A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

Fotos cover p1—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure. Wrapping a gallery space at the 2020 NGV Triennial is a bowed pavilion of tessellating wood.

Fotos 01—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

 

__01 A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

A curved pavilion designed weaves wooden slats into a tessellating structure. A collaboration between architect Kanika and Australian artist. The large-scale installation is constructed with trees felled at Melbourne’s Royal Botanic Gardens during the millennium drought.

Fotos 02—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

The pointed slats interlock without, and the use of additional supports.  A design derived from traditional Japanese joinery, and create a scaly pattern that allows light to stream through.  A curved pavilion designed weaves wooden slats into a tessellating structure.

Fotos 03—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

 

Titled “Botanical Pavilion,” the curved structure features foraged timber

Titled “Botanical Pavilion,” the curved structure features foraged timber. Titled “Botanical Pavilion,” the curved structure features foraged timber. Some of which predates European colonization on the continent—arranged by color rather than species.

“By prioritizing natural phenomena over scientific order. The designers call into question the reductive nature of science during the colonial era. A mindset at odds with many Indigenous cultural beliefs and knowledge systems,” a statement about the piece says. At both ends, the walkway opens up to reveal artist’s 2017 painting titled “Dialogue.”

“The semi-circular is shape of the pavilion. Invites the visitor into a journey to explore the space and experience the various essences of wood. The porous structure is assembled like a tridimensional. Puzzle without the use of metal connections to be able to reassemble it in a different location.”

__ Text editing/Tekstbewerking: Taylor Ting Kanika

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

 

Fotos cover p1—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

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landmark timber architecture with flowing roof integrated into lakes landscape

絲綢之路友誼園湖畔餐廳以木構重組湖岸動線

絲綢之路友誼園湖畔餐廳沿湖岸展開,木構順著動線延伸,將入口、平台與用餐空間串在一起。   位於定州絲綢之路友誼園的湖畔餐廳,順著湖岸慢慢展開,木構沿著動線延伸,把入口、平台和用餐空間接在一起。人從園區走進來,穿過拱門到水邊,再進入室內用餐,空間不是一次看完,而是在走動之中慢慢出現,建築與湖面之間的關係也在這個過程裡被感覺出來。       你不是直接走進餐廳。 而是先踩進水裡,再慢慢靠近建築。 該項目位於定州園林博覽會絲綢之路友誼園的核心景觀區。這類沿湖岸展開的餐廳設計,往往會讓建築動線與景觀路徑彼此重疊。木構在這裡不只是結構形式,也成為連接場地與使用的空間介面。花園整體景觀設計以「祥雲」為主題,環形景觀大道貫穿整個花園,向心式佈局營造出豐富多樣的景緻。其中,餐廳沿著中央湖泊的弧形岸線緩緩展開,其編織木結構形成自由舒展的弧形,宛如起伏的森林樹冠。餐廳與周圍的自然環境完美融合,彷彿翩翩起舞。       2) 從設計之初,團隊便著力解決公園緊湊佈局和湖面空間珍貴性所帶來的挑戰,力求建築與濱水環境完美融合,避免破壞水景。waterfront architecture often relies on integrating circulation with landscape edges 最終,他們採用了將建築與景觀動線融為一體的設計方案。遊客沿著花園小徑,穿過現代木質拱門,拾級而上即可到達濱水平台。錯落有致的木質格架與水邊平台和二層露台相呼應,不僅打破了建築過長帶來的單調感,更透過半封閉半開放的設計,實現了建築與自然的和諧統一。  

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