Cipo Laoling Residence Reimagines the Village Hotel as a Contemporary Rural Settlement

Cipo Laoling Residence village hotel with white buildings set within rural mountain landscape
Rather than imposing a single monumental structure, Cipo Laoling Residence breaks a village hotel into a constellation of white volumes that echo rural settlements while creating a contemporary hospitality experience immersed in nature.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

A Village Hotel Shaped by Landscape and Local Scale

Nestled among fields, streams, ponds, and low mountains, Cipo Laoling Residence is conceived as a contemporary interpretation of a traditional village. The development consists of 16 interconnected white volumes whose varied heights, orientations, and openings generate unique perspectives while maintaining a close relationship with the surrounding landscape. Painted in textured white finishes inspired by local cattle and egrets, the architecture stands out gently while remaining deeply connected to its rural setting.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Fragmented Forms Create Flexible Spatial Experiences

Instead of creating a single large building, the architects explored multiple organizational strategies before developing a clustered settlement composed of smaller volumes. Influenced by decentralized architectural precedents and local village growth patterns, the design divides the program into guest accommodations and public amenities through two distinct spatial systems. This fragmented approach generates unexpected pathways, layered outdoor spaces, and dynamic visual connections, transforming the village hotel into a rich architectural landscape where hospitality, community, and nature coexist seamlessly.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Warm Interior and Small Cabins – The exterior is white and abstract, and in contrast we aim for a sense of warmth and material texture in the interior. In spaces where visitors are likely to touch and feel the surfaces or where they tend to spend longer time, such as guest rooms, restaurants, and cafes, we chose solid wood, textured plaster paint, and warm-toned terrazzo, which are the primary materials in this project; in spaces where people tend to move through quickly and are less likely to touch the surfaces, such as public halls and circulation spaces, we expanded our material language by using supplementary materials including bamboo-patterned prefabricated panels, stainless steel sheets, and black or grey terrazzo. Thus, transitioning from the exterior to the interior, the spaces gradually become materialised and tangible, gaining a sense of warmth. Additionally, we have incorporated small wooden cabins within the interior to provide visitors with a cosy and enjoyable experience. For example, the reception area of this village hotel is designed as a small cabin with a sloping roof, which helps visitors to feel at home. Moreover, this sloping roof conceals the air conditioning system, ensuring the whole space is neat and tidy. Similarly, each parent-child suite has a loft designed as a cute wooden house, allowing children to have an intimate space of their own within the suite.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Well-defined and Continuous Public Spaces – There are two sets of public spaces. In the east wing, public spaces are arranged in a radial structure, at the core is a two-storey high atrium that is like a plaza with a skylight; surrounding it, on the ground floor there are storefronts facing towards the centre, including restaurants, a handcraft workshop, and a café connected to the bakery. On the first floor, on top of public spaces such as restaurants and yoga room, there are five parent-child suites that are separated from the public spaces by solid walls, with only a few openings providing visual access to the communal area. The east wing gains a sense of community due to its mixing residential function with shared areas: there are not only spaces for private family time but also easy access to the continuous public spaces, allowing for both solitude and social interaction. The other set of public spaces is the public lounge located in the hallway of the west wing, designated as the guest room area. The lounge consists of three square spaces interconnected at the corners. The first space is two-storey high, with a bamboo-formwork concrete suspended walkway spanning over the space at one-storey height, and has many openings, letting light in from different directions; entering this space, visitors could check in at the wooden cabin reception, and take their time to relax and wait. The second space is one storey high, featuring a long, horizontal corner window, seats arranged along the window, and a fireplace at the centre; the atmosphere is quiet and cosy. The third space is 600mm lower than the second one in elevation level; divided by low bookshelves it serves as a lively and vibrant area for parents and children to read or play together. The sight line is unobstructed throughout the three spaces, allowing visitors to perceive the three spaces as one while providing everyone with they own private corners.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Guest Rooms with Various Orientations – Out of the 23 guest rooms in the west wing, 17 are standard rooms and double rooms. They share a similar layout but vary slightly in orientation, location, openings, and size, ensuring that no two guest rooms are identical: some have balconies, some have terraces with spa tubs, some have courtyards, some have large floor-to-ceiling windows facing the fields, some face the lake, and others face the mountains. The other 6 rooms are special suites, including three parent-child suites with lofts and a rooftop suite. The rooftop suite features accesses to three rooftop gardens in different directions, suitable for accommodation and rooftop parties.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Open towards Nature – In the building, there is also a multipurpose hall with a cross-shaped layout. The central part of the hall is a 10m x 20m rectangular space, suitable for meetings, small performances, and other routine uses. On each side of the main hall, there is a concealed side stage. When the nearly 8-meter-wide openings are fully opened, the boundary between the building and nature disappears. People can then see through the entire building from north to south. Such a setup can be used for a natural music concert or, with nature as a backdrop, for an outdoor wedding ceremony. We look forward to discovering more possibilities as it is being used.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

A Zigzag Pathway – The two wings are connected by a zigzag pathway in the settlement, which links the guest rooms to the public areas. Unlike the typical dull and uneventful straight hotel corridor that does not provide any view, this zigzag allows visitors to experience it fully. It twists, branches, offers scenic vistas, passes through a two-story high space, extends to the outdoor areas, and leads visitors to the roof garden or the fields.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

A Long Journey – This project took 5 years, from the very beginning of concept design in 2018 to its completion in 2023. We’ve been through three years of the global pandemic; and there have been adjustments to the functional objectives, changes in the client and in the operator. We sincerely appreciate everyone who’s taken part in this project throughout the journey, because all of them supported our team and helped us grow. At the same time, we’ve learnt to face and adapt to challenges brought about by volatile conditions; and fortunately, we have successfully kept our initial idea in the completed work.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Brief Collective Living – More and more urbanites go on a holiday in the countryside not for specific lookouts or attractions, but just to spend some time with family or friends in an environment closer to nature. Therefore, a village hotel should not just provide accommodation; it is also an opportunity to create a tiny world for people to linger around or explore, and this is what we’ve tried to achieve in this project. A well-designed village hotel can also be an ideal place for a brief episode of collective living, even with strangers. Hopefully, in this settlement in the countryside, people can find moments of solitude, come together in joy, quietly contemplate, and celebrate together in the fields.

 

This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

 

Cipo Laoling Residence:This a Village Hotel the Building is Painted White, Echoing the Colour of the Cows and the Egrets, Standing Out While Harmonizing with their Natural Surroundings

地下建築機電系統與通風管線,展現隱藏於結構中的能源消耗與環境成本

地下建築的環境成本從來沒有被真正看見

地下建築常被當成一種節省空間,甚至被包裝成對環境友善的選擇。但這種說法只成立在地表以上。一旦視線往下移,所有被隱藏的成本就開始浮現——不是消失,而是被推遲、被轉移,最後被重新分配。 地下並不是解法,它只是把問題壓進另一個層次。當我們選擇不看見,它們就暫時不存在;但那只是視覺上的缺席,不是現實的消除。     地下空間常被視為穩定與安全的延伸,彷彿是一種不受外界干擾的建築基礎,然而這種想像忽略了其背後龐大的能量消耗與維運系統,使地下建築不僅不是被動的結構支撐,而是高度依賴能源與技術持續運作的環境,其存在本身即意味著一種長期且不可見的成本累積。     在地下空間之中,光線、空氣與溫度不再由自然條件提供,而是完全依賴人工系統進行調節,通風設備、抽排系統與照明設施持續運轉,使空間得以維持基本的使用狀態,然而這些維持穩定的條件並非自然存在,而是透過持續的能源輸入所換取的結果,使地下建築在日常運作之中不斷消耗資源,形成一種看似靜止卻實際高度動態的能量循環,而這種循環往往被隱藏於結構與設備之後,難以被直接感知 隨著地下空間規模的不斷擴大,其維運需求也隨之增加,從交通系統、商業空間到儲存設施,地下逐漸成為城市運作不可或缺的一部分,然而這些空間所依賴的系統同時也帶來長期的能源負擔與環境影響,設備的更新與維護、系統的持續運轉與升級,都意味著額外的資源投入,使地下建築不僅在建造階段消耗大量能量,更在其生命週期之中持續產生成本,並在長期運作之下,逐步反映於整體基礎設施對地景的重組之中。這些成本並未直接體現在可見的形式之中,卻深刻影響著整體環境 當地下被視為可無限擴展的空間時,其背後所隱含的限制與代價反而更加被忽略,建築與城市傾向將地下視為一種可被持續開發的資源,而非需要被審視的結構條件,使這些空間在提供功能與安全的同時,也不斷累積不可逆的環境負擔,這種將成本隱藏於深層結構之中的運作方式,使我們難以全面理解地下建築的真實影響,並進一步強化了對其依賴而不自覺的狀態       這些被隱藏於地下的能量消耗與環境成本,最終仍指向同一個問題——建築如何在能源、材料與基礎設施交織而成的系統之中被持續支撐與重構。       挖掘的開始 一切從開挖開始。土方被移除,岩層被破壞,地下水系被迫改道。這些改變不會消失,它們只是被轉移到別的地方,被分散到更難追蹤的位置。 我們習慣用「開發」、「建設」這些詞來描述這些行為,但這些語言本身已經在替過程減壓。真正發生的事情更直接:地層被切開,結構被打斷,一種原本穩定的系統被迫重新排列。這不是中性行為,也不是單純的技術操作,而是一種不可逆的介入。 一旦開始,就沒有回到原來狀態這件事。所有之後的設計與選擇,都只是對這個破壞結果的回應。     這些被隱藏於地下的能量消耗與環境成本,最終仍指向同一個問題——建築如何在能源、材料與基礎設施交織而成的系統之中被持續支撐與重構。  

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Industry 4.0 and AI

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