A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

Fotos cover p1—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure. Wrapping a gallery space at the 2020 NGV Triennial is a bowed pavilion of tessellating wood.

Fotos 01—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

 

__01 A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

A curved pavilion designed weaves wooden slats into a tessellating structure. A collaboration between architect Kanika and Australian artist. The large-scale installation is constructed with trees felled at Melbourne’s Royal Botanic Gardens during the millennium drought.

Fotos 02—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

The pointed slats interlock without, and the use of additional supports.  A design derived from traditional Japanese joinery, and create a scaly pattern that allows light to stream through.  A curved pavilion designed weaves wooden slats into a tessellating structure.

Fotos 03—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

 

Titled “Botanical Pavilion,” the curved structure features foraged timber

Titled “Botanical Pavilion,” the curved structure features foraged timber. Titled “Botanical Pavilion,” the curved structure features foraged timber. Some of which predates European colonization on the continent—arranged by color rather than species.

“By prioritizing natural phenomena over scientific order. The designers call into question the reductive nature of science during the colonial era. A mindset at odds with many Indigenous cultural beliefs and knowledge systems,” a statement about the piece says. At both ends, the walkway opens up to reveal artist’s 2017 painting titled “Dialogue.”

“The semi-circular is shape of the pavilion. Invites the visitor into a journey to explore the space and experience the various essences of wood. The porous structure is assembled like a tridimensional. Puzzle without the use of metal connections to be able to reassemble it in a different location.”

__ Text editing/Tekstbewerking: Taylor Ting Kanika

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

 

Fotos cover p1—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

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Caffè Nazionale, Arzignano, Italy

Caffè Nazionale, Arzignano, Italy

    阿爾齊尼亞諾一座19世紀宮殿內的 Caffè Nazionale咖啡館,在飯店室內設計往往追求新奇的時代,Caffè Nazionale 卻另闢蹊徑。它根植於記憶、耐心和對場所的尊重。它展現了建築如何在不喧賓奪主的前提下,悄悄提升日常生活的儀式感。建築師們並沒有改寫歷史,而是採用了減法式的創作方式,重現了被歲月掩埋的原始壁畫、馬賽克地板和建築節奏。     位於義大利北部小鎮阿爾齊尼亞諾一座19世紀宮殿內的Caffè Nazionale咖啡館,與其說是翻新,不如說是一次細緻的聆聽。該項目由義大利AMAA事務所主導,它展現了原有建築的精髓,並巧妙地增添了必要的元素,不多不少,恰到好處。     AMAA由Marcello Galiotto 和 Alessandra Rampazzo創立,其建築理念是將生活空間而非完美狀態視為建築的本質。這一點在你踏入咖啡館的那一刻便能立刻感受到。咖啡館入口處是一扇簡潔而富有質感的鐵質旋轉門,暗示著門後豐富的層次感。從街上看去,它幾乎像是一座公共建築,考慮到這座建築在小鎮社交生活中扮演的悠久角色,這種感覺恰如其分。       建築師們並沒有改寫歷史,而是採用了減法式的創作方式。他們剝離了多年來的改建痕跡,重現了被歲月掩埋的原始壁畫、馬賽克地板和建築節奏。這些元素並沒有被修復成光鮮亮麗、如同博物館展品般的模樣,而是保留了些許原始的質感,清晰易讀,真實自然。     空間體驗緩緩展開。從柱廊進入主廳,再往前走,來到一個被改造成小型白樺花園的內庭院。一道穿孔不銹鋼隔間輕盈地分隔著室內外,過濾光線和人流,而不是阻擋它們。這是建築克制之美的體現。

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