A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia

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A massive wave of luminous figures scales a dark wall in ataraxia by Eugenio Cuttica. One-hundred five fiberglass figures stand atop white chairs in rows that extend from the floor to the ten-meter high ceiling.

Part of an exhibition titled Ataraxia, the LED-lit installation invokes the ideas behind the Greek word, which roughly translates to imperturbability, equanimity, and tranquility.

The glowing project by Argentinian artist Eugenio Cuttica was on view in 2019 at the MAR Museum in Buenos. A massive wave of luminous figures scales a dark wall in ataraxia. Aires and explored the ways subjects can achieve balance and happiness through freedom from desire.

 

A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica

A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica. Ataraxia, the artist said in a statement, “points to a calm beauty, a calm but agitating act, moves the spirit and can even cause fear. It is an art that refers to the observer’s consciousness in its own insignificance and in unity with nature.”

In addition to the expansive wave, the exhibition also featured a series of wooden boats and paintings meant to reflect on fertility, abundance, the sublime qualities of Argentinian landscapes, and the ways art and food intersect. A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica.

The same feminine form is interspersed throughout and can be seen standing in one of the suspended vessels. A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica.

Cuttica currently splits his time between his studios in Buenos Aires, New York, Miami, and Milan. A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica.

A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia

 

A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia

 

A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia

 

 

 

 

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A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia

Barrancas House 用反射立面與光影,讓住宅重新融入墨西哥城的綠意

Barrancas House 以反射金屬立面與懸浮形體回應 Mexico City 街區,重新定義住宅與自然的共生關係。     位於墨西哥城綠意濃密的住宅區,Barrancas House 是 PPAA 對都市住宅的一次細膩回應。建築透過反射金屬基座、懸浮的白色體積與層層退縮的露台,建立街道、庭園與居住空間之若即若離的關係。室內則以天然石膏、石材與木質肌理構築安靜且克制的生活氛圍,將光線、景觀與材料轉化為住宅最重要的設計語言。     反射立面模糊了住宅與街景的界線 在墨西哥城西部綠樹成蔭的住宅區,當地建築事務所 PPAA 設計了一棟名為「Barrancas」的住宅。其低調的設計背後,蘊藏著精心構思的空間佈局,模糊了建築與景觀的界線。這棟三層住宅由對比鮮明的元素構成:一個紮根於大地、通透的基座,掩映於綠意之中;以及一個彷彿懸浮於其上的立方體上層空間。透過這種開放與封閉的互動,Barrancas House探討了住宅建築如何在與自然和諧共處的同時,保障住戶的隱私。 這棟住宅為街道呈現出同時存在兩種特性、一種引人入勝的二分法。在地面層,建築立面覆以反光金屬板,在視覺上與週圍環境融為一體,入口門和車庫開口也幾乎隱沒於其中,降低了建築的視覺存在感。一個寬敞的花壇巧妙地融入街道入口,其中種植著一棵枝繁葉茂的藍花楹樹和茂盛的植物,它們柔和地倒映在金屬立面上,進一步強化了建築師柔化城市與住宅之間過渡的意圖,也讓反射金屬立面成為串連街景、自然與住宅之間最鮮明的設計特色。        

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