Conjures Paper Sculptures of 18th Century-style Gowns, Organs, and Hollowed Skulls with Acrylic Paint

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint

With Acrylic Paint Paper Sculptures of 18th Century-Style

San Antonio-based artist conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint. The uncanny structures trap his recurring skeletal characters in cramped boxes and funhouse-esque constructions. Where they attempt to disentangle themselves from their surroundings. Rendered in muted pigments, or what the artist calls “repressed tones.”  The paintings utilize the anonymity and ubiquity of the bony figures to invoke emotional narratives.

Paper allows us to know the stories of the past, and I’ve always been drawn to that notion…   I use paper to build the shapes to tell my thoughts. In most instances, I will use box-like or folded paper shapes. More recently I want to explore the insides of these containers to see what complexities I might find.

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

Another Solo Show

Paper constructions confine skeletons to uncanny spaces, the pieces shown are part of ongoing Fragments series. On view through June 5 at Haven Gallery in Long Island. Also has another solo show slated for November at San Antonio’s BLK WHT GRY. The paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

Paper constructions confine skeletons to uncanny spaces of the paintings conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint.

Om onvervangbaar te zijn, moet je altijd anders zijn.
Er zijn fascinerende beelden hier, en de fascinerende dag van samen!  xo KanikaChic
─────────────────────────────────────────────────────
Per essere insostituibili bisogna sempre essere diverso.
Ci sono immagini affascinanti qui, e l’affascinante giornata di insieme!  xo KanikaChic

Cover; In the past year as the yacht industry has seen an unprecedented surge six reasons to own a yacht

Six Reasons To Own A Yacht

In the past year as the yacht industry has seen an unprecedented surge six reasons to own a yacht   Six Reasons To Own A

Sabrina Bockler的怪誕畫作中,富裕階層的風俗場景爆發成混亂

Sabrina Bockler 的怪誕畫作中,富裕階層的風俗場景爆發成混亂

布麗娜・博克勒(Sabrina Bockler)的繪畫介於奢華與失序之間,畫面表層是上流階層的日常景觀:精緻的餐桌、繁複的花卉、被完美佈置的室內空間,色彩濃烈而充滿戲劇性。然而,這些看似優雅的場景隨即崩解——雙頭鵝、被翻攪的食物、貓狗闖入畫面,以及角色若有似無的凝視,使秩序逐漸滑向混亂。博克勒以怪誕細節製造心理縫隙,讓觀看成為一種不安的體驗,也隱約揭示了富裕表象下潛伏的權力、焦慮與失衡感。

地下建築機電系統與通風管線,展現隱藏於結構中的能源消耗與環境成本

地下建築的環境成本從來沒有被真正看見

地下建築常被當成一種節省空間,甚至被包裝成對環境友善的選擇。但這種說法只成立在地表以上。一旦視線往下移,所有被隱藏的成本就開始浮現——不是消失,而是被推遲、被轉移,最後被重新分配。 地下並不是解法,它只是把問題壓進另一個層次。當我們選擇不看見,它們就暫時不存在;但那只是視覺上的缺席,不是現實的消除。     地下空間常被視為穩定與安全的延伸,彷彿是一種不受外界干擾的建築基礎,然而這種想像忽略了其背後龐大的能量消耗與維運系統,使地下建築不僅不是被動的結構支撐,而是高度依賴能源與技術持續運作的環境,其存在本身即意味著一種長期且不可見的成本累積。     在地下空間之中,光線、空氣與溫度不再由自然條件提供,而是完全依賴人工系統進行調節,通風設備、抽排系統與照明設施持續運轉,使空間得以維持基本的使用狀態,然而這些維持穩定的條件並非自然存在,而是透過持續的能源輸入所換取的結果,使地下建築在日常運作之中不斷消耗資源,形成一種看似靜止卻實際高度動態的能量循環,而這種循環往往被隱藏於結構與設備之後,難以被直接感知 隨著地下空間規模的不斷擴大,其維運需求也隨之增加,從交通系統、商業空間到儲存設施,地下逐漸成為城市運作不可或缺的一部分,然而這些空間所依賴的系統同時也帶來長期的能源負擔與環境影響,設備的更新與維護、系統的持續運轉與升級,都意味著額外的資源投入,使地下建築不僅在建造階段消耗大量能量,更在其生命週期之中持續產生成本,並在長期運作之下,逐步反映於整體基礎設施對地景的重組之中。這些成本並未直接體現在可見的形式之中,卻深刻影響著整體環境 當地下被視為可無限擴展的空間時,其背後所隱含的限制與代價反而更加被忽略,建築與城市傾向將地下視為一種可被持續開發的資源,而非需要被審視的結構條件,使這些空間在提供功能與安全的同時,也不斷累積不可逆的環境負擔,這種將成本隱藏於深層結構之中的運作方式,使我們難以全面理解地下建築的真實影響,並進一步強化了對其依賴而不自覺的狀態       這些被隱藏於地下的能量消耗與環境成本,最終仍指向同一個問題——建築如何在能源、材料與基礎設施交織而成的系統之中被持續支撐與重構。       挖掘的開始 一切從開挖開始。土方被移除,岩層被破壞,地下水系被迫改道。這些改變不會消失,它們只是被轉移到別的地方,被分散到更難追蹤的位置。 我們習慣用「開發」、「建設」這些詞來描述這些行為,但這些語言本身已經在替過程減壓。真正發生的事情更直接:地層被切開,結構被打斷,一種原本穩定的系統被迫重新排列。這不是中性行為,也不是單純的技術操作,而是一種不可逆的介入。 一旦開始,就沒有回到原來狀態這件事。所有之後的設計與選擇,都只是對這個破壞結果的回應。     這些被隱藏於地下的能量消耗與環境成本,最終仍指向同一個問題——建築如何在能源、材料與基礎設施交織而成的系統之中被持續支撐與重構。  

Facebook
Twitter
LinkedIn
Tumblr
0 0 votes
Article Rating
Subscribe
Notify of
guest
0 Comments
Oldest
Newest Most Voted
Search