and experienced.

 

As the Costume Institute Announces Its Next Exhibition Theme 9 Iconic Houses of American

As the costume institute announces its next exhibition theme 9 iconic houses of American.  In the field of architecture, the country began to develop a strong sense of identity.  “There was a constant willingness to experiment and innovate,  which helped to secure America’s prominent position on architectural map.  And send its fresh ideas back into the wider world.”  In the introduction to 2021 book,  The Iconic American House:  Architectural Masterworks Since 1900 (Thames & Hudson).  As the costume institute announces its next exhibition theme which traces United States’ residential development throughout the century current day.

 

As the Costume Institute Announces Its Next Exhibition Theme

9 Iconic Houses American’s Style

1)  9 Iconic Houses American’s Style:  Fallingwater (1939).  Frank Lloyd Wright’s Fallingwater (1939).  In Mill Run,  Pennsylvania, might be the most famous American house of all time,  save the White House.

 

As the Costume Institute Announces Its Next Exhibition Theme

2)  9 Iconic Houses American’s Style:  Sculptured House (1965).  During the midcentury,  some architects turned to curvaceous forms for both public structures.  Like Eero Saarinen’s TWA Terminal (1962) at JFK in New York.  And Residential ones,  like Charles Deaton’s Sculptured House (1965) in Golden,  Colorado,  shown here.

 

As the Costume Institute Announces Its Next Exhibition Theme

3)  9 Iconic Houses American’s Style:  Eames House (1949).  For their home in Pacific Palisades,  California,  built in 1949 Charles and Ray Eames played with juxtaposition.  Like double-height spaces and intimate ones,  prefabricated elements and handcrafted ones.

 

As the Costume Institute Announces Its Next Exhibition Theme

4)  9 Iconic Houses American’s Style:  Greenberg House (1991).  Ricardo Legorreta’s Greenberg House (1991) in Los Angeles plays with color and shadow,  both inside and out.

 

As the Costume Institute Announces Its Next Exhibition Theme

5)  9 Iconic Houses American’s Style:  The Pierre (2010).  Tom Kundig of Olson Kundig created a sense of monumentality with concrete in The Pierre (2010).  Located in Washington’s San Juan Islands,  but kept the home light and bright to maximize views of the Salish Sea.

 

As the Costume Institute Announces Its Next Exhibition Theme

6)  9 Iconic Houses American’s Style:  Farmstead & Conoid Studio (1959).  Japanese aesthetics meet American ones at the Nakashima Farmstead & Conoid Studio (1959).  In New Hope,  Pennsylvania,  a laboratory of sorts for George Nakashima.

 

As the Costume Institute Announces Its Next Exhibition Theme

7)  9 Iconic Houses American’s Style:  Gerald Ford Estate (21st century).  Originally designed by Welton Becket & Associates in 1978. The Gerald Ford Estate in Rancho Mirage,  California,  received an update by Marmol Radziner in the 21st century.  The mural, table,  chairs,  and rug in the dining room,  however,  are original.

 

As the Costume Institute Announces Its Next Exhibition Theme

8)  9 Iconic Houses American’s Style:  High Desert House (1993).  Kendrick Bangs Kellogg designed the High Desert House (1993). In Joshua Tree,  California,  to be both organic and futuristic,  blending in with the otherworldly landscapes of the desert.

 

As the Costume Institute Announces Its Next Exhibition Theme - Toro Canyon (1999)

9)  9 Iconic Houses American’s Style:  Toro Canyon (1999).  The risk of wildfires informed the design of the House at Toro Canyon (1999).  By Barton Myers,  located in Montecito,  California.  As such,  water features prominently across the property.

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

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Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
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碎片重組 2025 科莫湖設計節精彩亮點

2025 科莫湖設計節在材料與記憶之間重組碎片

在優雅與生產傳統並存的城市背景下,設計與景觀展開一場節奏緩慢卻深刻的對話。     科莫湖設計節呈現的是一種與主流設計盛會截然不同的節奏——緩慢、克制,且深深植根於地方感之中。設計在此不追逐聲量,而是與歷史、景觀與工藝展開對話。在森林覆蓋的山丘與美好年代別墅的環繞下,科莫湖的城市身分始終與優雅與生產緊密相連,從羅馬式石雕、理性主義建築,到曾經遍布歐洲的絲綢產業。正是在這樣的脈絡中,零散而精準的亮點重新拼組出 2025 科莫湖設計節的樣貌。 說到設計活動,很少有地方能在活動的密度方面與米蘭設計週相媲美。然而,剛從第七屆科莫湖設計節回來的我們意識到,與設計最能引起共鳴的邂逅並不總是來自規模,而是來自環境。科莫,以其多層次的魅力和手工傳統,提供了截然不同的東西:較慢的節奏和地方感,設計與歷史、景觀和工藝對話。在森林覆蓋的山丘和美好年代別墅的背景下,這座城市的身份始終與優雅和生產聯繫在一起——從羅馬式石雕和理性主義建築到曾經覆蓋歐洲的絲綢工廠。在這樣的背景下,藝術節在別墅、公園和廢棄的教堂中展開,其主題「碎片」不僅透過展出的物品迴盪,也透過城市本身迴盪,層層歷史構成了一幅城市掛毯,過去的碎片交織在當代日常中。     今年的主題恰逢其時。在一個飽受衝突與氣候劇變影響的世界裡,碎片化已成為日常現實。本屆科莫湖設計節邀請觀者將其視為一種重生契機,而非崩解。無論是對廢棄石材與木材的再利用,或是對歷史與個人敘事的層層疊加,展覽呈現出一種以 材料再利用 為核心的設計態度。我們的旅程從藝術節中心 Chilometro della Conoscenza 開始,這座線性公園串聯三棟歷史別墅,也成為設計碎片被重新拼接的空間載體。       許多作品以材料本身為敘事主角,保留其傷痕與不規則性。Sho Ota 與 Sam Henley 合作的

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