Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

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Human subjects to the ongoing coronavirus distorted by nature in double-exposure photographs by more of works. Human subjects distorted by nature in double-exposure photographs by more of works that expertly blend themes of nature and humanity.
During the first frost in the southern region of Finland, shot dense patches of branches, ferns, and blades of grass as part of a new set of double-exposure photographs.
Titled We Are Nature Vol. 6, the monochromatic project merges human figures with nature to generate a portrait of a woman whose forehead is substituted with overflowing brush.
Another image shows two kids whose features are obscured by leaves and vines.

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

Human Subjects to the Ongoing Coronavirus Distorted by Nature in Double-exposure Photographs

Human subjects to the ongoing coronavirus distorted by nature in double-exposure photographs, has a background in freelance photographer with PhD in architectural arts, for the decides how to pair [each subject] and natural element based on graphical compositions and forms. “The botanical textures are matched more after the overall mood. If it feels wrong, I will simply trust my gut.”

Whereas many of his previous projects had been [blended in-camera], altered his method for this series thanks to extra time indoors due to the ongoing coronavirus pandemic.

“I decided, however, to still bring inspiration from both the multiple exposure film algorithms (negative film) and some basic darkroom techniques.”

When doing it in-camera, the manipulation is basically done instantly. Then while using external software (Photoshop) I get more flexibility and options. Not always for the better. I have ruined artworks by taking it too far. Doing it in-camera can feel really rewarding when done right. But the pressure can be tiring.

More of works that expertly blend themes of nature and humanity, human subjects to the ongoing coronavirus distorted by nature in double-exposure photographs.

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

 

 

 

 

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landmark timber architecture with flowing roof integrated into lakes landscape

絲綢之路友誼園湖畔餐廳以木構重組湖岸動線

絲綢之路友誼園湖畔餐廳沿湖岸展開,木構順著動線延伸,將入口、平台與用餐空間串在一起。   位於定州絲綢之路友誼園的湖畔餐廳,順著湖岸慢慢展開,木構沿著動線延伸,把入口、平台和用餐空間接在一起。人從園區走進來,穿過拱門到水邊,再進入室內用餐,空間不是一次看完,而是在走動之中慢慢出現,建築與湖面之間的關係也在這個過程裡被感覺出來。       你不是直接走進餐廳。 而是先踩進水裡,再慢慢靠近建築。 該項目位於定州園林博覽會絲綢之路友誼園的核心景觀區。這類沿湖岸展開的餐廳設計,往往會讓建築動線與景觀路徑彼此重疊。木構在這裡不只是結構形式,也成為連接場地與使用的空間介面。花園整體景觀設計以「祥雲」為主題,環形景觀大道貫穿整個花園,向心式佈局營造出豐富多樣的景緻。其中,餐廳沿著中央湖泊的弧形岸線緩緩展開,其編織木結構形成自由舒展的弧形,宛如起伏的森林樹冠。餐廳與周圍的自然環境完美融合,彷彿翩翩起舞。       2) 從設計之初,團隊便著力解決公園緊湊佈局和湖面空間珍貴性所帶來的挑戰,力求建築與濱水環境完美融合,避免破壞水景。waterfront architecture often relies on integrating circulation with landscape edges 最終,他們採用了將建築與景觀動線融為一體的設計方案。遊客沿著花園小徑,穿過現代木質拱門,拾級而上即可到達濱水平台。錯落有致的木質格架與水邊平台和二層露台相呼應,不僅打破了建築過長帶來的單調感,更透過半封閉半開放的設計,實現了建築與自然的和諧統一。  

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