A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

Fotos cover p1—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure. Wrapping a gallery space at the 2020 NGV Triennial is a bowed pavilion of tessellating wood.

Fotos 01—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

 

__01 A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

A curved pavilion designed weaves wooden slats into a tessellating structure. A collaboration between architect Kanika and Australian artist. The large-scale installation is constructed with trees felled at Melbourne’s Royal Botanic Gardens during the millennium drought.

Fotos 02—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

The pointed slats interlock without, and the use of additional supports.  A design derived from traditional Japanese joinery, and create a scaly pattern that allows light to stream through.  A curved pavilion designed weaves wooden slats into a tessellating structure.

Fotos 03—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

 

Titled “Botanical Pavilion,” the curved structure features foraged timber

Titled “Botanical Pavilion,” the curved structure features foraged timber. Titled “Botanical Pavilion,” the curved structure features foraged timber. Some of which predates European colonization on the continent—arranged by color rather than species.

“By prioritizing natural phenomena over scientific order. The designers call into question the reductive nature of science during the colonial era. A mindset at odds with many Indigenous cultural beliefs and knowledge systems,” a statement about the piece says. At both ends, the walkway opens up to reveal artist’s 2017 painting titled “Dialogue.”

“The semi-circular is shape of the pavilion. Invites the visitor into a journey to explore the space and experience the various essences of wood. The porous structure is assembled like a tridimensional. Puzzle without the use of metal connections to be able to reassemble it in a different location.”

__ Text editing/Tekstbewerking: Taylor Ting Kanika

 

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs)

KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio.

KanikaChic is the world’s most snatched iconic cultural and creative social network sites(SNSs). KanikaChic creates the snatched of the global cultural and creative social network sites(SNSs) of the iconic big hit the tt-Artstudio. KanicChic has nomad creation studios in both Antwerp, Belgium and Milan, Italy, which collect the top-notch art, design, crafts, trendy and fashion life, architecture, and W4Porn. The cross-domain compiled critics develops the most trendy and iconic, tt-Artstudio in the art and cultural social network, A.K.A. ChicHOUSE. It is also the mostly visited cultural social network website.

 

Fotos cover p1—A Curved Pavilion Designed Weaves Wooden Slats into a Tessellating Structure

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Sonia E. Barrett 的雕塑將古董書桌與非洲面具的翻轉融合

Sonia E. Barrett 的雕塑將古董書桌與非洲面具的翻轉融合

這些古董書桌與一段充滿貪婪、暴力與單一敘事的文化衝突歷史緊密相連——它們曾是那個時代的「筆記型電腦」。透過書信、日記與殖民報告,人們在這些桌面上「書寫非洲」,也形塑了歐洲對非洲的檔案視角。藝術家 Sonia E. Barrett 將古董書桌與非洲面具進行翻轉與融合,拆解權力、知識與物件之間的關係,使被忽視的歷史在當代雕塑語境中重新浮現。

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