A Note on What We Publish
15/02/2026
We don’t publish to fill categories. We publish what feels worth keeping. KanikaChic is a curated space for architecture,
Adaptive Reuse
15/02/2026
Adaptive Reuse begins where demolition stops and memory refuses to disappear. These projects reject the fantasy of starting from zero.
Architecture and Landscape
14/02/2026
Architecture and Landscape is where buildings stop being objects and start becoming terrain. These projects treat topography, vegetation, climate, and
A Note on What We Publish
15/02/2026
We don’t publish to fill categories. We publish what feels worth keeping. KanikaChic is a curated space for architecture,
Adaptive Reuse
15/02/2026
Adaptive Reuse begins where demolition stops and memory refuses to disappear. These projects reject the fantasy of starting from zero.
Architecture and Landscape
14/02/2026
Architecture and Landscape is where buildings stop being objects and start becoming terrain. These projects treat topography, vegetation, climate, and
Irina Shayk Refuses to Please
09/02/2026
性感不再是被觀看的結果，而是一種主動選擇的姿態。Irina Shayk 在這組為《V》雜誌拍攝的皮革影像中，將身體轉化為權力的容器——不是為了誘惑，而是為了佔據。 在《V》雜誌 2026 春季預覽刊中，Irina Shayk 以皮革為語言，重新定義性感與權力的關係。這組由 Steven Klein 掌鏡、Patti Wilson 操刀造型的大片，不再服務於凝視，而是轉而建構一種帶有防禦性、張力與主權意識的女性形象。層層皮革既是盔甲，也是宣言，標誌著 Shayk 入行二十年的一次冷靜而強勢的轉身。 伊莉娜・莎伊克在最新的封面故事中選擇打破慣性，而非強化形象。這位時尚偶像登上《V》雜誌 2026 年春季預覽刊，與
住進愛琴海的日常裡：Antiparos 島這座現代別墅，安靜卻很時尚
05/02/2026
位於希臘 Antiparos 島西岸，這座現代避暑別墅在嚴格的基克拉迪建築規範下，以乾砌石與裸露混凝土重寫地方傳統。建築順應地形起伏、光線流動與島嶼生活節奏，在當代極簡與日常舒適之間取得平衡，呈現一種不張揚卻高度精準的海島居住想像。