Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

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Human subjects to the ongoing coronavirus distorted by nature in double-exposure photographs by more of works. Human subjects distorted by nature in double-exposure photographs by more of works that expertly blend themes of nature and humanity.
During the first frost in the southern region of Finland, shot dense patches of branches, ferns, and blades of grass as part of a new set of double-exposure photographs.
Titled We Are Nature Vol. 6, the monochromatic project merges human figures with nature to generate a portrait of a woman whose forehead is substituted with overflowing brush.
Another image shows two kids whose features are obscured by leaves and vines.

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

Human Subjects to the Ongoing Coronavirus Distorted by Nature in Double-exposure Photographs

Human subjects to the ongoing coronavirus distorted by nature in double-exposure photographs, has a background in freelance photographer with PhD in architectural arts, for the decides how to pair [each subject] and natural element based on graphical compositions and forms. “The botanical textures are matched more after the overall mood. If it feels wrong, I will simply trust my gut.”

Whereas many of his previous projects had been [blended in-camera], altered his method for this series thanks to extra time indoors due to the ongoing coronavirus pandemic.

“I decided, however, to still bring inspiration from both the multiple exposure film algorithms (negative film) and some basic darkroom techniques.”

When doing it in-camera, the manipulation is basically done instantly. Then while using external software (Photoshop) I get more flexibility and options. Not always for the better. I have ruined artworks by taking it too far. Doing it in-camera can feel really rewarding when done right. But the pressure can be tiring.

More of works that expertly blend themes of nature and humanity, human subjects to the ongoing coronavirus distorted by nature in double-exposure photographs.

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

Human Subjects to the [Ongoing Coronavirus] Distorted by Nature in Double-Exposure Photographs by More of Works

 

 

 

 

 

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Raul De Lara 的奇思妙想木雕作品打破了界限

Raul De Lara 的奇思妙想木雕作品打破了界限

這組作品將原本日常而普通的物件轉化為奇異、略帶不安的視覺場景,藝術家把木工視為一種敘事工具,一種讓魔幻寫實主義得以生長的創作方式。植物與家具在作品中被融合為超現實雕塑,模糊功能與象徵之間的界線。這些創作共同指向對歸屬感與身份認同的質疑,同時挑戰國家邊界作為固定且自然存在的觀念,使物件成為政治、記憶與想像的載體。

Antiparos建築被重新定義且Avlakia住宅讓建築成為地景的一部分

    Antiparos 建築不再只是風景背景,Avlakia住宅以地形嵌入與極簡語彙,重新定義人與環境的關係與居住本質,並指向Architecture and Landscape的核心命題   建築嵌入島嶼地形,與環境形成整體關係   Antiparos建築不再只是風景背景,Avlakia住宅透過地形嵌入與極簡策略,直接重寫建築與地景的關係,並重新定義島嶼居住的空間尺度,指向Architecture and Landscape的核心命題   基克拉迪群島的轉變:從度假開發到建築精緻化 與 Cyclades(基克拉迪群島)許多曾經寧靜的島嶼相同,Antiparos(安提帕羅斯島)近年來建築活動穩步增長,新建的度假住宅逐漸重塑原本崎嶇而自然的地形。嚴格的規劃法規雖然限制了建築形式,卻也反過來促使建築師更加專注於比例、尺度與細節,使當代極簡主義得以與在地建築語彙細緻融合,而非流於表面的風格拼貼。 相較於其他熱門旅遊島嶼,當地居民更看重建築背後的意圖,而非視覺上的戲劇性效果。當一個地方的審美標準建立在這樣的基礎上,建築自然也更趨於克制與耐久。由 Argyro Pouliovali 設計的Avlakia住宅,正是在這樣的文化氛圍中誕生。   開口精準控制視線,將海景納入空間   水面與視線延伸形成空間層次  

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