In Intricately Cut Collages

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

In intricately cut collages flowers, foliage, and crown-like adornments encompass anonymous portraits. Painted floral motifs on carefully torn pieces of paper paired with slats of wood appear like lath exposed beneath ornate wallpaper. Providing a backdrop for the elegant silhouettes, layers of intricately cut paper evoke strength and vulnerability in elegant collages. Elaborate designs of the figures’ headdresses suggest wrought iron with delicate strands of plants or ribbon partially obscuring their faces. In series Paper Thin, explores myriad techniques for working with the ubiquitous material.

Inspired to examine relationships between surface, pattern, and volume, how medium can be both fragile and solid, rigid yet flexible. That the series evokes “dualities of strength and vulnerability. As stark black fences crown the regal female figures, but these barriers are, in the end, only paper thin.”

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In the Ethereal Portraits

Obscured faces peek through tangles of leaves and stems in the ethereal portraits. Mixed-media collages layer textured graphite gradients and mesh-like cuttings into splintered depictions of subjects. “Fragmentary’ is one word. That I return to again and again because I think portraiture is an act of catching glimmers of a person.”   “I like the idea of not being able to see everything. Having multiple layers partially conceals but the patterns of foliage, (which) also act like a kind of shelter.”

For each work, first illustrates a single figure. The subjects shown here are models Yuka Mannami and Hoyeon Jung. Then digitally draws a corresponding botanical pattern. Those motifs are cut with the help of a Silhouette Cameo machine before they’re built up sheet by sheet. Graceful and at times surreal, resulting portraits portray fractions of faces and hands that are duplicated or filtered through colorful webs.

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

In intricately cut collages, Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Elegant Collages

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
─────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

‘Out of Print,’a Shepard Fairey 回顧展,深入探討抗議的力量

‘Out of Print,’a Shepard Fairey 回顧展,深入探討抗議的力量

    絕版——Shepard Fairey 深入探討抗議的力量,以其大膽的插畫和極具辨識度的海報而聞名,在街頭藝術和滑板文化領域聲名鵲起,1989年創作了一張貼紙,頭像成為他之後數十幅印刷品上的常見圖案。在2008年總統競選期間風靡主流,他的肖像出現在“希望”一詞上方。這幅充滿樂觀精神的作品展現了草根行動主義。   從女權主義活動家安吉拉·戴維斯到政治動盪中像徵和平的標誌性符號,謝潑德·費爾雷以其大膽的插畫和極具辨識度的海報而聞名。他在街頭藝術和滑板文化領域聲名鵲起,1989年創作了一張貼紙,上面寫著“巨人安德烈有幫派”,這張貼紙廣為流傳,並最終使這位摔跤手的頭像成為他之後數十幅印刷品上的常見圖案。 費爾雷的圖案設計在2008年巴拉克·奧巴馬總統競選期間風靡主流,他的肖像出現在“希望”一詞上方。這幅充滿樂觀精神的作品展現了草根行動主義,深入探討抗議的力量,尤其是透過印刷和分享圖像的方式,如何能夠成為標誌性符號並產生巨大的影響。     由Beyond the Streets畫廊呈現的費爾雷作品回顧展「絕版」(Out of Print)頌揚了畫廊所稱的「墨水和紙張所蘊含的反叛而民主的力量」。展覽展出了費爾雷過去幾十年來創作的400多幅版畫作品以及他的新作。許多海報都強調了他對行動主義、賦權和抗議的關注。他被稱為“服從巨人”(Obey Giant)的顛覆性實踐甚至還有一句口號:“自1989年以來,製造高品質的異議。” 費爾雷經常將20世紀早期宣傳海報,尤其是蘇聯宣傳海報的色彩搭配和現代主義圖形元素融入作品中。他將與法西斯主義相關的設計元素融入和平、女性主義、愛與民主的訊息中,從而強化了印刷媒介的力量。 “有些人說數位媒體終結了印刷,但印刷品在牆上或戶外所帶來的那種震撼人心、觸感十足的體驗是無法取代的,”費爾雷說道,“印刷依然重要!” 展覽將於11月15日至1月11日在洛杉磯舉行。欲了解更多信息,請訪問畫廊網站,關注費爾雷的最新動態,並在他的商店購買版畫。            

Residing within a small hotel in the center of Reykjavik, the capital of Iceland is [a permanent art exhibition featuring paintings, sketches, and sculptures by Icelandic artists], dating from the late 19th century to the late 20th century.

Permanent Art Exhibition

Permanent Art Exhibition Captures the Legacy of Iceland     Residing within a small hotel in the center of Reykjavik, the capital of Iceland is

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